Winifred Meeks

This film is like the Shining. I went completely mad watching this and really wanted to grab and axe and chop the living hell out of it. I couild only last thirty minutes of this and in that time there is literally no horror elements to it at all, even some terrible Horror movies I've seen can pull that off, establish the genre within the first ten minutes, this is so bland, i began to wander off in my mind and wonder what circumstances led to this lead actress agreeing to audition for this and accept to commit to the shooting. I felt sorry for her and I zoned out of the second phone call of her and her father whilst stock footage played.

Almost no plot in this film and what there was of a plot was spun out at a glacially slow pace. Indescribably and cripplingly dull.

The absence of plot is inhabited by characters who, if not almost as tedious, are of zero interest. The viewer is given nothing and no one to care about and merely waits - in vain- to see if anything of interest will happen. It doesn't.

The photographic production and ambience of the film is quite good - if only the crew had been given a decent story to work with.

A shame that everyone involved in this production wasted their opportunity to create something of merit.

I read reviews about this movie and it sounded interesting, a mix of drama and supernatural, something I used to like about British movies when I was a lot younger. First there was the radio drama, playing loudly during a car ride to where she was staying. Why? I'm guessing to cover up the very loud piano music that did not cese playing after. I got the part of "and a happy new year" which played over and over. Why? I do not care if a movie will eventually end up being great, I care about my sanity having to here someone playing bad Chistmas music that has zero to do with anything. Made it to 12 minutes and 22 seconds. Not the first movie with some ego maniac playing loud piano music, is that an insane new movie genre?

This begins with a kind of Universal films tribute - the opening credits come complete with Hans J. Salter's familiar 1940s music suite, and our heroine Anna James is listening to a Universal Sherlock Holmes soundtrack in the opening scenes (1946's 'Terror by Night', as it goes). Before much else happens, she settles down to watch 'Nosferatu' and Vincent Price in further classic old films. It seems that a deliberate decision has been made that identifying these vintage icons is far more interesting than anything else going on here - because for some considerable time, nothing else *is* going on here.

Anna (Lara Belmont) wanders around the big isolated house she has rented. She sits down, stands up, arranges her laptop on a desk, walks around, and has a cuppa. Sometimes she is in daylight, other times in the dark. It is scintillating stuff. There are nice views of the rolling countryside, often with a blue filter over them. All to the strains of melancholy piano music reassuring us all this meandering is deliberate. This is the film.

I very rarely watch a film and get the feeling I am having the mickey taken out of me, but this is the case much of the time here - how long can I watch someone doing nothing? I like slow-burning, atmospheric stories, and there is a remote ambience here; there are also a handful of genuinely eerie moments, but you really have to wait far too long for them. My score is 4 out of 10.

In britain every house older than one generation more or less has some kind of ghost attached to it, the brits are good at that, why so happens is still a mystery, as the mystery we follow in this slow burning ,very small casted called winifreed meeks.

Its a sexually betrayed woman author, that needs a change of space to get harmsway by her beloved one, to try to write and finish a book asap according to her publisher. Dad takes the job as a house seeker, and comes to find a house near the coast i guess southeastshores of england..the woman do get her writing done, but do sense that there are some omnity in the premises. She starts searching local sources , libraries and the web to find the prehistory of the house..

its a slowburning one womans show, not particularly scary, and the storyline must be some of the easiest every foreign interprette job ever done, the acting is realistic, non panicking british, the film hold itself at boyancy do to good, but not overly great filmography. And ominous sound and music follows you all the time as an ambient poltergeist, the locations and the house she lives in is just amazing, seems like a large bed and breakfast hired at a low cost due to pandemic lockdown, 7 or 8 bedrooms there is for sure.

So its a ghost film, is it a friendly ghost i wont tell, just let yourself into the tale, though without the grumpy old mans recommendations. Recommendations.