Un'enorme voragine si apre misteriosamente a Los Angeles, separando parte di una famiglia in un inspiegabile mondo primordiale, insieme a un gruppo disparato di estranei.Un'enorme voragine si apre misteriosamente a Los Angeles, separando parte di una famiglia in un inspiegabile mondo primordiale, insieme a un gruppo disparato di estranei.Un'enorme voragine si apre misteriosamente a Los Angeles, separando parte di una famiglia in un inspiegabile mondo primordiale, insieme a un gruppo disparato di estranei.
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A cross-section of LA denizens fall through a groundswell in Los Angeles that takes them to the stone age and prompts the question "how is this different from a normal day in Los Angeles?" Seriously, I don't know. It seems like an LA thing though from so many films and TV shows I've seen.
The show cross-cuts between two different scenes.
The dad and husband of two of the victims has paranormal premonitions about what's happening and gets the attention of a shadow government agency that is determined to suppress the truth and conduct a rescue mission.
Getting the lion's share of the action is the group of displaced people as they try to figure out what is happening in a loose rip-off of "Lost." The crew includes a wide variety of professionals such that many are the deus-ex-machinas for each other's ailments. There's a kid with life-threatening injuries but fortunately there's a doctor among the stranded to rescue him. Ditto with a stunted child who's been trained to pretend she's mute and a child psychologist who needs to get information from her without traumatizing. Similarly, there's a paleontologist who can decipher the tea leaves and a cop who can keep order.
The coincidental nature of each person's abilities isn't so bad but there's a clunkiness to the dialogue and the character development that's par for the course for standard broadcast procedurals rather than the middle brow serial this show aspires to be. This certainly slows down the show but it's marginally watchable and has enough potential that it's worth finishing the season.
The show cross-cuts between two different scenes.
The dad and husband of two of the victims has paranormal premonitions about what's happening and gets the attention of a shadow government agency that is determined to suppress the truth and conduct a rescue mission.
Getting the lion's share of the action is the group of displaced people as they try to figure out what is happening in a loose rip-off of "Lost." The crew includes a wide variety of professionals such that many are the deus-ex-machinas for each other's ailments. There's a kid with life-threatening injuries but fortunately there's a doctor among the stranded to rescue him. Ditto with a stunted child who's been trained to pretend she's mute and a child psychologist who needs to get information from her without traumatizing. Similarly, there's a paleontologist who can decipher the tea leaves and a cop who can keep order.
The coincidental nature of each person's abilities isn't so bad but there's a clunkiness to the dialogue and the character development that's par for the course for standard broadcast procedurals rather than the middle brow serial this show aspires to be. This certainly slows down the show but it's marginally watchable and has enough potential that it's worth finishing the season.
Poorly written, horridly acted with painfully low-budget special effects... the Asylum Studios has productions better than this drivel. Even the ScFy Channel has produced better content than this. You can't blame anything this bad on the Pandemic.
Hollywood loves trying new shows with strong female leads but Natalie Zea as the fawningly over-protective helicopter Mom is just disastrous. Her acting is heavy-handed and reminds me of Debrah Farentino from Earth 2. As the lead in this sewer circus, Natalie is just a dragging this show down the drain quicker than Debrah did to E2.
Clearly the addition of Zyra Gorecki as daughter Izzy is a cheap PC attempt to cast an "impaired" actor who's better off behind a still camera. Her acting talents aren't even fit for commercials. Even though she appears to be able to work up tears on command, her facial expressions and execution of dialog don't fit the moment or the waterworks.
Whoever was responsible for casting Eoin Macken as the Dad should be fired immediately. I can't really think of anything positive about his role or his talent in this part. I really kept expecting him to die in one of the early episodes... too bad.
What can you say about Jon Seda as Sam and Nicholas Gonzalez as Levi other than they are simply just embarrassing. Was this a conscious effort by the production to cast such weak talent? Something that seems to be a trend in Hollywood over the last 10-15 years.
Chiké Okonkwo as Ty is the only secondary actor that has any chops and it's too bad he's been relegated to such a minor roll.
I watched 5 episodes of this garbage hoping that the cast would settle in to the roles and the writing and production would find their groove... no such luck. If anything, it's gone downhill. At the beginning I was intrigued by the concept but by the end of the 2nd episode, I no longer cared what happened to any of the characters and actually looked forward to a few of them being killed off... eaten or otherwise graphically dispatched.
Unfortunately, this is exactly the type of brainless garbage that will be renewed for more seasons... but one can only hope otherwise.
Stay away from this mind-numbing drivel... you've been warned.
Hollywood loves trying new shows with strong female leads but Natalie Zea as the fawningly over-protective helicopter Mom is just disastrous. Her acting is heavy-handed and reminds me of Debrah Farentino from Earth 2. As the lead in this sewer circus, Natalie is just a dragging this show down the drain quicker than Debrah did to E2.
Clearly the addition of Zyra Gorecki as daughter Izzy is a cheap PC attempt to cast an "impaired" actor who's better off behind a still camera. Her acting talents aren't even fit for commercials. Even though she appears to be able to work up tears on command, her facial expressions and execution of dialog don't fit the moment or the waterworks.
Whoever was responsible for casting Eoin Macken as the Dad should be fired immediately. I can't really think of anything positive about his role or his talent in this part. I really kept expecting him to die in one of the early episodes... too bad.
What can you say about Jon Seda as Sam and Nicholas Gonzalez as Levi other than they are simply just embarrassing. Was this a conscious effort by the production to cast such weak talent? Something that seems to be a trend in Hollywood over the last 10-15 years.
Chiké Okonkwo as Ty is the only secondary actor that has any chops and it's too bad he's been relegated to such a minor roll.
I watched 5 episodes of this garbage hoping that the cast would settle in to the roles and the writing and production would find their groove... no such luck. If anything, it's gone downhill. At the beginning I was intrigued by the concept but by the end of the 2nd episode, I no longer cared what happened to any of the characters and actually looked forward to a few of them being killed off... eaten or otherwise graphically dispatched.
Unfortunately, this is exactly the type of brainless garbage that will be renewed for more seasons... but one can only hope otherwise.
Stay away from this mind-numbing drivel... you've been warned.
Classic dorky network TV show, with bad VFX, pretty actors that wear perfect outfits, makeup and hairstyles even when teleported 10000 BC and living in the woods without shower. Laughable drama, dumb jokes, tropy camera work, plot that moves from commercial break to commercial break, dramatic music, unnecessary flirting, this TV show has it all. It's like a relic from 2006.
Not a bad premise but atrocious writing and Sharknado levels of CGI. I tried making a drinking game from this show, every time someone said something ridiculous I took a drink, I was just discharged from the hospital with alcohol poisoning.
You are going to feel like you are traveling in time all right -- the cheap CGI is going to take you back three or four decades right way!
Worse yet you absolutely will sense you have been transported back to a bygone era: before the golden age of TV, to a time when networks treated their audiences like 80 IQ types who have no problem with the most idiotic of dialogue, and need to be led around by the nose.
What a shame. Premise has lots of potential to be above average series, but is held back by awful acting, writing and laughable CGI.
4/10 at best, based on first two episodes distributed to reviewers.
Worse yet you absolutely will sense you have been transported back to a bygone era: before the golden age of TV, to a time when networks treated their audiences like 80 IQ types who have no problem with the most idiotic of dialogue, and need to be led around by the nose.
What a shame. Premise has lots of potential to be above average series, but is held back by awful acting, writing and laughable CGI.
4/10 at best, based on first two episodes distributed to reviewers.
Lo sapevi?
- QuizDespite being in 10,000 BCE everyone seems to keep up with hygiene & clothes when several months have gone by since the pilot
- BlooperDespite being set in Los Angeles paperbark trees can be seen in the background. Paperbark trees are a native species to Australia (the show is filmed in Victoria)
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