VALUTAZIONE IMDb
6,7/10
49.960
LA TUA VALUTAZIONE
Un anno nella vita di tre uomini che cercano di sopravvivere a una riduzione del personale in una grande azienda e le conseguenze su le loro famiglie e le loro comunità.Un anno nella vita di tre uomini che cercano di sopravvivere a una riduzione del personale in una grande azienda e le conseguenze su le loro famiglie e le loro comunità.Un anno nella vita di tre uomini che cercano di sopravvivere a una riduzione del personale in una grande azienda e le conseguenze su le loro famiglie e le loro comunità.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 11 candidature totali
Recensioni in evidenza
Having been in these shoes, I appreciated this movie even more.
This is a solidly entertaining and believable film about professional men (and women) who lose their identities as they lose their jobs in corporate America economic decline.
Some folks rebound, others can't. I grew attached to the characters. Every performance was believable and tight.
I found myself rooting for success, even though it wasn't always in the cards.
The ending wrapped everything up in a tidy ball, which I like.
Bottom line: Solid entertainment with very few explosions.
This is a solidly entertaining and believable film about professional men (and women) who lose their identities as they lose their jobs in corporate America economic decline.
Some folks rebound, others can't. I grew attached to the characters. Every performance was believable and tight.
I found myself rooting for success, even though it wasn't always in the cards.
The ending wrapped everything up in a tidy ball, which I like.
Bottom line: Solid entertainment with very few explosions.
I don't know much about business, but that doesn't mean it's hard to appreciate a good business movie. Despite a few dumbed down bits, The Company Men, comes with a feeling of authenticity with some heart and decent performances from everybody. That is good enough for me.
In a hundred minutes, The Company Men gives us a small taste of what The recession did to American business. It does so in a way that favours character over making anti-corporate statements. The movie chooses to zoom in on the lives of three sales executives and how they deal with job loss.
I've never been in love with Ben Affleck, but when he wants to, he can show some professionalism. In The Company Men he does just that, proving capable of hitting all the emotional notes when necessary, something I feel he missed in his previous film the Town.
The Company Men is actually a rather sad movie. It is only a hundred minute in length, but it feels longer. There is a good amount of talk, but nothing ever feels too contrived, wasted or unnecessary. Is it a brilliant film? No, but I can safely recommend it.
In a hundred minutes, The Company Men gives us a small taste of what The recession did to American business. It does so in a way that favours character over making anti-corporate statements. The movie chooses to zoom in on the lives of three sales executives and how they deal with job loss.
I've never been in love with Ben Affleck, but when he wants to, he can show some professionalism. In The Company Men he does just that, proving capable of hitting all the emotional notes when necessary, something I feel he missed in his previous film the Town.
The Company Men is actually a rather sad movie. It is only a hundred minute in length, but it feels longer. There is a good amount of talk, but nothing ever feels too contrived, wasted or unnecessary. Is it a brilliant film? No, but I can safely recommend it.
I was able to find this online even though it's not at the movies, yet. The thing I like most about the movie is how it accurately depicts how the rich are getting richer in this recession while the bottom falls out for most of us. The daily news seems to report job losses in a matter-of-fact fashion these days. This movie puts a personal face on these out-of-work people - though dealing with it from the executive's perspective. I guess making a movie about how those on the lower economic spectrum - those MOST affected - just wouldn't be appealing enough for Hollywood. There would be the inconvenience of telling a story in which ALL of the characters remained in dire straits at the end - the way things still are today. I guess - like the politicians - Hollywood seems to be big on building hope in this one. At least by dealing with the layoffs from the executive's perspective, they were able to show some people NOT rebounding, but others actually getting their feet back under them. All in all, worth watching.
Is this really the nearest Hollywood comes to understanding the real world - and the economic 'downturn' ?
A bunch of more corporate, unsympathetic characters you could not hope to imagine but they are all forced to embark on a voyage of discovery by heartless, cost-cutting conglomerates who have the audacity to fire executives further up the chain.
Chris Cooper (normally brilliant) discovers that more elderly people may struggle to find employment in the workplace whilst Ben Affleck (not normally brilliant) is made to realise that people wear gloves at work, have to carry heavy things and don't even go out to lunch on their breaks. Tommy Lee Jones just looks surly and grouches a lot... though his millions of dollars of shares increase in value, thank goodness.
The huge house and top-of-the-range German cars are on the line though as times get truly 'slightly uncomfortable' but thankfully it's Afflecks' sons' X-Box that goes first and the awful step down to manual labour doesn't seem so bad when you can master the wielding of a nail-gun in five minutes flat.
Corporate America is often an ugly thing, and this trite, patronising offering is no exception. It is almost nauseating in its' attempt to extract some sort of audience feeling for these greedy, grasping corporate 'executives'.
Who cares ?
A bunch of more corporate, unsympathetic characters you could not hope to imagine but they are all forced to embark on a voyage of discovery by heartless, cost-cutting conglomerates who have the audacity to fire executives further up the chain.
Chris Cooper (normally brilliant) discovers that more elderly people may struggle to find employment in the workplace whilst Ben Affleck (not normally brilliant) is made to realise that people wear gloves at work, have to carry heavy things and don't even go out to lunch on their breaks. Tommy Lee Jones just looks surly and grouches a lot... though his millions of dollars of shares increase in value, thank goodness.
The huge house and top-of-the-range German cars are on the line though as times get truly 'slightly uncomfortable' but thankfully it's Afflecks' sons' X-Box that goes first and the awful step down to manual labour doesn't seem so bad when you can master the wielding of a nail-gun in five minutes flat.
Corporate America is often an ugly thing, and this trite, patronising offering is no exception. It is almost nauseating in its' attempt to extract some sort of audience feeling for these greedy, grasping corporate 'executives'.
Who cares ?
Whether we like it or not the last couple of years have been incredibly tough, and TCM though not perfect at least tries to make an honest film about downsizing in corporate America.
We really really got this - we all know someone whose lost their home, their job, or just found that the money isn't there the way it was - and those who reviewed this and said the films doesn't work as the characters have still got it good just don't get the college payments, the mortgage, the fear of losing it all, and the horrendous amount of money it takes to maintain a life in the US now is astronomical - and TCM at least looks at this as no other film has in the past three years.
Solid performances from everyone and Affleck in particular echoing his roles in Man about Town or Jersey Girl does a solid job here as the man who has it all and then has nothing.
It it does try to record something which otherwise seems to be in danger of being swept under the carpet - this is a well-made film that rings true and for our money was actually one of the more memorable and yes, even moving, films of the year - it is accessible and a likable film.
We really really got this - we all know someone whose lost their home, their job, or just found that the money isn't there the way it was - and those who reviewed this and said the films doesn't work as the characters have still got it good just don't get the college payments, the mortgage, the fear of losing it all, and the horrendous amount of money it takes to maintain a life in the US now is astronomical - and TCM at least looks at this as no other film has in the past three years.
Solid performances from everyone and Affleck in particular echoing his roles in Man about Town or Jersey Girl does a solid job here as the man who has it all and then has nothing.
It it does try to record something which otherwise seems to be in danger of being swept under the carpet - this is a well-made film that rings true and for our money was actually one of the more memorable and yes, even moving, films of the year - it is accessible and a likable film.
Lo sapevi?
- QuizJohn Wells included real sentences and explanations from CEOs and their wives gathered from his research for the screenplay.
- BlooperThe shipyard visited by Ben Affleck and Tommy Lee Jones was supposedly closed only a few months before. However, it is obvious that it has been abandoned for many years.
- Citazioni
Phil Woodward: Dress code pretty lax around here?
Bobby Walker: You should see casual-Friday...
- Curiosità sui creditiMidway through the credits, financial reports from various news sources can be heard for a minute.
- ConnessioniFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
- Colonne sonoreSwept Inside
Written by Future Islands
Performed by Future Islands
Courtesy of Thrill Jockey Records
By arrangement with Bank Robber Music
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Hombres de negocios
- Luoghi delle riprese
- Daisy Buchanan's - 240A Newbury Street, Boston, Massachusetts, Stati Uniti(bar where Gene finds Phil)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.441.272 USD
- Fine settimana di apertura Stati Uniti e Canada
- 647.797 USD
- 23 gen 2011
- Lordo in tutto il mondo
- 8.087.000 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What was the official certification given to The Company Men (2010) in France?
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