Wendy and Lucy

This review is coming from the perspective of a viewer in the exact same situation as Michelle Williams' character. This review will not summarize any key plot points nor try to pretentiously deconstruct the film in the air of a film school thesis, this review will put it to you as truthfully as the film has.

I honestly feel that Wendy and Lucy shines a light on a part of America that is widely ignored; a part of America that's left behind by the faults and actions of The Bush Administration and those who feed off of greed and capitalism. For those who fit within these margins will go see this movie and fail to grasp the understanding of how it is to be desperately broke and have nothing else to hold on to but a few scraps of memories, soiled clothes and your trusted dog to help prevail what's left of you dignity, happiness and sanity. This is not an escapist film, for escapism is for people who can't cope with their own realities. That's why there is so much success in drugs and the media. Wendy should be praised for holding onto her convictions and not falling deeper through escapism. But when your reality is so harsh and greater problems seem to arise everyday, she can't even afford the luxury of escapism as others do, so why should the audience have any exception? Life is very complicated and it can't be wrapped up in a limited amount of time. The open ending reveals to us that nothing is certain, but it certainly must be better than right now. There should be no ending, no "to be continued", only "What now?" "Where to go next?" "What am I gonna do" "Where will I sleep tonight and will it be a safe spot?" If those aren't the questions going through your head as you watch Wendy in the end then you have lived a privileged life and will never have to worry about being thrust into such a situation where you have to give up everything you have left in hopes of things getting better soon.

In a recession, this film should be seen as a lesson of how to live and what to do when comes the moment where you lose everything that's ever meant anything and how to live and restart from there. Of course every decision you make isn't the smartest one, but when you're desperate and have no other choice then you have to do whatever it takes to survive, even if that risks you a day in jail.

We observe Wendy and Lucy from a voyeuristic standpoint. We meet up with them in the park, observe their actions, then watch them leave. For those with a sympathy toward the downtrodden we tend to feel a little sadness, maybe even a little guilt for not being able to help that person out more than we could. But there are also some who have been raised with everything handed to them and with easy opportunities. They look at people like Wendy and Lucy as a stupid bum who can't get it together, without ever realizing that not everyone has it as easy as they did.

I have no idea how to end this review, but I just thought I'd write it as a bit of a rebuttal to all those who have completely missed the point of the main character and her actions which have led the movie to it's conclusion. If you've never truly suffered like the way Michelle Williams' character has then this movie will be lost on you. You may relate more with the clerk in the supermarket. But for those of you who've ever had to live in their car for a stretch clawing onto every dollar for dear life hoping to one day catch a break, then I must warn you that this movie will make you cry. And there's is absolutely no problem with that. I know how it feels, and sometime you just have to let it out in order to go on. Sometime you even have to let go of the things you love the most if you even want things to get better. For some it's impossible to do, but it's just as hard to watch.

The true triumph of this film is its ability to say so much about the cold, cruel reality of just how close some people are to breaking their banks and their hearts.

What fascinates me is: there are a few big budget films out there right now - all scrambling desperately to capture the same themes as W&L - that have no concept of how real people really act and survive. Those filmmakers must be pulling their hair out screaming "how can she say it all with one woman and a dog, and I can't say a damned thing with all these great special effects???"

That is the joy in this film. The simple, honest, brutal truth of now. Enjoy.

Is there no more great frontier? Has time run out on those who look west to a better tomorrow? 'Wendy and Lucy' is a small movie with its scope set on a larger, subtle target. Soft-spoken but very admirable, Kelly Reichardt has crafted a touching story of one girl's endless search for her dog.

On the road to Alaska in search for better economic opportunity, Wendy finds herself in a small Oregon town where its citizens seem to live on the fringe of poverty long after job-providing factories have closed up shop. Keeping track of every penny she spends, Wendy's car suddenly won't start. And after an attempt to shoplift a bit of food sidelines her, she loses track of Lucy. A dog, a companion, and her best friend.

A determined Wendy searches for Lucy in every nook and cranny. Played by a quiet Michelle Williams, this is a subdued performance but a strong one. A portrait of loneliness, of heartbreak. She lives a life far from fortunate, but she holds her head high and looks to Alaska for hope. And in a small neighborhood where her situation seems to only go from bad to worse, Wendy has nobody to rely on but a friendly elderly security guard. Giving her a sense of moral support she probably is in desperate need for, we expect emotion. But staring panic in the face, Wendy remains strong. Her first moment of visible emotional anguish and vulnerability comes after a terrifying encounter in a forest in the middle of the night. A glimpse into her future as a vagabond? 'Wendy and Lucy' comes at a time when our own economy is in a state of perpetual free fall, which helps Reichardt drive her timely message home. It is these often seemingly mundane and unimportant everyday activities that may cause the film to drag, though it comes in at a slim 80 minutes. But it is these events that help the film and Williams find personality. 'Wendy and Lucy' asks us to be strong, to stick with our character. And it offers an ending that will pull at the heartstring of even the most hardened cynic. A tough, very challenging situation you and I would never want to find ourselves in. It speaks of conviction, of doing the right thing even when it's impossibly difficult.

Raw but surprisingly gripping, Reichardt does much with little. It's a touching picture, a bittersweet one. 'Wendy and Lucy' may feel minor, but it's a fine piece of beautifully told cinema. A snapshot that gains more appreciation upon reflection.

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To say that this film is spare is to be generous; and, to whatever extent actors become their characters, Michelle Williams becomes Wendy, a young woman that is hanging by a thread. Wendy is doing her best, with little support and money, to survive day to day and to maintain her dignity. Along the way she loses her dog Lucy, the only stable and loving relationship in her life. Ultimately, she is faced with making a heartbreaking decision that their mutual welfare will depend upon. As her car (and bed) breaks down and resources dwindle, she collects cans and bottles and shoplifts dog food. She encounters a group of homeless people making a fire, a self-righteous store clerk, a smug auto mechanic, a sympathetic security guard, and a psychotic drifter, among others. We see each of them from the perspective of a young woman on the verge of economic collapse and who is gradually being transformed into someone facing the possibility of homeless destitution. Wendy offers a lens through which we can see such a transformation evolve. All homeless people, unless born into this condition, were something and somewhere else first. Wendy is such a person. As the economy declines and more and more people retreat into survival mode, it will be harder for them, for us, to empathize with the Wendys of the world, young people with once bright futures now facing desperate and maybe devastating times. I have heard it said that empathy is the first hostage of survival. Wendy and Lucy is an important little film, a slice of life, that not enough people will see and that offers us a window on what more and more young people will be facing for some time to come. This film pleads with us not to close our eyes or turn our backs on them.

Sometimes the simplest stories are the most effecting and the simplest characters are the most endearing. Wendy and Lucy is a perfect example of this. When discussing this film however one must praise Michelle Williams. Before she even utters a word with her body movement and her facial features we get a sense of who Wendy is. We have seen this character before and we know her. Wendy is a simple girl with a simple purpose but Michelle Williams gives her the grace and kindness that makes her seem real and is all the more gut wrenching when things start crashing down around her. Most actresses her age with her resume would scoff at the idea of playing such a simple and expressionless character who hasn't showered for days and wears cut off brown pants and an unflattering blue sweatshirt but she breathes life into Wendy and adds an extra dimension to her. Of course a great performance would be wasted without a narrative for Wendy.

As the film unfolds the narrative is quite simplistic. Wendy is stuck in a small town in Oregon on her way to Alaska and wants to get on her way as fast as possible before her money runs out. There however are events that will unfold that prevent this from happening. There is little surprise and in fact the narrative is quite predictable with most events foreshadowed. As these events unfold however they are still impactful and meaningful because Wendy does not see them coming. As simplistic as this narrative may be there is complexity to it in the form of political commentary on small town America and how the people that live there are struggling. Wendy herself is fleeing Indiana living in her car and managing a small sum of money to go to the promise land of Alaska since they are hiring. The town is suffering from the closing of a mill with few jobs and is inhabited by many disenfranchised individuals. While this film could be fixated on these points Kelly Reichardt has crafted them very subtlety into the character and the setting. Characters don't stand around saying small own America is dying, but we can easily pick this up from the plot and the visuals of a broken down town with many closed business and downtrodden individuals. Usually films of this type heap on background but instead there are only a few scenes to decipher Wendy's story and motivation.

The soundtrack for this film is Wendy humming quietly to herself which when employed help foster a sense of intimacy. Kelly Reichardt shoots the film with a naturalistic feel with a steady and fluid motion of the camera. There are many long takes with tracking shots as the camera follows Wendy as she walks around this town but this is contrasted with close ups where the camera gets in tight to see the expressions on Wendy's face. There is only natural light used and most of the scenes take place out doors with wind blowing through Wendy's hair and building being nothing more than a backdrop. All of these aspects together create a sense of intimacy with Wendy. Wendy and Lucy shows us that a great film really only needs a honest and meaningful connection to a character through narrative, acting and mise-en-scène.