Peacock

The film itself probably doesn't rate more than 3.5 stars because the plot of "Peacock" strains credibility a bit, but not nearly as much as it might have without Cillian Murphy's fantastic 5-star performance. In this film, he proves himself an actor with great scope and depth.

We learn at the outset (thus no spoiler here) that Murphis playing two characters, alternatively adopting the personality of an obviously dysfunctional young man during workaday hours as a bank file clerk--with a notable performance by Bill Pullman as his supervisor--and then transforming into his mysterious female counterpart, each living separate but connected lives in the same house. I'll say no more about the plot other than that it's a very original story, with appropriate nods to a few classics.

This is no "Tootsie" or "Some Like It Hot" cross-dressing story. This film and Murphy's performance are equally compelling and memorable. See it.

Nothing new here. Another reviewer already noted the travesty. This film circumvented theatrical release with direct to DVD. As far as I can tell, it wasn't even entered into film festivals.

And yet empty pop entertainment receives wide release and huge promo budgets. Guess "Peacock" didn't have the requisite action scene of a car driving through a fruit cart.

What a heartbreak for the actors. Particularly Mr. Murphy, who acted his guts out in this difficult role. His work was stellar. Bravo, Sir. I'll also wager you may never see another film that underscores Ellen Page' dramatic acting chops.

My question to those responsible for burying this film is, what the f@!k is wrong with you? With no title recognition, this gem will wither on Blockbuster shelves. Certainly, stranger and darker films are given a chance. Why not "Peacock?"

Make an effort to see this film. Then turn others on to it. It's not a masterpiece as some say, but it is a slow-building and amazing character study. If you can live without gunshots, high concepts and the venerable screeching car plowing fruit while pedestrians scatter and scream.

Cillian Murphy is really good in this. I actually can almost not think of another actor playing this particular role. It is very demanding and he goes places that I'm sure some people wouldn't dare go (or follow him for that reason). It really is a good movie. A weird little story with great actors all over the place.

I especially loved the ending, though they seemed to be unsure of how to go, since there are alternate endings on the disc. Very slow and very uncomfortable to watch, it is something that I hope will be cherished by quite a few people. Even if it only gets a home entertainment release (like in Germany) and does not see the light of the cinemas. I dare you to watch it

If you want to see an actor exceeding himself in a quite disturbing setting, you should give "Peacock" a try. Cillian Murphy plays the quite quiet bank employee John Skillpa who keeps his life and his whereabouts to himself. One of these aspects is Emma Skillpa, a second personality John has developed in secrecy. In the mornings, Emma takes - nicely made up and dressed - care of John's breakfast, lunch, and everything else a husband might have to do. After breakfast, John takes over and leaves for yet another day at work. Everything changes, though, when Emma is accidentally presented to the public and people in town are suddenly aware of her existence. Things start to turn and John's life is about to change dramatically.

A fantastic Susan Sarandon, a bittersweet Ellen Page, and a believable Josh Lucas play alongside Cillian Murphy who portrays both John and Emma convincingly. The pace of "Peacock" seems just fine and increases as it is supposed to be. I liked the directing of "Peacock" because it creates suspense and despair at the same time and catches the audience's attention nicely. The soundtrack is a wonderful addition to the somehow depressing settings of John's home and his office at work.

People looking for a movie that simply looks and feels good, will presumably not enjoy watching "Peacock". It is absolutely nothing to be seen in between or just to have a good time. The audience is forced to deal with John's mind, his life, and his past. Some questions might even be left unanswered after watching, but this also depends on the audience and the attention people pay.

I was truly satisfied with this movie and the actors' performances. Too bad "Peacock" did obviously not get the attention it deserves.

Cillian Murphy shows what great acting is in this strange, delicate, hard to label film. He plays one character with two distinct separate identities (and more than a few hints of a third) and it is almost impossible to believe either one is Cillian Murphy! From one scene to the next I'd swear his facial bone structure changes, so amazingly complete are his transformations.

For many the film will probably be too slow and carefully paced, and there are a few times when it did feel a little sluggish, but at no point did I ever feel I had a firm idea of where it was going, and I was so curious to find out. That sense of experiencing something completely unexpected is rare in motion pictures these days. Without being a traditional thriller there was considerable suspense, albeit of a more intellectual kind. And at no point were we subjected to cardboard cut-out characters or two dimensional plot-advancers, even in the smallest of roles.

It ends a little ambiguously, which is a momentary disappointment, until you realize that the notion of "mystery" is at the core of this film and leaving us to ponder what the future might hold for these people is perfectly in keeping with it. Ultimately, when it comes to human beings, nothing can be predicted, and you have to sometimes question every thing you think you know.

And can I mention again just how amazing Cillian Murphy is? This even eclipses Breakfast on Pluto (as a performance, but not the film as a whole).