Freakdog

It's been a while since I liked a horror movie as much as this one. Much credit goes to Arielle Kebbel who is a great actress and looks even better. The director also knows how to film her.

A bunch of medical students go partying. A freaky loner (Kenneth) who may work at the morgue and who has a crush on Cathering (Kebbel) shows up and films their drinking and drug shenanigans. That could get them in serious trouble. So they decide to get him drunk, drugged. But he's also an epileptic who gets seizures with strobe lights. Once he goes into a seizure and starts choking, the group debates whether to help him or rather save their careers. Arguing against helping him is a bastard named Sean. They decide to dump him in front of a hospital.

It turns out that till he gets help, Kenneth's brain has already suffered enough oxygen deprivation to put him in a coma. Cathering, feeling guilty does research and actually medicates him with trial meds to help him. But something strange happens. People suddenly start killing the group of students one by one and yet remember nothing. It's as if they are possessed and it may be Kenneth who thanks to the trial meds gained some type of power.

Horror movies set in hospitals and with medical students always have a lot of potential. Many turn out disappointing. Red Mist on the other hand turned out great. The kills are gory and violent, there's a bit of nudity, the story is very good, the cast looks good and does a great job. Apparently this movie was filmed in Ireland although you can't tell, there are no outdoor scenes. Not sure what the purpose is to film this elsewhere when they don't take advantage of the setting. Overall, a highly recommended horror movie.

Even the extras are worth seeing as Kebbel actually takes part in most of them and shows herself to be a very fun girl.

After inadvertently putting a young man into a coma, a doctor tries to resuscitate him with a powerful new drug being tested at the hospital only for his murderous spirit to possess passers-by and kill them one-by-one for putting him there.

This one managed to be quite enjoyable even if nothing really sticks out afterward. The fact that this is based so much on a familiar, over-done plot-point of having the perpetrator seek revenge by body-hopping from one person to another going after the ones who placed him there is a tired, overdone cliché that really seems quite ludicrous the way it's presented here as being done through the tell-tale sign of a bloody nose after-the-fact, which manages to feel quite lame and ludicrous as yo be the overall source of the possession it really feels quite shorthanded. Though it does manage to have a rather credible back-story in the attempt to tie it in with the out-of-body experience from the experimental drug treatment, the fact that it's never explicitly stated how it's possible to do that makes for a really lame-duck explanation. As well, there's very little thought put into the film's final twist in terms of connecting it to explaining how the various crimes were committed, as this one manages to attempt something interesting in the final minutes only to undermine everything that's happened beforehand with the story to wrap everything up in how it played out, so in the end re-writes itself out of it's original storyline and produces a huge gap in logic rather easily. That said, there's still some good stuff here in the brutal deaths doled out which are quite fun and enjoyable in how shocking and nasty they get, as well as the concept of how it does these acts come about. Though it goes for mere shock value instead of playing about with suspense in these cases, it does work on the brutality stakes more than the actual scare factor. As well, the final matter of dealing with the body is quite ingenious and really unique, looking for a new way to actually deal with the threat that's never been done before and manage to work itself into the story rather nicely, in spite of the problems it perceived into the storyline. These made the film watchable and enjoyable, but it does have a few problems.

Rated R: Graphic Language, Graphic Violence, Brief Nudity and heavy drug use.

Irish film-maker Paddy Breathnach bored me to tears with the asinine drivel that was Shrooms, but being the reasonable fellow that I am, I was willing to give the guy a second chance at impressing me with his next movie, Red Mist AKA Freakdog (the fact that the back of the DVD showed hottie Arielle Kebbel in her undies had nothing to do with my decision—Scout's honour!).

Although this film isn't as soporific as Breathnach's earlier fungi-flavoured flop, at least delivering a few reasonable performances, it's still an ultimately unimpressive effort, with a derivative narrative that borrows heavily from several other horrors (most notably 'I Know What You Did Last Summer' and 'Patrick'), a thoroughly unlikable group of extremely clichéd characters, and a surprising lack of gore given the nasty ways in which the characters meet their fates (a juicy knife-in-the-throat aside, Breathnach misses every opportunity to really gross out his audience).

Oh, and the 'Kebbel in her scanties' scene lasts for all of 10 seconds... grrrrr!

It always strikes me as quite remarkable that med students in horror films are even dumber than the average adolescent horror movie characters. I mean, these people are supposed to represent our doctors and scientists of tomorrow, yet when confronted with a potentially perilous situation, they take the absolute worst decisions of all. Basically speaking, "Red Mist" is another umpteenth variation on the 'I know what you did last Summer' slasher theme. In other words, a bunch of young people do something incredibly stupid that results in the death of an innocent person, but in order to save their own careers/reputations, the make a pact to keep it secret. The events naturally come back to haunt them. The culprits who were immediately prepared to ditch the dead guy usually die first and most painfully. The sole member of the group with a bit of a conscious, usually the one who insists at first on calling the police, still has a slight chance of survival. Nothing new or innovative there, as "Red Mist" revolves on a band of dim-witted med students that go out partying with drugs that they have stolen from the hospital pharmacy and cause for the mentally retarded morgue assistant Kenneth to OD into an epileptic attack and subsequently a coma. The whole group is perfectly happy with Kenneth's "permanent vegetative state", as this prevents him from talking about what really happened, but the celestial Catherine is overrun by feelings of guilt and remorse. To help poor Kenneth and bring him out of the coma, she secretly experiments upon him with a new type of drug. The treatment doesn't have the wanted effect, however, as it causes "out of the body" episodes during which Kenneth possess the bodies of random people and uses them to extract revenge on those who wronged him! Indeed, what we're dealing with here is a genuine amalgamation of "I Know what you did last Summer" and the obscure Aussie shocker "Patrick". The plot isn't very original, but even more troublesome is that "Red Mist" doesn't distinguish itself from the overload of contemporary horror films in terms of gore, atmosphere or suspense, neither. The film is dull and slow-paced, with unmemorable murders and clichéd situations. The attempts to bring additional depth and plot twists are well-intended but completely miss their effect (like the scene where Catherine suddenly awakes in a body bag in the middle of the woods) due to the overall predictability of the concept. The acting performances are decent, especially from Arielle Kebbel and Andrew Lee Potts, but these freshly faced twenty-something hunks and babes seriously don't look like future doctors or surgeons. This film is a slight improvement over "Shrooms" for director Paddy Breatnach, as that film was completely incoherent and messy, but it still isn't solid horror like it ought to be.

Having seen the Northern Ireland premier of this home-grown horror film at QFT in Belfast, I can now share my disappointment in its complete lack of features that would lead me to recommend it. 'Freakdog' tells the somewhat original tale of a comatose man's control over a group of friends, leading them to commit unspeakable acts. Unfortunately, it fails on almost every level; a complete non-starter as a horror film and totally incoherent as a thriller.

The opening portion of the film is simply dull; a chance for the screenwriter's occasionally competent dialogue to be ruined by an ill-conceived cast. The character development is so lacking that all human aspect of the story is played entirely in cliché, and the standard of acting is poor even for a low-budget independent feature.

Of course, the purpose of this film is obviously to provide either shocks or genuine, disturbing scares. It delivers neither. The film is utterly inept as a horror, offering nothing but a series of mild gore scenes to fans of the genre. Essentially, this film is mixture of poor acting, dull cinematography and a script that, despite a few good pieces of dialogue, is both confusing and simplistic in equal measure. However, the production team must be commended for successfully shooting a U.S-set film in Belfast, which is carried of convincingly.

Overall, 'Freakdog' is a poor effort when pitched against either major Hollywood horror films or the usual B-movie fare. It fails to deliver the necessary scares and constantly suffers from poor acting and a ludicrous storyline. I really cannot recommend this film, which is a real shame as I was hoping it would deliver so much more.