Il rito

The Rite is a good and very atmospheric exorcism film. Although released clearly not in a good time for this sub-genre, it still holds up well even 10 years later.

The setting is nice, the cinematography is great. It's not a demon-slasher like the more recent pieces of this sub-genre (like The Nun) and it plays more into the psychological aspect (just as the director did with 1408), this is how I like my exorcism films.

But what really makes this work for me, it's the performances. This film is carried by acting, and although most of the cast did a great job, O'Donoghue, Hauer...Hopkins stole the show. You get completely immersed in his performance, every detail, every emotion is projected through it. It is clearly one of his best if not the best roles since The Silence of the Lambs.

The story itself of course isn't perfect, and it has some elements reminiscent of the time, but when Hopkins is on screen, you just completely forget about everything else.

Personally, I think the film is way underrated on IMDB, especially if you compare the rating to more recent entries in this sub-genre.

A strong recommendation.

The Rite looked like it would be a mixed bag right from the start. The film seemed to suffer the same fate many other films before it fell victim to and that's giving away too much of the storyline in the trailers. On top of that, it was a film that revolved around exorcism which is a subject that usually leads to disappointing results. Expectations would lead one to believe that The Rite would have enough momentum to reel you in only to drop the ball during its finale similar to last year's The Last Exorcism (except hopefully without the appearance of a neon red, glow in the dark fetus). Luckily, the film has a few surprises up its sleeve.

The cinematography in the film is probably the first thing you'll notice visually. The opening of the film makes things like dripping embalming fluid, a swing set on a playground, and an overturned shopping cart seem more interesting than they really are. Rain is an element used fairly often in the film to usually signify when something has gone wrong or is about to. Whether the camera is placed up high to make it seem like you're looking down on the cast from the heavens or down low as if you're looking up at them from the depths of the earth, the rain sequences in the film are definitely some of the most memorable due to the camera work.

This is probably a pretty obvious statement, but the film is worth seeing for Anthony Hopkins alone. It's not that Colin O'Donoghue does poorly since he certainly has a strong screen presence and does a fantastic job carrying the film, but Hopkins just manages to trump that while stealing every scene he's in and rightfully so. Father Lucas Trevant is the strongest and creepiest role Hopkins has played since Hannibal Lecter and his best role overall in years. It's just amazing seeing a man in his seventies give a performance that's this physical and this absorbing. Speaking of distinguished actors, it was nice seeing Rutger Hauer as well even if it was just for a small role.

The dream sequences and hallucinations in the film may have been my hands down favorite. I've always been a fan of the surreal, the imaginative, the creative, and the things that don't seem to make sense at first but gain meaning as the film or story progresses. I never thought I'd find myself intrigued with the actions of a mule or that frogs could have an even deeper meaning than what you're probably expecting, but The Rite accomplishes this very well.

Thankfully, The Rite delivers an exorcism film that is actually worth seeing. It'll probably be forgotten about in a year filled with so many blockbuster film releases, but considering that January and February are usually filled with such monstrous duds at the box office The Rite manages to surpass expectations. While the film does seem rather reminiscent of The Last Exorcism and borrows the atmosphere from the Heath Ledger film The Order, The Rite is actually a better experience overall. With an engrossing performance by Anthony Hopkins along with a fairly strong cast all around, its fantastic cinematography, surreal dream sequences, and a satisfying conclusion that doesn't hint at a sequel, The Rite is actually a surprisingly decent film all around. Evren Buyruk

After losing faith in the exorcism sub-genres and my sister telling me how average this movie was, i didn't expect much from The Rite. Honestly, the only reason i watched it was because of Anthony Hopkins, and i am glad i did. This movie has everything that fans want in an exorcism movie. Some people may find it a bit slow paced but the movie does not steer off course, every minute is relevant to the storyline.

Even in his 70's, Mr Hopkins did just what was expected from him. He gave a powerful performance which scared the living hell out of me and played his most convincing role since Hannibal Lector but surprisingly so did someone else, someone who i had never heard of. Yes, i am talking about Colin O'Donoghue, who managed to stay in the light and make a great connection with his co-stars. Every character in the movie was fully utilized specially that of Alice Braga.

I find that many people fail to see the spark in this film, and the only reason i can think of is that people these days are too fond of gore which this movie lacks. Surely, The Rite is not for the "Doubters" but for the people who believe and have interest in this subject.

After decades of miserable exorcism movies, finally we got us a winner. Can i dare say that this movie is better than The Exorcist?, No i cant but this is definitely the "Second Best" ..

Now i can confidently say that "you were wrong big sister".

With solid performances, amazing cinematography and mind blowing sound effects, i give it a 9/10.

From what I could see on sites such as Rotten Tomatoes, the critical consensus was not too favorable. Yet Roger Ebert thought it was a decent little film. After seeing it, so did I.

The scenario of this film was tailor-made for Anthony Hopkins. Could you imagine a better excuse for scenery-chewing and over-the-top carrying-on, other than demonic possession? So you can't complain about the overacting: the Devil made him do it. The demonically-possessed cannot be expected to turn in a subtle performance.

Hopkins did a perfectly fine job with the set up. And the rest of the cast was equally suitable for what they had to do.

It was good to see Rutger Hauer again, a totally remarkable and outstanding actor. He had a very limited role (maybe five minutes screen time total), enough to make me wish he worked more in current films. I miss him.

I have not read the book this film is supposedly based on. But I would assume that fidelity to it is not a major point. There was a lot of humanity and recognizable human emotions evident in this film, and I saw no indications that the film was intended to convert unbelievers. And it worked up to some very suspenseful situations. Which is just what a thriller should do.

This was another instance of Roman Catholic exorcism. There were seven "orders" or steps in becoming a priest. In that order, from minor to major: porter, lector, exorcist, acolyte, subdeacon, deacon and priest. This set of orders supposedly was instituted a millennium ago, or more. In more recent times, the "exorcist" order is virtually ceremonial. The actual current exorcists are specially appointed priests. But it makes you wonder: back in the Early Ages, the next step after reading the Bible at church services (being a "lector") was to cast out demons (being an "exorcist"). Was there a special need way back then? Such that the faithful could not wait for an ordained priest to intervene? We've also seen Protestant exorcism recently, in The Last Exorcism. I have no reason to believe that casting out demons is limited in any way to Roman Catholics. I think the next film begging to be made is a Jewish exorcism. Perhaps there is a Muslim equivalent as well.

I am not saying that you have to go out and see "The Rite" rite now in the cinema. I don't regret seeing it there. But when it becomes available in a form that you can enjoy at home, it would definitely be something worth while to watch.

While I was always waiting to see what happened next and interested in how the good guys would overcome the challenges they faced I felt completely detached from the main character, Michael Kovak. I don't need to like the main character but I still need to connect. Unfortunately, Michael was very emotionally inaccessible and therefore I never really cared for him.

On a positive note, Anthony Hopkins had a very good performance and the little field trips that he took the "doubter" on were some of the best parts of the movie. I loved how Kovak hung on to his doubt even when faced with an example of the possessed knowing the unknowable. The pacing was slow and gradually ratcheted up the tension as it went along. For some this may be boring but I was comfortable with it as it made the events unfolding feel natural instead of forced or rushed.

Overall, it was an alright movie that could have been great but just wasn't.