Bronson

In one of the most frightening and downright crazy lead turns of the year, Tom Hardy ignites the screen in the British independent film, Bronson. Based on the unbelievable true story and directed by Nicolas Winding Refn, the at times bizarre film tells the story of Michael Peterson, played by Hardy, who robs a post office in 1974, to only get 26 pounds out of the deal, and is sentenced to four years in prison. A four year stay has turned into a thirty-four year prison term, thirty of which has been spent in solitary confinement.

The man, which the British press calls 'the most violent prisoner in Britain," is one of the most complex, and highly disturbing characters to be depicted on screen this year. He always wanted to famous, Hardy states with such charisma at the opening of the film, but he can't sing, he can't dance, so he creates an alter ego during his time as a boxer prior to his prison sentence. Though the film is loosely based on the real man and his story, it doesn't matter, Refn treats the film with such artistic integrity and takes chances that most directors hope to accomplish in their careers. The narrative, though over-whelming at times, is unyielding in the manner in which it's told. For the most part however, Tom Hardy's gritty and aggressive performance will go down as one of the best kept secrets of 2009.

In watching the picture, the co-stars are nearly invisible as Hardy takes control of the screen and your attention. He enables the viewer to devote their time and energy with fear of severe consequences in not doing so. Hardy is an incredible talent and not sure if you'll see a more devoted actor to a character on film this year.

Refn's choice of music that fills the scenes with torment, discomfort, and sheer violence is a brilliance shown in his armor. Bronson is pure entertainment, and though it doesn't provide any moral or social significance in the acts of our lives, it's an admiral effort by British cinema.

***/****

Bronson is the story of a very violent man, a man with clear mental issues that have gained him the infamous title of the most violent criminal in the UK; he is undeserving of attention on the scale this film gives him and the idea that he is somehow pleased with the film or that it has earned him "fame" is something that sat uneasy with me while watching and continues to sit uneasy with me afterwards. Morally I wondered why I came to the film and also why it was made; director Refn certainly doesn't seem bothered by this though and indeed did himself no favours by famously illegally taping the real man's comments on the film for broadcast at the premiere. So with this in mind it is hard to swallow a film that doesn't seems to have a certain apathy towards the central character – not a great choice of word perhaps but, while the film doesn't go as far as admiring Bronson, it certainly doesn't condemn him or present him in a way that will revile an audience.

Having said that though, what Refn seems to have done is created this film where Bronson tells us his own story. This allows for a soft touch (as it is his own) but also for this violently compulsive mind to create and fill the film so that he is equally a larger than life character while also being quite terrifying in his snaps and swings. The result of this approach is not a film that is to be relied on for the facts of the story but it is one that really delivers a quite dizzying film in terms of borrowed styles, impact, violence and sheer over-the top bravado. It is hard to really process because on one hand this was a problem for me but on the other it actually worked very well to produce a film that is as much a monster as its subject – and the kind part of me wants to believe that this was the point.

If it was then it is successful in some way because it is a beast of a film that comes at you violently and persistently. This is not all praise perhaps, but this is what it does. Depending on your point of view, Refn's direction either pays homage or rips off plenty of others as he throws visual styles and flairs at the screen as if he never thought he's make another film. There are countless reference points are in here if you want them, but for sure Clockwork Orange is what he is going for and I suppose in some way the sheer energy with which he goes after it is commendable. It is not his style and it doesn't make you forget the failings in substance, but it is engaging as pure style. Matching him step for step in this regard is an incredibly ballsy performance from Hardy. It is worth noting that I do not think it is great when it comes to character or intelligence but these failings are in the material, not with Hardy – he follows his director and he deserves a lot of credit for not flinching from anything. He is intense but yet flamboyant, disturbed but yet disturbing, a nice bloke but yet a hideous monster – and it is all done with 100% conviction. His Bronson is not a well-crafted character but (rightly or wrongly) he isn't meant to be and Hardy hammers home what he has been given.

Bronson is not an easy watch. For one reason it features strong violence, language and nudity that may put some off, but the much bigger reason for me was the lack of morality within the construct of the story. The lead character is allowed to tell his own story and as he twists it with his ego, so the whole film is twisted by his ego – Bronson as a man doesn't deserve this done on his behalf and it sat uneasy with me. The saving grace though is that the whole thing is excessive and full-on from the director, an approach which in turn draws an intense and bravely excessive performance from Hardy that makes this really worth watching even if it has a lot of problems in it and around it.

Bronson is the dramatized story of Charlie Bronson. Not the actor from Death Wish, The Great Escape, and The Dirty Dozen. This is the story of England's most violent prisoner. Born Michael Peterson, he quickly realized that he wanted to make a name for himself. It is unclear why he chose the path he did. He had a normal upbringing, a nice home, good parents, yet he just liked to fight. And he was good at it.

After robbing a post office for what can be only described as "chump change," he was given a seven year sentence. Since that sentencing in 1974, Bronson has seen a little over a few months as a free man. He is still in prison to this day.

What Danish filmmaker Nicolas Winding Refn gives us is a stylized version of one of the most bizarre and intoxicating stories I've seen in a long time. Bronson, played wonderfully by Tom Hardy, loves what he does. At least that what he wants us to believe. I was never really convinced that Bronson truly enjoyed what he did. Then again, I can't see the pleasure in pummeling prison guards, bare knuckle fighting, fighting dogs, and bringing others close to death. That said, it was something else to watch.

Hardy gives a rock solid performance. He fits the part both physically and mentally. He has the right edge to let us know how intelligent and hostile Charlie Bronson can be. It's hard to imagine playing someone as energized and mentally perturbed as Bronson, who gets his jollies from beating up innocent prison guards and inmates, but Hardy does just that in style. He never falters and gives 100 percent in every scene.

I can see a lot of similarities to A Clockwork Orange. It has similar accents, violent images, an insight into the criminal mind. Things very much associated with Kubrick's masterpiece. Still, Bronson offers something different. It's more theatrical, blending both the real world with a more dramatic and exaggerated story, showing Bronson as a prisoner, a performer, and storyteller.

Bronson is filled with stunning, startling images and a gives us a very original story, the likes of with we have seldom seen or will see. Charlie Bronson is a unique case of a man that nobody will ever truly understand. Whether you like the glorification of criminals or not, it's hard to deny that this film and the people involved doesn't offer great entertainment. I expect more from Hardy and Refn.

Tom Hardy and Nicholas Winding Refn are the stars of the show here, taking the story of 'Britain's most violent prisoner' and twisting it into an explosion of style.

Tom Hardy plays Michael Peterson who was initially incarcerated for 7 years after robbing a Post Office but this sentence turned into a 34 year stretch after numerous cases of violence in prison. Of these 34 years 30 were spent in solitary confinement. In his short period outside he assumed the fighting name of Charles Bronson after the Death Wish star. It is his alter ego which dominates the film.

Hardy is magnificent, prowling around people almost growling, a hulking, brooding, unpredictable beast who almost doesn't care what happens to him, preferring gaol where his is someone to the outside where he is no-one.

Many reviewers have been troubled by the lack of insight into the character of Bronson, however this is unsurprising as the story itself is narrated by Bronson himself, cutting back to a fantasy audience where he parades in varying levels of makeup, the star of his own show.

Refn handles this material with aplomb, filling it with tracks and pans, the occasional slice of slow motion, an interesting and varied colour palate and impeccable taste in music. Kubrick and A Clockwork Orange have been mentioned in almost every review, but there are clear influences of Bertolucci, perhaps mostly The Conformist in its detached style and use of colour.

By the time the film ends we are unsure who to feel sorry for, lost in a world of hard lines and constant violence. A very interesting film that marks out Hardy and Refn as exciting talents in modern cinema.

As I was watching the first 30 minutes of the bio flick "Bronson", I thought it had a death wish or something. It does take a while to let this movie hit you. "Bronson" is based on the true story of who is called England's most notorious prisoner, that would be Michael Peterson better known by his alias Charlie Bronson. He has been incarcerated for 36 years, and 31 in solitary confinement. He never killed anyone, just was convicted of armed robbery a few times; but it was his feisty ways in the prisons and psych wards he did time in that got him all that time. Instead of trying to breakout, Bronson wanted to stay in prison but not exactly as a Solitary Man. He relished on physically brutalizing prison guards and other cellmates, not to mention taking a few as hostages. Bronson also had an artistic side that is also highlighted in Writer-Director's Nicolas Winding Refn movie. Refn's screenplay with Brock Norman Brock did escape the rules of viewer engagement from time to time with its extreme bizarreness, but somehow it boldly & bloody worked. Kudos goes to Refn for orchestrating those power-punching scenes where Charlie B. is refn so many up. Also, I must commend his direction of the comedic scenes of observing Charlie readapting to social civilization upon being released after his first "prison tour of duty". But "Bronson" would not be a brawny feature without the tour-de-performance of Tom Hardy. This Hardy Boy sure did not lack a punch with his dead-ringer Bronson transformation. It will be hard to knock out Hardy as a surefire grand actor for years to come. It is hard to fathom that this is the same actor who played The Cleaner in "Inception", two exemplary performances but diverse in so many ways. "Bronson" is worth putting in the time for no better reason just to witness Tom Hardy's extraordinaire hard work. So pass Go and matchup with "Bronson". ***** Excellent