Un consulente d'investimento di successo alle prese con le difficoltà riservate dalla vita dopo la perdita della moglie in un terribile incidente stradale. Grazie all'aiuto di una rappresent... Leggi tuttoUn consulente d'investimento di successo alle prese con le difficoltà riservate dalla vita dopo la perdita della moglie in un terribile incidente stradale. Grazie all'aiuto di una rappresentante del servizio clienti e al giovane figlio di lei, inizia a demolire la sua vecchia vit... Leggi tuttoUn consulente d'investimento di successo alle prese con le difficoltà riservate dalla vita dopo la perdita della moglie in un terribile incidente stradale. Grazie all'aiuto di una rappresentante del servizio clienti e al giovane figlio di lei, inizia a demolire la sua vecchia vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Recensioni in evidenza
The story develops with a steady and quick pace, but is also intertwined by dreamy moments, which soften the overall realistic attitude of the movie. The incisive soundtrack is also wisely chosen to give more value to some emotionally intense moments or to enliven the atmosphere. The cast does a great job, Jake Gyllenhall truly inhabits his difficult and at times incomprehensible character, and is worthily supported by a never disappointing Naomi Watts, and the little boy offers a good performance, too.
On the whole an enjoyable and also thought provoking picture, which leaves much to think about what could lie beneath the ruins if we had the courage to deconstruct the more or less frail scaffold of our existence.
What he has given to his fans and film viewers is the promise and fulfilled it all the way. So even an average film can automatically become a better one. This film was based on the one of the blacklisted script, but Gyllenhaal's presence made all the difference along with the wonderful director.
It was the story of a man who lost his wife in a car accident. His way of grieving is what the film narrates. He realises that he's not able feel a thing when everyone around does, so he decides to make search for the answers and so the bizarre journey begins. The casting was good, but it was all about the Gyllenhaal's role. I like Naomi Watts, but for the first time she looked old to me. And the others did not have much screenspace, except that new face boy who was decent.
I think not everyone would enjoy it, it is a weird story of almost a weird person, so you would easily get it. You must need to be a patience, besides it is a dark comedy. You might wonder why the title was named 'Demolition', the films gives a strange demonstration for that in a good way. It is not like a must see, but totally worth for Gyllenhaal alone. I can't say it should have been better, because there's nothing to get better, everything was at its best.
7/10
Anyway, all I knew about "Demolition" was that it tells the story of a guy who has to cope with the loss of his wife and, because of that title, I supposed that he was going to loose his mind and that his life was slowly going to spiral out of control. Kind of like 1993's "Falling Down" with Michael Douglas.
While it is true that there is a fair bit of demolition (literally) and quirkiness involved, ultimately this movie is about a man deconstructing his life, demolishing his prejudices in order to find his true self. Once again, Gyllenhaal truly inhabits his character and delivers a remarkable performance, almost as good as his Oscar-worthy role in "Nightcrawler" (which was inexplicably snubbed by the Academy). Gyllenhaal is slowly becoming one of the most talented actors in Hollywood these days! Although the rest of the cast is quite good -- especially the young Judah Lewis -- I'm not sure this film would have worked without him.
All in all, a strange yet interesting film. 7 out of 10.
Lo sapevi?
- QuizDavis (Jake Gyllenhaal) is writing a complaint letter to Champion Vending regarding peanut MMs that got stuck. Champion Vending is in fact a real provider of Vending and Pantry services to the New York market. A portion of the movie was shot at Champions Corporate offices and Champion is featured 78 different times in the movie. Jean Marc liked the operation so much he asked to use the actual facility and logo.
- BlooperWhen Davis is in the diner and speaks to Karen while she's in the parking lot smoking pot, he says she's in a Corolla when she is clearly driving a Camry.
- Citazioni
Davis: You must be Chris.
Chris: You fucking my mom?
Davis: No, I'm not. We were just sleeping...
Chris: [interrupts] She's fucking crazy. If you haven't noticed, she's a fucking pothead. She calls it cannabis 'cause it makes her feel like less of a fucking pothead.
Davis: You say fuck a lot.
Chris: So?
Davis: So you're just not using it properly.
Chris: The fuck does that mean?
Davis: That's what I mean. Fuck is a great word, but if you use it too much then it just loses its value and you sound stupid.
Chris: Fuck you.
Davis: Exactly. I feel nothing and you sound like an idiot. Have a good one.
[Davis leaves]
Chris: Who the f...
[thinks about it]
- Curiosità sui creditiAt the end of the credits, Davis says: "Warmest regards, Davis C. Mitchell".
- Colonne sonoreNocturnes, Op. 9: No. 2 in E-Flat Major
Written by Frédéric Chopin
Performed by Arthur B. Rubinstein
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing Line.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Demolición
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.978.592 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.100.042 USD
- 10 apr 2016
- Lordo in tutto il mondo
- 4.366.460 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1