Wendy and Lucy

Greetings again from the darkness. Absolutely stunning performance from the beautiful Michelle Williams, who somehow doesn't look beautiful here and is very believable as the on-the-road loner in search of salvation at a cannery in Alaska. What doesn't work is everything else.

I understand the minimalist approach, but this story doesn't differ much from if you asked a junior high student to write a story about running away from home with her dog. Sure the serpentine belt wouldn't get mentioned, but losing the dog, even if only momentarily, would probably be a sub-plot.

Don't misunderstand. It is a very well shot film and realistic to the point of dread, but we are never really provided any reason to care about Wendy or Lucy ... other than basic human caring.

Will Patton adds a nice, but brief, touch as the auto mechanic and Wally Dalton somehow captured my interest more than Wendy. For the full impact, you have to know that Wally Dalton plays a Walgreens security guard who stares at the parking lot for 12 hours a day.

Michelle Williams deserves the kudos for her performance, but I believe the film itself is much overrated.

The true triumph of this film is its ability to say so much about the cold, cruel reality of just how close some people are to breaking their banks and their hearts.

What fascinates me is: there are a few big budget films out there right now - all scrambling desperately to capture the same themes as W&L - that have no concept of how real people really act and survive. Those filmmakers must be pulling their hair out screaming "how can she say it all with one woman and a dog, and I can't say a damned thing with all these great special effects???"

That is the joy in this film. The simple, honest, brutal truth of now. Enjoy.

To say that this film is spare is to be generous; and, to whatever extent actors become their characters, Michelle Williams becomes Wendy, a young woman that is hanging by a thread. Wendy is doing her best, with little support and money, to survive day to day and to maintain her dignity. Along the way she loses her dog Lucy, the only stable and loving relationship in her life. Ultimately, she is faced with making a heartbreaking decision that their mutual welfare will depend upon. As her car (and bed) breaks down and resources dwindle, she collects cans and bottles and shoplifts dog food. She encounters a group of homeless people making a fire, a self-righteous store clerk, a smug auto mechanic, a sympathetic security guard, and a psychotic drifter, among others. We see each of them from the perspective of a young woman on the verge of economic collapse and who is gradually being transformed into someone facing the possibility of homeless destitution. Wendy offers a lens through which we can see such a transformation evolve. All homeless people, unless born into this condition, were something and somewhere else first. Wendy is such a person. As the economy declines and more and more people retreat into survival mode, it will be harder for them, for us, to empathize with the Wendys of the world, young people with once bright futures now facing desperate and maybe devastating times. I have heard it said that empathy is the first hostage of survival. Wendy and Lucy is an important little film, a slice of life, that not enough people will see and that offers us a window on what more and more young people will be facing for some time to come. This film pleads with us not to close our eyes or turn our backs on them.

Man, I'm a sucker for this kind of picture. Realism. A movie about real people, in real situations, just like you and me. No frills, no fantasy, no flash. It's not that I don't like movies with these elements in them; It's that a prefer movies without them. I like Michelle Williams without the make-up - just a waif caught in a tough situation in a generic Americana setting. It looks like a small town, but I see the credits say it's Portland Oregon.

I'm also a sucker for trains, so I loved all the train shots. Is there a symbolism to the trains? Funny how many times a forlorn train horn is heard nearby, punctuating the quiet desperation of Wendy's plight. I loved the security guy (Wally Dalton) - he shows us there's hope no matter what the situation.....there really is always someone who cares. I sure hope Wendy makes it to Alaska; she deserves to.

For those who like this one, you'll like a similar movie I viewed just a few days previous; it has a similar pace, and feel as this one, and a storyline with a little more tension: "Frozen River". Catch it if you can.

Is there no more great frontier? Has time run out on those who look west to a better tomorrow? 'Wendy and Lucy' is a small movie with its scope set on a larger, subtle target. Soft-spoken but very admirable, Kelly Reichardt has crafted a touching story of one girl's endless search for her dog.

On the road to Alaska in search for better economic opportunity, Wendy finds herself in a small Oregon town where its citizens seem to live on the fringe of poverty long after job-providing factories have closed up shop. Keeping track of every penny she spends, Wendy's car suddenly won't start. And after an attempt to shoplift a bit of food sidelines her, she loses track of Lucy. A dog, a companion, and her best friend.

A determined Wendy searches for Lucy in every nook and cranny. Played by a quiet Michelle Williams, this is a subdued performance but a strong one. A portrait of loneliness, of heartbreak. She lives a life far from fortunate, but she holds her head high and looks to Alaska for hope. And in a small neighborhood where her situation seems to only go from bad to worse, Wendy has nobody to rely on but a friendly elderly security guard. Giving her a sense of moral support she probably is in desperate need for, we expect emotion. But staring panic in the face, Wendy remains strong. Her first moment of visible emotional anguish and vulnerability comes after a terrifying encounter in a forest in the middle of the night. A glimpse into her future as a vagabond? 'Wendy and Lucy' comes at a time when our own economy is in a state of perpetual free fall, which helps Reichardt drive her timely message home. It is these often seemingly mundane and unimportant everyday activities that may cause the film to drag, though it comes in at a slim 80 minutes. But it is these events that help the film and Williams find personality. 'Wendy and Lucy' asks us to be strong, to stick with our character. And it offers an ending that will pull at the heartstring of even the most hardened cynic. A tough, very challenging situation you and I would never want to find ourselves in. It speaks of conviction, of doing the right thing even when it's impossibly difficult.

Raw but surprisingly gripping, Reichardt does much with little. It's a touching picture, a bittersweet one. 'Wendy and Lucy' may feel minor, but it's a fine piece of beautifully told cinema. A snapshot that gains more appreciation upon reflection.

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