Outpost

Outpost was not what I was expecting, I had put off watching it for a while but was certainly pleased that I finally sat down to view it. The story is about a woman who has been abused mostly all her life, in adulthood she has a restraining order against her ex partner who is abusive and he breaks the order and attacks her. She survives physically, but mentally she is not coping at all. Seeking a way out, she takes a volunteer job at a fire tower organized through her best friend's brother. What ensues then is the slow decay of her character mentally, as she battles with the seclusion and her trauma memories.

It has a nice twist that rounds off the movie perfectly. I don't want to give any spoilers in that regard. I enjoyed watching it. Give it a go.

No pun intended - if, when and once you've seen the movie (maybe you already have), you will understand what I mean with that. You may know the director as sidekick in Brooklyn 99 .. he seems to have a knack for horror thrillers ... and the story overall is enticing ... though for anyone who has seen a few horror movies ... well they know what is up.

Or rather what is going to go down (which almost is another pun, right?) ... the main actress is giving it her all - and we care for her to a degree, but she is not doing herself any favors (or anyone else for that matter) ... you can't be too soft and squeamish about violence ... there are some effects and some .... well things are going to happen (or not), that will test how much you can stomache.

This was an interesting one no doubt. Granted, not without its flaws, but still generally entertaining while also being a pertinent narrative on mental health, the effects of abuse and how it can manifest itself in a multifaceted way.

They had some cool ways of representing her ptsd and hallucinations that pleasantly caught my attention, even though they did start to become a tad repetitive. The pacing was a bit up and down. Sometimes it was on tack and other times it dragged. As a whole the run time felt longer than it was, which i don't think is a particularly great sign.

The story at its core was a solid and semi original concept with an execution that wasn't unsuccessful by any means, but felt like it got a bit messy and predictable and needed some focus/streamlining. Acting all around was fine, passable... definitely felt indie. Lead woman had some nice moments.

Third act was when it really picked up. It got a little silly at times but I appreciated the excitement. It was like this film had an underlying layer of camp to it. I know the main actress is often times cast in comedic roles so maybe that has something to do with it? Either way, I didn't hate it but I do wish it felt a little bit more purposeful or not there at all. Ending left a little to be desired, very open... but for whatever reason I wasn't too mad at it.

At the end of the day this was an intriguing and entertaining indie experience that had some fun twists and turns, some scares and some humor (whether intentional or not haha). The concept was definitely there and along with it came the engagement. These are the kind of indie productions you can tell have heart and effort behind it and they are the ones that should be given a chance. Would recommend.

I gave this film a chance purely because it was written and directed by Joe Lo Trulio, who I like from Brooklyn 99. On the hole, I suspect that if were not, it would not exist. That is to say, if the average person wrote this, it probably would still be in a word document on someones laptop.

As Kate (the lead character) suffers from flashbacks and hallucinations from a harrowing past, we come to understand her plight. But we're asked to believe that she would seek solitude in a fire watch tower located somewhere in the middle of a mountain range in Idaho by means of escape. I dont think its a spoiler to say that they dont. The synopsis of the movie would have you believe that something darker is going to manifest, but really.. it does not.

The location itself was probably the best bit. It made for some great tree and mountain porn. On the one hand some of the photography (or videography) was fantastic, with some great shots and points of view (mostly of mother nature), it was dragged down by periods of hand held shakey cam with really poor directive choices (mostly of people and action sequences). They gave me an actual physical headache.

While the concepts of abuse, made for a good basis for a story the use of the ideas to drive the narrative just didn't feel cohesive. So for the most part I wasnt sure what I was watching and came very close to quitting before the end. And so, despite the disconnect, the last part of the film was okay (nearing good) and ultimately worth the watch if you can make it past the beginning.

This is the second film titled Outpost I'm watching today, and it's safe to say I found this one less enjoyable. 2022 was indeed the year of trauma response protagonists, and here's one more to add to that list. The film's one-liner had enough potential to lure the horror buff in me to watch this, and it did keep my interest levels up during the entirety of the first act. There are things we know (or do not know) about the protagonist, and the frequent intercuts of her abusive ex definitely put some points across. Yet, Kate (an earnest Beth Dover) comes across as a protagonist we can never completely get behind, and her reactions to the new surroundings (and people) scaring her only leave you further confounded. It soon reaches a point where you can trust nothing she sees, hears, or imbibes.

Now, the first act did remind me of this great PC game I played back in 2016 called Firewatch, and the locales, including the watchtower and its isolated (sometimes gory) environs hold your attention, at least initially. But then, the film decides not to go the "natural hazard" route and instead, dives deeper into the twisted mind of its protagonist. As such, we get an unhinged and somewhat punchy final act with a twist that explains certain developments, though the film doesn't feel complete. It just flips the switch, offers the complete grindhouse package, and randomly concludes when the boat still hasn't sailed ashore.