VALUTAZIONE IMDb
6,7/10
4713
LA TUA VALUTAZIONE
Una donna che è ingiustamente istituzionalizzata in un manicomio di Parigi, trama per fuggire con l'aiuto di una delle sue infermiere.Una donna che è ingiustamente istituzionalizzata in un manicomio di Parigi, trama per fuggire con l'aiuto di una delle sue infermiere.Una donna che è ingiustamente istituzionalizzata in un manicomio di Parigi, trama per fuggire con l'aiuto di una delle sue infermiere.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Christophe Montenez
- Jules
- (as Christophe Montenez de la Comédie Française)
Recensioni in evidenza
This film was breathtaking from start to finish. Brilliant story, incredible acting, beautifully haunting music score. It was intriguing, and mesmerizing. One of the better films I've seen recently.
Ice water soakings, solitary confinement in dark cells, tranquilizers, and random body cavity inspections are just a sampling of the standard psychiatry treatments inflicted upon captive female patients in France 130 years ago. Free spirited Eugenie suffers debilitating visions that she cannot control or understand. She is only in need of some gentle guidance, understanding, and self-confidence. Instead, Eugenie is tricked by her parents and committed against her will to a cruel and misogynistic psychiatric ward. Abandoned by her relatives, Eugenie finds a different family among her unlucky ward sisters.
Women's history is reimagined in a scorching yet sensitive way by Melanie Laurent who directs and stars in the film. Thankfully the film is made in France, and therefore uncensored and blunt. While the film lacks cohesion and a little spark, it is enlightening and energizing to witness multidimensional, realistic, and complicated female characters, and women behind as well as on the screen who are defined not by men but by themselves.
World premiere seen at the Toronto international film festival.
Women's history is reimagined in a scorching yet sensitive way by Melanie Laurent who directs and stars in the film. Thankfully the film is made in France, and therefore uncensored and blunt. While the film lacks cohesion and a little spark, it is enlightening and energizing to witness multidimensional, realistic, and complicated female characters, and women behind as well as on the screen who are defined not by men but by themselves.
World premiere seen at the Toronto international film festival.
A great movie. Good story, great acting and just the right length. Amazon did will with this one. Almost makes want to watch another French movie.
I don't know anything about French actors but whoever played Eugenie is equal to the best in America.
I don't know anything about French actors but whoever played Eugenie is equal to the best in America.
I was totally unaware of this film because I did not see any publicity but I was encouraged to see it without even knowing what it was about. What can I tell you, this movie was awesome from start to finish. The story is brilliant, costumes and performances impeccable, the music is beautiful and I am fascinated. I Love French cinema! In fact it is the first French film produced by Amazon.
My dear Geneviève, we are free...
After Oxygen, Mélanie Laurent returns directing and starring in an Amazon original.
As a director, Laurent did a great job showing the cruelty in the treatment of women in asylum back in the days. The "therapies" were nothing different from tortures. However, within the cruelty was the premise that added heart to the characters. I liked that the movie didn't scream feminism, but let the scenes play out so audiences could root for the women characters.
Probably my only problem was the movie became pretty predictable near the end. I liked how the two main characters were tied to each other, but what became of it was quite clear and not surprising.
Overall, a solid and well done movie. 7.5/10.
After Oxygen, Mélanie Laurent returns directing and starring in an Amazon original.
As a director, Laurent did a great job showing the cruelty in the treatment of women in asylum back in the days. The "therapies" were nothing different from tortures. However, within the cruelty was the premise that added heart to the characters. I liked that the movie didn't scream feminism, but let the scenes play out so audiences could root for the women characters.
Probably my only problem was the movie became pretty predictable near the end. I liked how the two main characters were tied to each other, but what became of it was quite clear and not surprising.
Overall, a solid and well done movie. 7.5/10.
Lo sapevi?
- QuizMelanie Laurent directed this film as well as starred in it. This is Melanie Laurent's fifth time directing a film.
- ConnessioniReferenced in In Praise of Shadows: The History of Insane Asylums and Horror Movies (2022)
- Colonne sonoreAllerleil, Polka Schnell, Op. 219
written by Josef Strauss
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Mad Women's Ball
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Proporzioni
- 2.35 : 1
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