Adèle e l'enigma del faraone

French filmmaker Luc Besson has been responsible for some of the most enduring contemporary films from action thrillers like Nikita and Leon the Professional, to a personal science fiction cult favourite of mine The Fifth Element. Of late he has chosen to relinquish the director's chair and taking up story, scriptwriting and producing duties at his Europa Corp, although taking the chair back again with more family friendly adventures such as The Minimoys series, adapted from his series of children's books. His latest live-action adventure adapts from Jacques Tardi's series of comic books featuring a female adventurer quite like in the mold of Indiana Jones.

Adele Blanc-Sec (Louis Bourgoin) is smart, resourceful, and quite the alpha-female go-getter with a dash of sassiness about her, and these are precisely the kind of characters I suppose Luc Besson has been comfortable dealing with in his filmography. His Adele doesn't equip herself with weapons other than a rapid wit and a sharp tongue to disarm her enemies, setting her sights at far flung adventures where her publisher would send her to, though at times like this film, decide to detour and follow her own agenda. And for those taken in by the subtitle of the film promising something along the lines of Stephen Sommer's The Mummy films, let's just say to drop those expectations, because there isn't any Imhotep to lock horns with.

Besson keeps you guessing for the most parts as he unravels the story before you, opting to place you in suspense as you figure out how the multiple sub plot lines will come together and make relatable sense. It assumes that you have some knowledge of the basis of the lead character, but fills you in along the way nonetheless. With plot devices such as a Pterodactyl hatched from an egg in a museum and now taking to the skies of Paris, the attempts to capture that flying dinosaur by inept hunter Justin de Saint-Hubert (Jean-Paul Rouve), a promise of a romance between the shy scientist Andrej Zborowski (Nicholas Giraud) and Adele, and the need for Adele to steal a mummy from Egypt, all boil down to the extreme lengths the titular adventurer will go to save a family member.

Of course there's a need to keep things balanced up, so in contrast to the more dogged Adele comes on the side of the law, the bumbling police inspector Leonce Caponi (Gilles Lellouche) with a penchant for food, a need to be found from the mysterious psychic powers of ally Marie-Joseph Esperandieu (Jacky Nercessian), and a clash of good and evil with the villainy of an unrecognizable Mathieu Amalric as Dieuleveult with whom Adele crosses with early on in the story. It's a pity though that Amalric's screen presence was limited as his character Dieuleveult had so much potential, but the extraordinary adventures were indeed split down to Adele's quest, and everything else, peppered with a handful of quirky characters set to entertain, and a series of wry humour especially on that oh-so-familiar critique of society's top down approach to get things done which was brilliantly executed.

There''s no scrimping on the production values of this period piece set just before WWI and an infamous tragedy that marked the dangers of human arrogance, which should make a follow up film quite interesting should the filmmakers pick up from where they left off. Incredible production sets and costumes are what beautify the film, and the CG effects used to enhance the viewing experience went fuss-free, although it didn't break much new ground since movie audiences weaned on the Hollywood Mummy franchise would already be accustomed to how mummies move and behave, albeit with less civility.

Unfortunately though, the film did not manage to survive unscathed. I was looking forward to a scene where our heroine would be sitting in the bathtub and reading out letters of infatuation written by Andrej as she had hinted she would, only for a quick jump cut made and you're left high and literally dry. Having watched the dubbed English version during this screening, I will recommend that you head on to The Cathay to watch this so that you can immerse yourself in the aural pleasures of the French language and get by through the English subtitles (if you don't speak French) because while it's a relatively competent voice cast trying their best to emote as they could, I'm quite the stickler for authenticity and whatever's coming out of a character's mouth to be in sync with their lip movement, and have to struggle not to be too perturbed by it.

The opening film of this year's French Film Festival in Singapore, don't walk out just yet when the credits roll, as there's a coda that comes up midway. Don't berate what's essentially a fantasy piece that occasionally found pleasure dwelling on the absurd, but prepare for something that's visually gorgeous, narratively unusual and outlandishly entertaining.

An interesting alternative to Spielberg's Tintin. This adaption of a French graphic novel compares in many ways. Besson uses actors to represent comic book characters rather than the far more expensive motion-captured, computer-generated people of Tintin.

That's not to say there aren't extensive visual effects in Adèle. CGI portrays impossible characters, like the pterodactyl. Digital compositing is used to present Paris and Egypt of a hundred years ago. And for the more grotesque and bizarre human characters, there are elaborate prosthetic make-ups.

Adèle is on a trip to Peru to complete her latest book. That's what her publisher thinks. She's actually in Egypt raiding tombs. Why has she lied, and what has this to do with a pterodactyl terrorising Paris? The police can't believe that a prehistoric animal has killed a senior politician, they need to solve the case fast, no matter how much Adèle gets in their way...

Like the Tintin stories, there's a detailed and realistic presentation of the past, but with more magical and fantasy elements. Like Tintin, Adèle is also a writer, giving her the opportunity to travel. Similarly, her only real advantages are knowledge, contacts and personality - she doesn't bow to convention. It may not be ladylike to ride a camel, but if she needs to learn, she will. With a burning desire to succeed, she overcomes the odds with little more than an umbrella and a bag of bird seed...

As a newcomer to the stories, I loved the completely unpredictable nature of the story, and it's always nice to see a guillotine in action... This wasn't as consistently funny as it wanted to be, but maybe I was missing out on the Frenchier in-jokes. It could almost be a family film, though some of the more intense drama and some casual nudity might not be for younger viewers.

Luc Besson has mentioned that this story was a childhood favourite of his. He spent many years gaining the trust of the author, Jacques Tardi, who'd already dealt with three film studios trying to adapt the story. While this isn't as dark or as adult as many of Besson's earlier films, I think that's because he's committed himself to being as faithful to the original story as possible. While more likely to be the producer nowadays, after writing the script he couldn't allow another director make this one.

I haven't read any of the original stories yet, but I will. Actress Louise Bourgoin is far more beautiful than the grumpy character in the comics. The first two stories (which combined to form the basis for the film) have been translated into English as one volume.

Mark Hodgson (Black Hole Reviews)

Having been lucky to find it was showing at the cinema, I must admit I jumped at the chance to see it being a fan of Luc Besson. I didn't really know what to expect (having only seen trailers for the movie) and I never read the original stories, however I was pleasantly surprised.

Overall the film was very funny and had some very good set pieces, including a very enjoyable scene in Egypt and a scene in a Parisian prison that reminded me of the slapstick nature of the original "Pink Panthers". Louise Bourgoin was very good as the titular heroine and was able to pull off both charm and dead-pan humour effectively throughout the film, making her a pleasure to watch.

However I must admit that at times the plot did wear thin at places and I would be lying if I didn't say that the story itself was very silly. At times it felt as though I was watching a cross between "The Mummy Returns" and "The Crystal Skull" (although this movie is a far superior specimen) while at other times the film reverted to a more serious adventure tone, unable to properly balance the two tones.

All in all I enjoyed the film and would happily see it again. If you are the sort of person who enjoyed "Sahara" and "National Treasure" then this film is for you. On the other hand fans of the more refined explorer films such as "Raiders" might find little to relate to. That being said I do hope for is that the film will be successful enough to merit a sequel, even if the ending does leave it on a rather pointless cliffhanger.

"Les aventures extraordinaires d'Adèle Blanc-Sec" is just the kind of movie you would like to see after a day of hard work. It's funny, crazy without being stupid, rich in adventure. This zany comedy may not be faithful to the original comic (I haven't read it) and the story is hardly believable but it's certainly entertaining with nice costumes, beautiful sets from early 20th century Paris and good actors.Children ten or older will love the adventure thing in the movie, with dinosaurs, talking mummies and secret Egyptian tombs. Weird, freaky, sometimes a little bit scary and always funny. Louise Bougoin(Adèle) is beautifully charming, clever and funny, as well as the rest of the cast.

This movie has got a little "Amélie Poulain" feeling with its fantasy, and if the plot isn't very credible, I still had a very good time watching it for it's always surprising and hilarious.

An adventure set in the early part of the 20th century and set in Paris in the years before and after WWI, revolve around the protagonist Adèle Blanc-Sec in a succession of far-fetched incidents . It is loosely based on the comic book series of the same name by Jacques Tardi and, as in the comic, follows the eponymous writer and a number of reoccurring side characters in 1910s Paris and beyond, in this episode revolving around parapsychology and ultra-advanced Ancient Egyptian technology. A cynical heroine, she is initially a novelist of popular fiction, who turns to investigative journalism as her research and subsequent adventures reveal further details of the mystical world of crime. It starts with the popular novelist named Adele ( rising central star Louise Bourgoin) and her dealings with would-be suitors (Amalric), a Police Inspector (Lellouch), a Pterosaur , and other distractions . She finds herself involved after returning from Egypt, where she was searching for Ramesses II's mummified doctor. She wants to revive the mummy with the help of Espérandieu (Nercessian) so the Egyptian doctor can save her sister Agathe (Clermont) .

This entertaining film packs fantasy , Science and action which both pastiche and subvert adventure and speculative fiction of the period ¨Belle Epoque¨. The popularity of the comic has made it much in demand for adaptation into other media, the first to be approved by Tardi being a projected trilogy of live-action feature films adapted and directed by Luc Besson, the first of which, also titled like the comic book The Extraordinary Adventures of Adèle Blanc-Sec was released in France on April 14, 2010 and latterly in numerous other markets, including the United Kingdom. The picture incorporates contemporary action film as well as much use of computer animation to portray its fanciful elements , furthermore visual effects within the form of the older-style adventure films they have largely superseded. Atmospheric musical score by Eric Serra , fitting splendidly to action and intrigue . Colorful cinematography by Thierry Arbogast and perfectly remastered . The motion picture is lavishly produced by Eurocorps (Besson Production Company) and professionally directed by Luc Besson with his ordinary visual pyrotechnics . He often casts Jean Reno (though here doesn't appear) and music always by Eric Serra. Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Arthur and the Minimois¨ , ¨Nikita¨ and many others . Rating : Acceptable and passable, 6 .This is a highly amusing and frequently funny action-adventure romp with a witty script, sensational special effects and a terrific performances from main cast .