Kurbaan

"New York" & "Kurbaan".... seems like there was a race between the buddies Adi & KJo. The similarities are aplenty and let me not go there on a listing spree. Having accredited and acclaimed for one of the finest screenplay in "Rang De Basanti", expectations are bound to run high from Rensil D'Silva. Paradoxically in "Kurbaan" the screenplay turns out to the weakest link, owing to which the Titanic starts going down under with each passing reel. The DOP also needs to share the blame for giving it a feel of suspense thriller/ whodunit at unwarranted places.

° Saif Ali Khan: The character seems to be a direct lift from "Fanaa". He puts up a strong performance however the the fallacies in the movie overshadow his effort. The smooth talking professor/ love story did not quite gel well.

° Kareena Kapoor: "Love is blind, marriage restores sight" is an apt phrase to describe her character. Avantika appears to be either an emotional fool or fickle-minded. Poor writing indeed.

° Vivek Oberoi: Not quite there.

° Om Puri: The fundamentalist part of the character is straight lift from "Shoot on Sight". However he seems to be having a streak of poor/ impulsive planner.

° Kiron Kher: Get the diction spot on and everything good ends there.

° Nauheed Cyrusi & Dia Mirza barely had few scenes.

° Khulbushan Kharbanda's character was unwarranted.

Coming from the house of KJo music is generally one of the strong points and therefore a few songs are quite good.

There are too many coincidences/ cinematic liberties in the movie. Coming to the premise, the writing of KJo attempts to give a balanced view of both sides of the coin. Sadly the research is inadequate and can be aptly termed as school homework. The writing hardly manages to touch a layer or two at the most. The planning/ plotting/ execution - if the actual terrorists would watch "Kurbaan", they would fall of their chairs and die laughing.

Kurbaan is a major disappointment for me. I expected much more from Karan Johar and was ready to see a powerful and moving picture. But it neither moved nor entertained me as I thought it would. Though the first half is fairly interesting, the entire suspense thing was a complete letdown. Once the so-called "secret" was unveiled, the movie became very predictable, and not even once was I particularly thrilled or shocked or surprised. The script is the film's weakest link. The film fails to convince the viewer. The romance between Saif and Kareena was not believable, the proceedings seemed unjustified by any means, the background of the characters was vague and the reasoning behind their actions was overlooked. At some point the film became overly messy and that too while being slow and boring. The film's subject was hardly evident in it and was seemingly used as a pretext. I did not see the point of the story and what exactly it tried to convey. Did you?

Kurbaan's saving grace may lie in some of the performances. Some. Saif Ali Khan did not impress me here, he was sort of ordinary. Kareena Kapoor was pretty good in her role. She was likable and looked stunning throughout the movie. One performance that completely amazed me though was that of Kirron Kher. She was absolutely outstanding, and her dialogue delivery was natural and powerful. Vivek Oberoi was strictly okay though one must note that his role is underwritten. The film's soundtrack was very good. "Shukran Allah" is a nice song, "Kurbaan Hua" is also very good. The film's last scene was somewhat effective with good acting by Kareena, but a few pluses cannot save this movie, and the final verdict is average. Kurbaan may be a decent one-time watch but overall it is a great disappointment. It is best described as a wannabe thriller which lacks the power to captivate and enthrall. Watch it if you must.

I generally have no expectations from films that preach. Most of the films on terrorism do exactly that. More so, bollywood movies try to preach quite often, terrorism or not.

So I successfully gave-New York, Fanaa a miss without regrets.

But somehow I watched Kurbaan and it turned out to be a non-preachy good piece of art. Its a decent suspense thriller which will make the first-time-viewer think. It quickly moves from some romantic-love-story to conspiracy-theory without a preachy or sympathetic moral of the story - "its only-innocent-poor that are lured into terrorist activities." It sticks to the story and portrays the confusion of an individual who is torn between religion and his unborn child. Also a lesson for girls who fall prey very easily to romantic one-liners from guys who are very sacrificial for the girl they love. Beware of them and watch this worth-a-watch thriller.

Kurban pe koi mat hona Kurban. Its not that bad, you can go watch the movie and if you think its not going to be worth the money, then you can watch it in Single Screen theatres - Paisa Vasool!!

Scientific Miracles in the movie: * Scientific Miracle in the movie, even thought you cant see the bump that Kareena Kapoor is pregnant, we are able to see the ultrasonography of the child. *There is plane blast which is of course done digitally, but then we do not get to see the flying debris, anywhere in the movie. * An individual person can always remember a 10 digit mobile number, even if the person has randomly met or spoken only once on the phone. * Everyone dies in one bullet, but only the actor-hero of the movie, after 3 bullets is still alive for 15 minutes

In a few lines, Kareena Kapoor (Avantika) and Saif Ali Khan (Ishaan) are teachers. She is a professor in United States. She was here in India, cause her dad had a stroke. But later in and then flies out to the USA. Saif tags along with her. Just too realise that Saif is actually part of a terrorist group that is conspiring to blow up the city. The movie that comes to the mind is Fanaa and New York.

The movie takes its own sweet time and has its own pace. Sometimes, there is strong feeling of moving out of the theatre cause it is slow. But then, you also have the Kareena Kapoor who other than looking pretty, has not substance in her role. Her face is looking bigger or was it camera trick.

Saif Ali Khan has done a better role in the Sriram Raghavan's movie Ek Hasina Thi and of course Omkara, there he was convinced us on the playing negative characters with complete ease. He slips here. For some particular reason, Vivek Oberoi had a good acting and lived in his character, with this movie, he surely be getting some push in his career.

Lesser mortals in the movie Kirron Kher is an Afgani in the movie, her dialect an as Afgani trails away while she having the conversation. She was good in the climax scene of the movie. Om Puri was wasted in the movie, he should have had a much more impactful role. Others are not worth mentioning.

If hockey got a boost from Chak De India, don't see teaching getting a boost in this case. But for one, you don't always have hot teachers in the staff room, cuddling or couching cooing. That is something I have to still see as a student or as a teacher.

This is a good song and even the opening credits, though very long was well done!! Enjoy!!

Though a native of India, Avantika (Kareena Kapoor) is currently a professor at a college in New York. On a trip to visit her ailing father in Delhi, Avantika meets and falls in love with another professor, the dapper and dashing Ehsaan (Saif Ali Khan). After a whirlwind courtship - which seems to take place in a slickly-produced shampoo commercial - the star-crossed lovers set up a new life for themselves as a married couple in the States. But all is not unadulterated marital bliss for the newlyweds, as Avantika quickly discovers that Ehsaan is, in reality, a secret Islamic terrorist who married her strictly as a means of getting easy ingress into the United States. The other major character is Riyaz (Vivek Oberoi), a war correspondent for a local news station, who allows himself to be recruited into the sleeper cell of which Ehsaan is a member.

Though "Kurbaan" starts out as a fairly typical - i.e., overly cutesy - Bollywood romance, it quickly transitions into an admittedly bloated but moderately gripping action-movie thriller with serious social overtones. Perhaps because this is an Indian film, the terrorists, though by no means the "heroes" of the story, do get to air their grievances in a somewhat more sympathetic and even-handed fashion than they would were it an American-made production. On the other hand, like most Indian films, this one suffers from over-length and a tendency towards hyperbole when understatement might have been the better course to take. And while the Indian actors are all fine, the American performers leave much to be desired (perhaps the result of an Indian director, Rensil D'Silva, not being able to identify poor line readings when delivered in another language). In addition, the action sequences are often clunky and unconvincingly staged, especially when contrasted with something like the expertly executed "24."

Yet, despite its flaws, "Kurbaan" combines suspense, social commentary, romance and clue-gathering in generally appropriate proportions, which makes the two-hour-and-forty-minute running time pass reasonably quickly.