Agente speciale 117 al servizio della Repubblica - Missione Rio
Un'altra missione dell'agente segreto francese di fama mondiale lo porta nell'esotico Brasile.Un'altra missione dell'agente segreto francese di fama mondiale lo porta nell'esotico Brasile.Un'altra missione dell'agente segreto francese di fama mondiale lo porta nell'esotico Brasile.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 candidature totali
- Mayeux
- (as Philippe Herisson)
Recensioni in evidenza
Seriously though: Jean Dujardin is back, as an obnoxious agent, but a lovely one at that. An agent, who does not know the word regret and or the meaning of "political correct". So he hasn't changed (really) from part 1, but that's exactly how we like him. With this movie (and the one before that and surely the one after that), you will either love or hate the movie/character.
So are you into a "Bond" movie that actually is rather a spoof and will you love it? I still haven't seen the original movies, but I'm afraid I'm too spoiled by these movies, so I won't really enjoy the earnest Oss 117. Anyway, I can only highly recommend this movie ...
Sequels being what they are, this is not quite a match to the original spoof from 2006. But when you have something almost as good as something really terrific, it's still enough. This is enough, for sure, even with the novelty of the situation worn thin.
The main reason is lead actor Jean Dujardin, who continues his parody with aplomb--all the same suave, self-effacing, sexist, racist, ridiculous mix. Instead of Muslims taking the brunt of the jokes, it's Israelis. But the impossibly short skirts and general parading to a male audience is still in place, for better or for worse. And lots of wonderful facial expressions and double-takes.
The rest of the production team is intact here: director, cinematographer, composer. The time period is something like 1968, a few years later than the "Nest of Spies" 2006 version, which is more 1963-ish. So there is an entertaining but less stylish move from "Mad Men" territory (the drinks, the music, the high style) into counterculture territory(most notably the hippie orgy stuff). The hilarious flashbacks of the first movie (on the beach) have been updated to a dramatic but unfunny circus act. And so on. Which is to say, this is a slightly different and slightly less movie.
But, it is still filled with fast, and ridiculous, and comic situations. The cars are great, and Rio is great (it seems to have been largely filmed there, or some impressive CGI stuff is at work). The campy final scenes at the big Jesus statue overlooking the city is purely a Hitchcock spoof (mostly "Suspicion" on the Statue of Liberty with a little "North by Northwest" at Mr. Rushmore). Oddly, this is a kind of parody of something so specific, a kind of post-modern reference, it distracts slightly from the more generic parody that makes up the whole. However, I have to quickly add that it's really well done, very visually astonishing.
So, see this movie if you've seen the first, by all means. If you have a choice (and currently both are streamable on Netflix), I'd start with the start, and then see if you're ready for more. And hang in there because it seems there almost has to be a third. Success is hard to repress.
As I said above, the film makes almost no sense at all. The Nazis have two Mexican luchadors (wrestlers in hoods) who run about Brazil in suits! This is an obvious nod to the silly Mexican luchador films where you see characters like el Santo going on dates, fighting crime or monsters or making love--all in the silly hood. There are also some black Nazis--again, this film never tries very hard to make sense! While it is all silly fun, this is still a rather adult movie--much more so than the one set in Cairo. There is some nudity, a lot of blood and a CIA agent named Bill who uses the most amazingly colorful language I've seen in a long time. Also, while it makes fun of OSS 117's racism, sexism and overall arrogant xenophobic manner, the easily offended might still blanch at the film. But considering he IS supposed to be an idiot, his comments about Jews, women and the like are all intended to point out his idiocy.
In many ways this film is like an Austin Powers and Matt Helm film put together. Like Helm, there is the Dean Martin music and OSS 117's manner is pure Helm. Plus, like Helm, Dujardin is a nice looking guy. It is a bit Powers-like....but much, much more subdued and subtle--something you'd never call a Powers film! Cute and entertaining in a very low-brow sort of way.
Funny moments along with embarrassing in this second entry about secret agent OSS 117 with a likable Jean Dujardin , role of the accidental spy who doesn't know fear or danger in this comedy spy-thriller . In this entertaining adventure, the most unlikely intelligence officer in French Secret Service must stop a group of international Nazis conspirators led by a previous SS officer before they cause global chaos on the world . Hubert Bonisseur, a French secret agent who dreams of rising beyond his menial job within the OSS organization, after all the other agents are bumped off is hired to discover a microfilm where appears names of collaborationists with Nazis . With one shot at redemption, he must employ all kind of means to unravel a web of conspiracy that runs throughout an ambitious plot . Hubert must use every trick in his play-book to achieve his objectives . For Hugo Bonisseur, disaster may be an option, but failure never is.
This second installment is an acceptable comedy though the formula is well known with 'The Pink Panther' series and recently with 'Johnnny English' by Rowan Atkinson . It stars clumsy Jean Dujardin as one man show accompanied by a gorgeous Louise Monot . The movie gets entertaining and hilarious moments here and there. This slapstick picture contains amusing , funny scenes , fresh and diverting moments but also flaws and gaps . Jean Dujardin steals the show parodying the ordinary international secret agent , James Bond-alike , including his ordinary faces , grimaces and gestures ; he plays stunningly the highly unorthodox agent, the inept and bungler secret agent from OSS .
Appears as secondary the prestigious German actor Rudiger Vogler , Win Wenders's usual ; furthermore two French beauties as Louise Monot and Reem Kherici. The actors seem to enjoy themselves immensely giving funny interpretations . Lively and atmospheric music by Ludovic Bource. Colorful and glimmer cinematography by Schiffman . The film is well penned and directed by Michel Hazanavicius that maintains the slapstick franchise . He also directed in similar style the original film titled ¨OSS 117 El Cairo¨ with Jean Dujarjin and Beatriz Bejo ; both of then will repeat in the successful and recent ¨The artist¨ including Golden Globe nomination . Several chuckles and gags , the result of which is one acceptable second entry . The flick will appeal to comedy fans .
Lo sapevi?
- QuizVon Zimmel's lines, 'Hath not a Nazi eyes? Hath not a Nazi hands? .... If you prick us, do we not bleed?..,' are a parody of Shylock's speech from 'The Merchant of Venice,' by William Shakespeare (Act III, Scene I).
- BlooperAn Embraer 110 Bandeirante (aircraft made in Brazil) is shown in the movie, which is supposed to take place in 1967. This type of aircraft flew its maiden flight in 1968, and entered service in 1973.
- Citazioni
Dolorès Koulechov: Life here isn't easy for everyone, as in most dictatorships.
OSS 117: Dictatorships! Listen to you. You're sweet, but spare me your politics. You know what a dictatorship is? People are communists. They're cold, with gray hats and boots with zippers. That's a dictatorship.
Dolorès Koulechov: What do you call a country with a military leader, secret police, one TV station, and censorship?
OSS 117: I call that France, Miss. Not any France, De Gaulle's France.
- Curiosità sui creditiThere is a montage of (poor quality) travel snaps from OSS117's camera, as well as a short film clip of the duck-shaped pedal boat, being pedalled by OSS117, in Rio.
- ConnessioniFeatured in Maltin on Movies: Awards Special 2012 (2012)
- Colonne sonoreThe Girl from Ipanema
Written by Antonio Carlos Jobim and Vinicius de Moraes, adapted by Norman Gimbel
I più visti
- How long is OSS 117: Lost in Rio?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- OSS 117: Lost in Rio
- Luoghi delle riprese
- Foz do Iguaçu, Paraná, Brasile(footbridge chase in front of a waterfall)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 89.375 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.243 USD
- 9 mag 2010
- Lordo in tutto il mondo
- 21.924.245 USD
- Tempo di esecuzione1 ora 41 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1