Il ballo dei 41

Brief summary

Remarkable approach from the melodrama centered on a love triangle of a social, political and sexual scandal that occurred in Mexico in 1901. A dazzling staging and a first-class script and performances in a film with Viscontian echoes.

A testimony of the homoodium of that time (which did not stop at class privileges) and which continues to have renewed echoes in the present that are far from being silenced, particularly in countries like Mexico and many others.

Review

The film begins with the lavish engagement party of the ambitious deputy Ignacio de la Torre (Ignacio Herrera) with Amada, the daughter of Mexican president Porfirio Díaz (Mabel Cadena) back in 1900. What nobody knows yet is that Ignacio is a A covered homosexual who attends a kind of clandestine gay club and ends up linking up with Evaristo Rivas (Emiliano Zurita), an employee of Congress.

This remarkable film by David Pablos brings together a host of successes. First, because it bets on melodrama to address a scandalous historical event that occurred in 1901 in Mexico City and that no one had dared to address, concentrating the plot on the love triangle that Torres, Amada (a true irony that was called that) and Rivas constitute. , with its progressive and complementary stories of love and heartbreak. However, the scenes that take place in the club are enough to describe the profile of its members, their codes, their dynamics and the activities that took place there. On the other hand, the socio-political context is very clearly exposed and without annoying underlining. This approach marks a huge difference from Hollywood "fact-based" products that are information-saturated in their all-encompassing claim that produces schematic developments of their characters.

Monika Revilla's script (not coincidentally also the scriptwriter of Someone has to die) is extremely precise, in a story where the characters speak only what is necessary.

The staging is dazzling: the setting and the costumes conveniently place us in the high social extract of the characters, the photography is wonderful and the director achieves an accumulation of effective, expressive and virtuous sequences that accompany, when necessary, to their characters. As in all good melodrama, irony and a certain bitter humor are not lacking, as in an anthological scene in which Amada plays the piano.

The performances of the protagonists are very good, in characters that present various nuances within their well-defined profiles in a story that is a true pressure cooker.

Dance of the 41 is a testimony, on the one hand, of how not even money and privileges could put a free and private sex life absolutely safe from homophobia, homo-hate and the derision of the political, religious and social establishment of the Mexico (and the world) of then and that continues to have renewed echoes in the present that are far from being silenced, particularly in countries like Mexico.

As a mexican LGBTQ+ member in my early thirties, I've known this story ever since I can remember, and to see it portrayed on the big screen, with such quality production, with a compelling narrative, and that can make straight people understand a little bit of our brotherhood excites me a LOT!

I'm so thankful that Director David Pablos took a chance to make this film, and to make such relevant characters, the main arch is so powerful, I have to confess the female characters surprised me for good, Amada en Luz are so relatable Mexican women, and the secondary characters from the "Club" gave so much depth to the story.

I hope this film will remember everyone why is important to keep fighting for our rights, our right to be a normal person within society.

An interesting film. I'm left wondering how true it was to the real story upon which it was based.

I found some of the portrayals of gay men rather cliché. And while the gay men in the film had my sympathy, I couldn't help feeling equally sorry for all the women who've suffered as beards through the Ages. Used. Deceived. Unloved. Betrayed. Wasted on men that didn't really want to be married to them.

This film left me confused & sad. I'm grateful that in my lifetime many countries have legalized gay marriage.

It's not often I sit through the credits at the end of a film. Usually I'm up and out of the armchair to make a cup of tea or whatever. This film was different and the ending was mundane but devastating for the viewer and the main male character.

The film is a heavily fictionalised version of a real event, that of a police raid on a party held by high society homosexuals. Ignacio de la Torre, the son-in-law of the then President, was meant to have been one of the participants. This much is known to history and from IMDB's résumé. From these bare bones, a whole film is woven as a prelude to the raid.

Ignacio holds a high position in society partly through his own wealth and partly through the patronage of his wife's father. Some things about his true life are known, that he and his wife led separate lives, for example, and were only together in public; in private they occupied different wings of their mansion. From this gossamer thread a love story emerges that may not even be true - we cannot be sure that Evaristo Rivas had a relationship with Ignacio or was even present when the ball was busted as the names of the participants were withheld. It doesn't matter. A whole, tender story of forbidden love is recounted by the film, a love that is unacknowledgeable in Mexican society at the time.

The film doesn't hold back. It shows the horror of a gay man trying to sleep with his wife. It shows the hatred that slowly grows out of resentment on both sides of a chaste marriage. It shows how happiness can be shattered in an instant by bigotry and ignorance.

The two male leads were stupendous and didn't skimp their roles. Those kisses were real. Their glances, their interaction, their physical moments together were the opposite of contrived. Mabel Cadena playing Amada, Ignacio's wife, visibly aged during her time of calvary. Her face and bearing changed convincingly from those of a pretty young bride to those of a bitter and spurned woman.

The sets and costumes were magnificent. I actually wondered if some of the scenes were filmed in real buildings, so convincing were the locations. The minor characters, even, were somewhat fleshed out rather than simply being drivers of the plot.

I loved this film and would recommend it.

My Review- "The Dance of the Forty One " on Netflix My Rating 8/10 A historical Biography Drama based on true events

This Film from Mexico is important in my opinion for the simple reason that it intelligently portrays the persecution and harassment and social attitudes that Gay men who held influential Political positions endured at the conclusion of the 19th Century and well into the 20th Century .

The catalogue of GLBTQI historical movies depicting events of these times when great and talented men like Oscar Wilde had to hide their true nature with painful marriages of conveniences to keep their place in Society and in the process ruined both the husband and wife's life when their deception was exposed by authorities is rarely told authentically in films.

Gay men at that time lead covert secret lives outside their marriages meeting in underground clubs or male brothels was the only way to express their sexuality where bacchanalian party's and orgies often took place so if male nudity or mild depictions of sodomy offend perhaps "The Dance of the Forty One ."is not for you but these few scenes are necessary to explain the story and the times.

Based on the Dance of the Forty-One which was a society scandal in early 20th-century Mexico. The incident revolved around an illegal police raid carried out in 17 November 1901 in a private home in Mexico City. The scandal involved the group of men who attended, 19 of whom were dressed in women's clothing. Despite the government's efforts to hush the incident up, the press was keen to report the incident, since the participants belonged to the upper echelons of society (including the son-in-law of the incumbent President of Mexico). This scandal was unique in that it was the first time homosexuality was openly spoken about in the Mexican media and had a lasting impact on Mexican culture.

A translation of the Press release at that time- On Sunday night, at a house on the fourth block of Calle la Paz, the police burst into a dance attended by 41 unaccompanied men wearing women's clothes. Among those individuals were some of the dandies seen every day on Calle Plateros. They were wearing elegant ladies' dresses, wigs, false breasts, earrings, embroidered slippers, and their faces were painted with highlighted eyes and rosy cheeks. When the news reached the street, all forms of comments were made and the behaviour of those individuals was subjected to censure. We refrain from giving our readers further details because they are exceedingly disgusting.

• Contemporary press report.

This is a big budget beautifully produced film directed by David Pablos and Screenplay by Monika Revilla . I would have preferred to see it in its original language rather than dubbed in English but got used to it after a few minutes . The cast are all very fine actors it stars Alfonso Herrera as Ignacio de la Torre y Mier, the gay son-in-law of then-president of Mexico Porfirio Díaz, Mabel Cadena as Amada Díaz, his illegitimate daughter, and Emiliano Zurita (son of Christian Bach) as Ignacio's fictional lover, Evaristo Rivas.

The film is a joint production by three companies Canana Films El Estudio, and Bananeira Filmes and filming locations included Mexico City and Guadalajara. It was filmed at the end of 2019 . Some fiming locations include the Rivas Mercado House, the bar La Opera in Mexico City's historic center and many of the exteriors were filmed in the streets of Guadalajara.

It may not be a film for everyone's taste but I think it's a very well produced and very interesting account of history that I had no knowledge of till I watched "El Baile de Los 41 or "Dance of the Forty One".