VALUTAZIONE IMDb
7,0/10
1950
LA TUA VALUTAZIONE
Due fratelli intraprendono un viaggio per trovare la loro madre naturale dopo che il loro padre violento aveva mentito per anni su dove si trovasse; lungo la strada, si riconnettono con la l... Leggi tuttoDue fratelli intraprendono un viaggio per trovare la loro madre naturale dopo che il loro padre violento aveva mentito per anni su dove si trovasse; lungo la strada, si riconnettono con la loro eredità indigena e fanno un nuovo amico.Due fratelli intraprendono un viaggio per trovare la loro madre naturale dopo che il loro padre violento aveva mentito per anni su dove si trovasse; lungo la strada, si riconnettono con la loro eredità indigena e fanno un nuovo amico.
- Regia
- Sceneggiatura
- Star
- Premi
- 12 vittorie e 16 candidature totali
Phillip Forest Lewitski
- Link
- (as Phillip Lewitski)
Recensioni in evidenza
It was a very good effort. In a world full of cliche films this one stands out for its nuances and emotion. It deals with difficult subjects in a non-superficial way. It was a tad long but that doesnt seem to detract from the film significantly. Highly recommended for people who are tired of the same old.
I wholeheartedly believe that everyone should have access to motion picture storytelling. Movies should be made for, and made BY, every culture on planet Earth.
The positive of this is we all get to explore similar themes from a different point of view. Here, we're getting a road trip of sorts with two brothers in search of something. Accompanying them is someone more plugged into the tribe that the older of the brothers shares. But make no mistake, he's an outcast all the same because he is openly gay. The relationship they build is uneven and feels a lot like yaoi, a subgenre of Japanese anime largely written for women by women about gay men. But at least it's pretty spicy. (Or lemony as they would say.)
Filmed with an eye towards beauty, it's also extremely deliberately focused on pace. Outbursts lead to quick cuts in action. Similarly, when there are moments of reflection -- of which there are many -- the camera does not waver.
Unfortunately, the negative side of the coin is that all the tropes are here as well. Hypermasculinity and paternal abuse being the most overexposed. There are also elements of both racism and tribalism as well, though this is amusingly shown in nearly identical scenes in different convenance stores.
I think ultimately there is enough here to appreciate though. While it is absolutely never good when a movie is written, directed, and produced by one person, at least in this case it's someone who is Two-Spirit, indigenous, and obviously knows what they're talking about.
The positive of this is we all get to explore similar themes from a different point of view. Here, we're getting a road trip of sorts with two brothers in search of something. Accompanying them is someone more plugged into the tribe that the older of the brothers shares. But make no mistake, he's an outcast all the same because he is openly gay. The relationship they build is uneven and feels a lot like yaoi, a subgenre of Japanese anime largely written for women by women about gay men. But at least it's pretty spicy. (Or lemony as they would say.)
Filmed with an eye towards beauty, it's also extremely deliberately focused on pace. Outbursts lead to quick cuts in action. Similarly, when there are moments of reflection -- of which there are many -- the camera does not waver.
Unfortunately, the negative side of the coin is that all the tropes are here as well. Hypermasculinity and paternal abuse being the most overexposed. There are also elements of both racism and tribalism as well, though this is amusingly shown in nearly identical scenes in different convenance stores.
I think ultimately there is enough here to appreciate though. While it is absolutely never good when a movie is written, directed, and produced by one person, at least in this case it's someone who is Two-Spirit, indigenous, and obviously knows what they're talking about.
No special effects here. Just a beautiful story about 2 brothers who escape an abusive home to look for their mother. On the journey, they find a friend. Like the soundtrack too!
Wildhood is an incredibly touching piece of art. I appreciated how it carried its premise through to the end without resorting to cliches. The indigenous elements of the film also make it stand out in unique ways-primarily with the interesting characters they meet along the way and the setting. Finally, the chemistry between the two main characters is fantastic. I fully recommend this film.
I saw the trailer for this movie a while back on youtube and I got finally around to watching it. I'm so glad I finally got to watch it. It was just a masterpiece, from beginning to end. The acting was really great, the storyline was so touching, the dialogues were so meaningful and on top of that were the visuals breathtaking. It was so emotional but it was so worth it to go through all the feels. The themes were really well executed and the message definitely got across. I wouldn't want to change a single thing about this movie. I absolutely recommend watching this art piece. It is the best movie I have seen in 2022. Definitely in my top 5 of best movies I have ever seen.
Lo sapevi?
- QuizThe film was inspired by Bretten Hannam's own life, heritage, and orientation. They were partially inspired to make the film based on their frustration with Indigenous representation in mainstream film and television.
- ConnessioniReferences Pocahontas (1995)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 3433 USD
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