Amreeka

"Amreeka" has, I would say, all the freshness and the weaknesses an indie movie comes with. Being about a family of Palestinian immigrants struggling to find their way in America and facing all kind of anti-Muslim and anti-Arab stereotypes, this movie cannot escape its own stereotypes. It is a movie that looks schematic in many of its moments. Not in all moments, let's be clear on this point. It is a movie breathing of sincerity and it has a certain pathos. However, sometimes it seems that it gathers all the bad guys on one side and the good guys on the other (you can guess who are the bad guys, and who are the good ones). And after all these, the end seems idyllic; they want to send the good message so to speak, only I'm wandering whether it happens like that also in real life.

Well, one can say that this movie is dealing with a reality which is by itself schematic. This is true: bigotry of any kind is always schematic (to name the least of its sins). The problem is that a movie has an artistic reality of its own, and this artistic reality must be convincing, regardless how schematic the depicted reality could be.

The great asset of this movie is the lead actress, Nisreen Faour. She creates an unforgettable personage, with passion, with honesty, with conviction and stamina. And she is so amazing that the whole movie is contaminated by her enthusiasm and good will.

Let me mention here also Hiam Abbass , a very good actress that I have also seen in many other movies (The Visitor, Munich, Paradise Now, The Syrian Bride).

I seldom comment on movies here but felt compelled to comment on this one. I say "not what you might expect" because I think a lot of people's reactions to this film are going to be heavily influenced by preconceptions about what this film is supposed to be "about." I can't blame them; if I heard that this was "a film about an Arab family's struggles after immigrating the USA after September 11th," I'd probably groan because I'd have certain expectations too. But this is not a "message" film, and if you go into it looking for messages, you're going to miss the point. Rather than political, this film is personal. You could call it simple, but it's not simplistic. Far from it; it refuses to reduce the subtlety and nuance of life to overt messages. I think that an honest, objective viewing of this movie will reveal that, the "stereotypes" and "simplifications" that some reviewers are seeing, were brought in by the reviewers themselves. This is not a perfect film, but it has a lot more depth, beauty and truth than most family dramas, and certainly more than the didactic work one might expect.

1st watched 1/1/2012 – 8 out of 10 (Dir-Cherien Dabis): Well made drama about a single mother and her son moving from Bethlehem in Palestine to the US, and encounter many different obstacles upon their arrival. This movie is what you'd call a slice-of-life film but focused on a situation that isn't shown much in the movies. They decide to move right in the middle of the Iraq conflict to help the son with his schooling possibilities while suspicions are high against people from their area. This is seen from the perspective of non-Muslim middle eastern folk who just want to live their lives like everyone else. The son first has to encounter being a teen at a Midwest high school where he gets into fights and then gets arrested defending his mother – so things aren't so kind for him in his new surroundings. Nisreen Faour is wonderful as the mother and the rest of the cast is spot on. The experience is not all gloom-and-doom as the mother meets a sympathetic Polish Jew who is the principal of her son's school as well as a friendly teen she works with at the local White Castle. The only real downside to the movie is that it ends too soon. You get attached to these characters and want to see more, but it ends before any major conclusions – other than the fact that life will go on and things are looking up. Don't miss this gem of a movie that deserves a sequel or maybe a reality series on a cable channel?? – Anything to bring back these characters so will can follow them to see how things turn out in the end.

What happens when your life is turned upside down by your husband divorcing you for a slimmer, younger woman and walls are built around where you live adding hours every day to your commute to work and you spend every penny to keep your son in a private school? You take the first best opportunity that comes along to get out of that situation. Muna, a Palestinian single woman, does just that when she receives an offer to relocate free to America. This begins the adventures and misadventures of someone immigrating to America with the hopes and promises of a better life. She lands in a small town in Illinois to live (temporarily is the plan) with her sister and physician husband and teenage children until she can establish herself and son. She has two degrees and has had professional experience in the work world so it shouldn't take long - wrong! Told with humor as well as heartbreak (it's just after 9/11and anyone from the Middle East is the enemy), this National Geographic film is a reminder of why people still come to AMREEKA and how easy it is to be misunderstood and to struggle to make a living no matter how hard you are willing to work. It is worth watching by families whose children may be finding it difficult to accept those who don't talk or dress or act just like us. Changing schools as an American teenager can be very difficult. Try coming from another country, especially one we see as an adversary. Highly recommend.

Amreeka (the Arabic word for America) is a humorous and warm-hearted first feature from Cherien Dabis that follows a Palestinian woman, Muna (Nisreen Faour) and her sixteen-year-old son, Fadi (Melkar Muallem) from the checkpoints of the West Bank to the checkmates of racial animosity in a small town in Illinois near Chicago. Set in 2003 at the start of the Iraq War, Muna leaves Bethlehem because she desires a better life for her son and can no longer put up with overbearing Israeli police, the harangues of her elderly mother, and reminders of her philandering ex-husband. The opening sequence in which Muna is ecstatic about receiving her Green Card in the mail and says tearful goodbyes to her family on her way to America joyously captures the closeness of family and their caring for each other in a lighthearted manner.

Unfortunately in the rest of the film things do not go as well for the young family. They have to deal with numerous incidents of overt and covert racism including bullying at school as they try to adjust to a new home and a new country. Things start off badly when Muna and Fadi are harassed for three hours at the airport by Israeli customs and a tin box filled with cookies and all of their savings are handed over by Fadi to customs officials. Fadi does not say anything to his mother about this (a most unlikely circumstance) and the loss is only discovered after the two arrive at the home of relatives in Illinois. From there, things go steadily south. Muna tries to get a job in her profession in a bank but is rejected by employers who look at all Arabs as potential terrorists.

Ending up working at a burger joint, Muna conceals her employment from her relatives, pretending to work at a bank close to the restaurant, but her shame is apparent. Meanwhile Fadi is tormented by school bullies who call him Osama and her relatives begin to bicker over their increased expenses at the time when the family breadwinner, a physician (Yussef Abu Warda), is losing clients because of his Arab appearance. While people need to be reminded of the hurt of racism and the Arabs contribution to the world, Amreeka offers one contrived subplot after another in which Americans are caricatures of either hate-filled racists or Christ-like saviors like Mr. Novatski (Joseph Ziegler), Fadi's principal (who happens to be Jewish).

What could have been an excellent opportunity to explore the problems of assimilation or the treatment of minorities instead becomes a litany of clichés. There is no mention of 9-11, issues involved in the Israeli-Palestinian conflict, or the problem of bullying in schools, and the possibility of involving teachers, school officials, or even the neighborhood church in helping the immigrant family to cope are not examined. While Amreeka has moments of charm and likability and the performances are excellent, the exercise quickly becomes a big screen version of "As the World Turns", doomed by an overly simplistic approach in which victimization substitutes for cooperation in finding solutions.