2012

Roland Emmerich was armed with a $200 million budget, and this is what it produced. It's an easy film to dislike from an intellectual level, artistically as well, while the science fiction boffins no doubt had kittens where the science was concerned. It's also easily one hour too long in length, and come the second half of the marathon it starts to sag. There's only so many times you can watch your lead protagonists escape crumbling carnage - via various modes of transport - before the fun factor begins to wane. However.

The carnage effects are grade "A" stuff, eye popping and ear splintering, Emmerich is a master at this sort of thing, and with a likable cast comfortably chewing through the safe disaster film making screenplay, it's a very decent popcorn blockbuster. It also isn't afraid to explore some dark moments, all of which - while not all being a surprise - strike strong emotional chords. It knows its disaster movie roots and is happy to tug on them.

2012 made a $500 million profit, that's a figure not to be ignored. The blockbuster movie loving public lapped it up, they often love this stuff, they just want to see the world exploding and chases and crashes and humans imploding or being heroic. If you have to strip it bare on any sort of cerebral level, then of course it's naked. But fully clothed, attired purely in modern film popcorn clobber, then it's grand dramatic and exciting fun. And this even as you have to massage your buttocks at the two hour mark. 7/10

If you've seen Independence Day, Titanic, or any recent vintage of the well-worn disaster film genre, you will not be disappointed at all with any of 2012. Its 2.5 hour+ running time moves at a great clip, and there's enough science and pseudoscience running around to give the film a certain of-the-moment wonder and clarity. The many destruction sequences throughout the film are absolutely breathtaking to behold, and one wonders if Roland Emmerich starts every film imagining how he will destroy the White House. Like all of his other films (except for The Patriot) it has big names but no huge names and really is a blast to watch. It has just the right balance of action and melodrama, often, as with all good films of this genre, in the same scene. The audience I watched it with was laughing and cheering throughout, and I'm sure it will be the definitive event movie of the holiday season, critics be damned.

Anybody going to this movie to learn about the Mayan prophecies for 2012 or for any true science, is going to be sadly disappointed. But, that is not why we go to movies anyway, is it? That is like going to see Godzilla expecting to learn something about giant lizards that vomit radioactive spray. Emmerich has taken a fictitious subject he knew would be controversial and woven some drama into it. People who tend to be slightly paranoid will no doubt be even more so after seeing the world destroyed according to interpretations of prophecy. The people who sell the books promoting the fear make money, just like the movie producers. So what? I didn't see this movie to pick up any information I haven't learned from the History Channel, nor do I believe any more than I did before, that anything bad is going to happen on December 21, 2012. Did I go expecting to be highly entertained by great CGI and action? Yes! And I wasn't disappointed! One thing many reviewers haven't been picking up on while watching this movie is the very slight tongue-in-cheekiness of the subject that Emmerich cleverly wove into the plot. He obviously doesn't believe any of the prophecy any more than most of the rest of us do. You can see it in the actors' performances too: Woody Harrelson, to wit. It is the same as a weatherman who can deliver his forecast each night without laughing because he truly doesn't know with certainty what is going to happen, but he tries to make us believe nonetheless.

See this movie if you love cinema. Enjoy the things about cinema that make it great. Take a small pillow for your butt cheeks because almost 3 hours of sitting in an uncomfortable theater seat will make you wish you had. But fear not. There is so much non-stop action you won't notice the discomfort too much.

The film has obvious flaws, trite clichés, and phony science, but if you are a fan of 50's sci-fi, you will love this movie. And remember, don't take it too seriously folks, just enjoy it. The end of the world isn't going to happen in 2012, there really aren't any giant grasshoppers, ants, or lizards roaming the Earth, and no one's career is going to end because of their role in this movie. It is Hollywood having a good time with a controversial subject. Nothing new there.

Enjoy the show!

I had a lot of fun taking my 12 year old son and two of his friends to this movie. 2012 was no more far-fetched than; e.g., Independence Day, The Abyss, Armageddon, The Core.... I could go on and on. Further, the "Gremlins"-like touches of humor made 2012 go down much easier than the afore-mentioned films, which mildly insult by pretending to be plausible science fiction. I get annoyed reading the showy displays of "brilliance" by reviewers who point out that the events are ludicrous, melodramatic, over-the-top, etc. OF COURSE THEY ARE. So was King Kong in 1933. Such critics remind me of sullen adolescents who've just learned the moon isn't really made of green cheese. I recommend they have young children and take them to a Saturday matinée featuring a Jane Austen flick. I'm sure it'll be a swell time for all.

I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.