Agenti dell'FBI tentano di catturare i gangster John Dillinger, Baby Face Nelson e Pretty Boy Floyd, autori di una serie di rapine negli anni 30.Agenti dell'FBI tentano di catturare i gangster John Dillinger, Baby Face Nelson e Pretty Boy Floyd, autori di una serie di rapine negli anni 30.Agenti dell'FBI tentano di catturare i gangster John Dillinger, Baby Face Nelson e Pretty Boy Floyd, autori di una serie di rapine negli anni 30.
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Recensioni in evidenza
Public Enemies is a crime drama based on the true story of the infamous bank robber of the 1930's, John Dillinger. Johnny Depp does an outstanding job playing the main character, but I don't feel that this is his best performance. Perhaps it is a lacking script that causes the unimpressive characterization. Christian Bale plays the FBI agent chasing Dillinger with fervor. His betrayal seems a bit dry and lackluster. The story is interesting and well paced, but there is slightly too much time put into the setup and not enough in the execution of the plot. The action sequences are quick and the machine gun shoot-outs are mind blowing. Overall, I left the theater feeling that this was a decent film with room for improvement. It is worth a watch, especially if you like the period portrayed. I give this movie 7 stars for a just-above mediocre production. I hope this review was helpful. -MovieJuice
Public Enemies is an alright docu-crime-thriller that, thought well-made, ends up coming out dry. Many of the scenes are well paced, but in its running time the film feels like a very rushed overview of the final years of John Dillinger. What I mean to say is that this is a good movie, but you probably won't leave the theater feeling like you've learned anything about John Dillinger, other than trivial facts. The movie never really gives Johnny Depp a chance to shape the character into a believable icon because as I previously stated this film feels more like a dramatized overview of Dillinger's career instead of focusing on the man himself.
Now, Johnny Depp is a fine actor, and he reminds us in this movie that he isn't only a go-to man for quirky, weird, whimsical, and bizarre characters. In Public Enemies Depp reminds us that he is talented as a traditional actor and that he is still one of the best in Hollywood today. The problem is the script he is given for Public Enemies never lets him expand on anything regarding John Dellinger as a person. In Ridley Scott's 'American Gangster' Denzel Washington was given a chance to really emphasize the qualities he felt reflected his view of Frank Lucas. Public enemies, Johnny Depp never truly gets to define what he feels are the most important aspects of his portrayal of Dellinger because often the film gets too caught up in the action and events instead of its characters.
Christian Bale bounces back after a sub-par performance in 'Terminator: Salvation' and it's good to see him working his voice manipulation ability again, because I for one was beginning to think he'd gotten stuck on his Batman-style growl. Playing the FBI agent pursuing Dillinger he is an interesting character due to his dedication and could have been a really interesting character, but like Depp, Bale never really gets a chance to try and expand on his character.
The music isn't anything you haven't heard before in previous crime films of this sort, but for the most part it works. I wouldn't buy the soundtrack to this film, but it certainly didn't take away from the experience. Also, songs from the 30s are played throughout, and most of the time they manage to fit into the story's many montage scenes very well.
Director Michael Mann seems a tad bit off when compared to some of his previous films. He often goes for a look that makes the audience feel that they're in the middle of everything, and that's good in small stretches, but I felt he used this technique too often and I found myself growing a tad bit dizzy at times, and had a desire to see what was going on in the shootouts. I found it strange, that with his recent films such as 'Collateral', where the characters had been the center-focus of the entire film, he could then make a movie about one of the most infamous criminal minds and have it be more about the history than the characters who lived it.
The thing that is most fascinating about this film is the costumes and sets. The men and women behind these really outdid themselves and created a very authentic view of 1930s Chicago. This aspect of the film alone makes it worth seeing! Every costume and set seems to have been made with the utmost attention to detail, and the final result is very pleasing to the eye.
The final product in an okay docu-drama on the life of one of America's most infamous criminals, but in the end you really don't discover anything about John Dillinger that you couldn't have found out by looking him up on Wikipedia. So this is a pretty film to look at, and with Depp and Bale it's a good way to introduce those unfamiliar with Dillinger to the criminal, but if you were looking for a character study on the bank robber you may find yourself a tad-bit disappointed.
I wouldn't come close to calling Public Enemies one of the best movies of the summer, or of the year, but when compared to several other films that are currently being screened I would still highly recommend it. With movies like 'Transformers: Revenge of the Fallen' out there your money is best spent on Michael Mann's Public Enemies.
Now, Johnny Depp is a fine actor, and he reminds us in this movie that he isn't only a go-to man for quirky, weird, whimsical, and bizarre characters. In Public Enemies Depp reminds us that he is talented as a traditional actor and that he is still one of the best in Hollywood today. The problem is the script he is given for Public Enemies never lets him expand on anything regarding John Dellinger as a person. In Ridley Scott's 'American Gangster' Denzel Washington was given a chance to really emphasize the qualities he felt reflected his view of Frank Lucas. Public enemies, Johnny Depp never truly gets to define what he feels are the most important aspects of his portrayal of Dellinger because often the film gets too caught up in the action and events instead of its characters.
Christian Bale bounces back after a sub-par performance in 'Terminator: Salvation' and it's good to see him working his voice manipulation ability again, because I for one was beginning to think he'd gotten stuck on his Batman-style growl. Playing the FBI agent pursuing Dillinger he is an interesting character due to his dedication and could have been a really interesting character, but like Depp, Bale never really gets a chance to try and expand on his character.
The music isn't anything you haven't heard before in previous crime films of this sort, but for the most part it works. I wouldn't buy the soundtrack to this film, but it certainly didn't take away from the experience. Also, songs from the 30s are played throughout, and most of the time they manage to fit into the story's many montage scenes very well.
Director Michael Mann seems a tad bit off when compared to some of his previous films. He often goes for a look that makes the audience feel that they're in the middle of everything, and that's good in small stretches, but I felt he used this technique too often and I found myself growing a tad bit dizzy at times, and had a desire to see what was going on in the shootouts. I found it strange, that with his recent films such as 'Collateral', where the characters had been the center-focus of the entire film, he could then make a movie about one of the most infamous criminal minds and have it be more about the history than the characters who lived it.
The thing that is most fascinating about this film is the costumes and sets. The men and women behind these really outdid themselves and created a very authentic view of 1930s Chicago. This aspect of the film alone makes it worth seeing! Every costume and set seems to have been made with the utmost attention to detail, and the final result is very pleasing to the eye.
The final product in an okay docu-drama on the life of one of America's most infamous criminals, but in the end you really don't discover anything about John Dillinger that you couldn't have found out by looking him up on Wikipedia. So this is a pretty film to look at, and with Depp and Bale it's a good way to introduce those unfamiliar with Dillinger to the criminal, but if you were looking for a character study on the bank robber you may find yourself a tad-bit disappointed.
I wouldn't come close to calling Public Enemies one of the best movies of the summer, or of the year, but when compared to several other films that are currently being screened I would still highly recommend it. With movies like 'Transformers: Revenge of the Fallen' out there your money is best spent on Michael Mann's Public Enemies.
Whenever a Michael Mann movie comes out, I am besieged by expectations. This is one director whose style I seem to consistently like. The Insider, Heat, Collateral, The Last of the Mohicans, and yes.. I LOVED Miami Vice the movie (despite the many negative reviews it seemed to have got). So, when Public Enemies came out, and seeing Mann team up with Johnny Depp and Christian Bale, I knew I could not miss this. However, probably because of the high standards he has set for himself, I was a little disappointed with this.
The story is about a gangster bank robber, John Dillinger(Johnny Depp), back in the '30's, who pulled off a couple of daring heists and prison breaks. He was generally considered a hero among the public, as this was during the years of the great depression and Dillinger was seen as someone who steals from the rich man. A fledging FBI, led by the peerless J. Edgar Hoover, decide to hunt him down so that they can grow the organization, and name him Public Enemy Number 1. Melvin Purvis(Christian Bale) is assigned the task of leading this group of agents.
Johnny Depp is as usual great, but you get a feeling he would have been even better if the script had given enough scope to explore the character of Dillinger. The same goes with his love interest, played by Marillon Cotillard. Again, a wonderful actress, but at times the love story seemed forced into the story. Despite this, they have great chemistry.
Which brings me to Christian Bale. This is an actor who has so much more to offer than the half baked roles he has been getting this year. You get a feeling this year that he is being offered big movies which don't give him a character he can bite his teeth into. First there was Terminator Salvation, and now this. In both, his character never really seemed into the movie as compared to the others. I'm waiting to see a movie again where he will assert himself.
Despite the flaws, this is still a good movie from Mann. Just don't go in expecting it to out do his best.
The story is about a gangster bank robber, John Dillinger(Johnny Depp), back in the '30's, who pulled off a couple of daring heists and prison breaks. He was generally considered a hero among the public, as this was during the years of the great depression and Dillinger was seen as someone who steals from the rich man. A fledging FBI, led by the peerless J. Edgar Hoover, decide to hunt him down so that they can grow the organization, and name him Public Enemy Number 1. Melvin Purvis(Christian Bale) is assigned the task of leading this group of agents.
Johnny Depp is as usual great, but you get a feeling he would have been even better if the script had given enough scope to explore the character of Dillinger. The same goes with his love interest, played by Marillon Cotillard. Again, a wonderful actress, but at times the love story seemed forced into the story. Despite this, they have great chemistry.
Which brings me to Christian Bale. This is an actor who has so much more to offer than the half baked roles he has been getting this year. You get a feeling this year that he is being offered big movies which don't give him a character he can bite his teeth into. First there was Terminator Salvation, and now this. In both, his character never really seemed into the movie as compared to the others. I'm waiting to see a movie again where he will assert himself.
Despite the flaws, this is still a good movie from Mann. Just don't go in expecting it to out do his best.
This film is about a criminal mastermind who is elusive to the American authorities back in 1930's.
I cannot believe how boring "Public Enemy" is. I already felt thoroughly bored after twenty minutes, and after one more hour it does not get better at all. There are many problems with the movie. Slow pacing is the obvious problem, as the filmmakers spend too much effort trying to make the film atmospheric. They have simply forgotten that as an crime thriller, we need more action to engage viewers. Instead, most of the film is just talking and talking. When it does show an occasional gun fight, it is unbelievably detached with no intensity or thrill. It is as if the gun shots are played on tape, and are not from the supposed fights. Another problem is that 90% of the scenes are far too dark. It is not fun to look at silhouettes or shadows continuously. When we do get to see faces, most of the time their eyes are hidden under the shadow of their hat. Without this eye contact, I feel disengaged and disconnected from all the characters.
"Public Enemies" is a very boring movie for me. I struggled so hard to keep my eyes open, and I have to say I lost the fight.
I cannot believe how boring "Public Enemy" is. I already felt thoroughly bored after twenty minutes, and after one more hour it does not get better at all. There are many problems with the movie. Slow pacing is the obvious problem, as the filmmakers spend too much effort trying to make the film atmospheric. They have simply forgotten that as an crime thriller, we need more action to engage viewers. Instead, most of the film is just talking and talking. When it does show an occasional gun fight, it is unbelievably detached with no intensity or thrill. It is as if the gun shots are played on tape, and are not from the supposed fights. Another problem is that 90% of the scenes are far too dark. It is not fun to look at silhouettes or shadows continuously. When we do get to see faces, most of the time their eyes are hidden under the shadow of their hat. Without this eye contact, I feel disengaged and disconnected from all the characters.
"Public Enemies" is a very boring movie for me. I struggled so hard to keep my eyes open, and I have to say I lost the fight.
I liked PUBLIC ENEMIES but I didn't love it. It comes close to feeling like an epic at times, detailing the cat-and-mouse games between infamous bank robber John Dillinger and the G-man on his tail. Unfortunately the screenplay feels a little bloated at times and the truth is that while Michael Mann is a consummate professional as director, his films always possess a certain coldness that makes it hard to get close to the characters.
And that's the case here. Superficially, the movie looks good and the characters go through the motions with aplomb, but you never really care about what happens to them. Bale's protagonist is totally unmemorable, leaving Depp to hold the fort as the anti-hero of the piece, but whenever the film moves away from a complex action set-piece it falters. Depp's romance with Marion Cotillard is particularly gruelling and heel-dragging.
Nevertheless, the drama and excitement when it comes is very well handled, with the shoot-out in the woods particularly fine and the bank robberies all staged very well. As ever, Mann has a steely eye for the action so the film zips along when concentrating on them; it's everything else that's a bit lacklustre. In addition, the cast is so big that the supporting players, like Stephen Dorff, James Russo, Billy Crudup, David Wenham and Stephen Lang get lost in the mass, each lacking truly memorable scenes. The ending, when it comes, seems almost arbitrary.
And that's the case here. Superficially, the movie looks good and the characters go through the motions with aplomb, but you never really care about what happens to them. Bale's protagonist is totally unmemorable, leaving Depp to hold the fort as the anti-hero of the piece, but whenever the film moves away from a complex action set-piece it falters. Depp's romance with Marion Cotillard is particularly gruelling and heel-dragging.
Nevertheless, the drama and excitement when it comes is very well handled, with the shoot-out in the woods particularly fine and the bank robberies all staged very well. As ever, Mann has a steely eye for the action so the film zips along when concentrating on them; it's everything else that's a bit lacklustre. In addition, the cast is so big that the supporting players, like Stephen Dorff, James Russo, Billy Crudup, David Wenham and Stephen Lang get lost in the mass, each lacking truly memorable scenes. The ending, when it comes, seems almost arbitrary.
Lo sapevi?
- QuizJohn Dillinger's lawyer at Crown Point, Louis Piquett, never went to law school. He passed the bar on his fourth attempt, receiving his license to practice in 1920.
- BlooperThe Billie Holiday songs heard on the radio were not recorded until the late thirties, long after John Dillinger's death. She had recorded only two songs before the time of the film, Your Mother's Son-in-law and Riffin' the Scotch, neither of which are heard in it. (When Dillinger died in July 1934 Holiday was a little-known cabaret singer in New York, so it's unlikely a live show of hers would have been broadcast anywhere, let alone as far from her home base as Chicago.)
- Citazioni
John Dillinger: I was raised on a farm in Moooresville, Indiana. My mama died when I was three, my daddy beat the hell out of me cause he didn't know no better way to raise me. I like baseball, movies, good clothes, fast cars, whiskey, and you... what else you need to know?
- Curiosità sui creditiThe title of the movie is not shown until the end credits.
- Versioni alternativeFor unknown reasons, all Blu-rays other than the North American, United Kingdom, and Australian releases have 12 seemingly random seconds cut from the scene when John Dillinger is transported to Indiana and there is a media scrum at the airfield. The excised material is wholly in the form of tighter editing on certain shots. For example, the shot of the plane coming to a stop is 1 second shorter, the shot of Dillinger being taken off the plane is 5 seconds shorter, the shot of the man with the flare is 2 seconds shorter.
- ConnessioniFeatured in The 81st Annual Academy Awards (2009)
- Colonne sonoreGuide Me O Thou Great Jehovah
Sung by members of the Indian Bottom Association Old Regular Baptists
Courtesy of Smithsonian Folkways Recordings
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Dettagli
Botteghino
- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 97.104.620 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.271.675 USD
- 5 lug 2009
- Lordo in tutto il mondo
- 214.104.620 USD
- Tempo di esecuzione2 ore 20 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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