Charlie Wax è un agente segreto con scarso rispetto delle regole in missione antinarcotici a Parigi. Il suo compagno di avventure è il giovane e imbranato Richard Stevens che invece quelle r... Leggi tuttoCharlie Wax è un agente segreto con scarso rispetto delle regole in missione antinarcotici a Parigi. Il suo compagno di avventure è il giovane e imbranato Richard Stevens che invece quelle regole le segue alla lettera. Il sodalizio tra i due non sarà dei più facili, ma destinato ... Leggi tuttoCharlie Wax è un agente segreto con scarso rispetto delle regole in missione antinarcotici a Parigi. Il suo compagno di avventure è il giovane e imbranato Richard Stevens che invece quelle regole le segue alla lettera. Il sodalizio tra i due non sarà dei più facili, ma destinato a durare...
- Regia
- Sceneggiatura
- Star
- Rashid
- (as Chems Eddine Dahmani)
Recensioni in evidenza
To say I was expecting crap would be an understatement. Travolta's goofy look, a tired clichéd pairing of straight man and crazy partner, senseless action that would try to cram a plot and story in at some point. Yet, after the credits rolled, I sat there with a smile on my face. As far as spy films go, this one takes a more action heavy side. There are some cool and interesting gadgets, but I didn't get any James Bond moment.
Travolta surprised me here too. His character was funny, bad ass at times and knew how to kick some ass. The only downside would be that I just couldn't imagine Travolta doing half of these things. He's a great character and fits perfectly with this film, but it seems a tad miscast for the action sequences. Travolta nails every other part of the role. Jonathan Rhys Meyers is the straight man to Travolta's crazy hero. This is nothing new and the film doesn't try to step around this issue. Instead it is upfront about it. It tells you exactly what you are in for when you are introduced to these characters. All it asks is for you, as a viewer, to enjoy the action and thrills this film wants to give you.
The action is non-stop. Of course we are privy to those scenes in between where we need to move the plot along, but the film has shootouts, car chases, foot chases, rocket launchers, etc. It's handled well and I was actually able to see the action on the screen. I was never lost in the film, I knew where I was the whole time and what was being depicted. Again, that one shortfall is that we know Travolta isn't doing these action sequences, it's clearly a stuntman.
With every spy film you know there will be some twist that someone is not who they seem to be. I was able to pick this one out right from the beginning. Again, the plot devices used in From Paris With Love are far from original, we have all seen this film before. So why bother watching it? For the chemistry between the two leads and the action sequences in a beautiful city. The city, we unfortunately, did not see enough of.
I went in with low expectations and came out happy with the end result. I would suggest you do the same.
First of all, Travolta is back! Since Pulp Fiction, where I really enjoyed his play, I always had the feeling that his acting was about skin-deep. What happened in this movie is an invention of a new old-school action hero which would have stood in one line with Willis, Stallone and Schwarzenegger without trying to be one of them. He's powerful, funny and seriously "true" without being ridiculously over-torqued like in Pelham 123 or Face-off.
Basically you need to enjoy old-school action movies to like this. The storyline must have come to the writers mind while brushing his teeth in the morning - It's solid, well grounded, but a little bit too compressed for a 90 min movie. Concerning the speed of this movie, the camera work is fantastic and the cut allows to enjoy the action at it's fullest. (In the last years there were many movies of this type with a cut/camera like a flip-book with missing pages, which made them completely unenjoyable.)
I would like to see more movies of this type in the next years. It's not pretending to be more than what it is: Solid "hero-action" with a proper sidekick.
Speech and dialogue: There were one liners, yes. But the fast talking Travolta was entertaining and was very complimentary with his co-stars Chemistry and pace: The characters were good with each other. Meyers and wife was good. Made me believe. The action and fast talking move the movie along. From building to building, it was good to have different locations to kill bad guys.
Story and Plot: Its all there in the synopsis, where a guy wants more action and he got it.
Hotties and love scenes: just one simple scene
Ending: Ending is good as I feel like it completed the movie. No real loose ends. (I hate movies where the ending leaves you dissatisfied)
Lo sapevi?
- QuizKelly Preston: As Reese calls his girlfriend from the Eiffel Tower cafe, Kelly Preston can seen sitting behind him. She is wearing sunglasses and seated at a table with two children.
- BlooperWhen the SUV pulls up to the Chinese restaurant, you can see the police lights at the filming traffic barricade when the camera pans to the right.
- Citazioni
FBI agent Charlie Wax: This motherfucker hates Americans so much, even though we saved his country's ass in not only one world war but two, he still won't let me through with my cans!
- Colonne sonoreJ'ai Deux Amours
Music by Vincent Scotto
Lyrics by Georges Koger and Henri Varna
Performed by Madeleine Peyroux
(c) EDITIONS SALABERT
(p) 2004 ROUNDER RECORDS CORP.
With Courtesy of Universal Music Vision
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- París en la mira
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 52.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.077.427 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.158.860 USD
- 7 feb 2010
- Lordo in tutto il mondo
- 52.844.496 USD
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1