Duo shuai

FATAL MOVE is a grisly Hong Kong Triad movie that reunites many of the same cast members from the excellent KILL ZONE (aka SPL). The storyline charts the misadventures of a Triad gang who initially seem to have it all before lies, backstabbing and deceit beget eventual destruction and chaos.

At first, it's quite odd seeing all of the familiar cast members on the same side for once; there's little conflict, and it takes a while for the plot to begin properly. Once it does, though, things become almost Shakespearian in tone, with one character's imprisonment (Jackie Chan's former bodyguard, the excellent Ken Lo) leading to all manner of massacres and berserk action.

The brutal fight scenes are what propel this action-packed enterprise and they make liberal use of CGI blood throughout. Wu Jing plays another cocky, hateful killer who enjoys mutilating his victims and during a torture sequence the film takes violence to a whole new level. Vicious car chases and the like certainly keep the energy flowing, and my only complaint is that there's too little martial arts to enjoy. We have to wait until the climax before we see Sammo back in action, although I have to say it's well worth the wait.

Cast-wise, Sammo bags the most interesting role, playing a conflicted mob boss who doesn't seem to be that bad a guy for the most part. Simon Yam has a slick, somewhat minor role and doesn't really do much, and Wu Jing is there for the violence alone. However, it's great to see Danny Lee (THE KILLER) back on the screens once more, even if the film doesn't give him much to play other than the stereotyped dogged cop.

FATAL MOVE is no masterpiece but I found it highly entertaining as genre entries go. It's certainly not on the level of the Wilson Yip/Donnie Yen collaborations but it comes close at regular intervals.

Fatal Move brings in new level of action in Hong Kong cinema. Cast is similar to that of SPL, and Sammo Hung and Simon Yam stars in this movie, this time working on the same side. The tone of the movie is similar to the one explored in the Infernal Affairs in that gangs will go to any extent to get their money, involvement between police and the gang is portrayed in detail, and deception plays a role in the story. What separates Fatal Move is the level of action and violence portrayed, and Wu Jing shows his fast and very beautifully choreographed move as the heavy in this movie.

This movie to me is a ground breaking movie in Hong Kong action movie genre like Better Tomorrow did back in the '80s. While Better Tomorrow was somewhat mindless violence, this is violence with lots of intent backing it.

The last fight between Wu Jing, and Sammo Hung was the only mindless battle, but if you have two such talent, you'd be remiss as a writer not to include this fight scene.

Danny Lam plays the usual cop role, and Taiwanese actress Kelly Niu shows that she still looks great on the big screen.

All of this brings good entertainment to this new age Hong Kong action movie.

Highly recommended.

Sigh.

I have to admit that Simon Yam is my favourite actor in Hong Kong cinema. I'll now also confess that Jacky Wu (or "Wu Jing" as he's known in Asia) is simply fantastic to watch; and then we have Sammo Hung who is a legend...

With this main cast and a violent, dramatic, martial arts setting then, one would naturally expect something great. Alas, this was not the case.

It's difficult to say just went wrong with Fatal Move but the disjointed storytelling is definitely the main factor. Simon Yam's character starts out as having the potential to be compelling and Jacky Wu certainly looks to be the man with whom not to ***k (as his talent deserves), but things quickly fall apart as too many characters are chucked at us too quickly, for no real reason and after an hour or so of action scenes occasionally having been slotted in to keep our interest in an otherwise dull, difficult to follow film, I soon found myself scratching my head, wondering how the mess on screen before me escaped some serious script re-writes.

Aside from men carrying out hits with ninja weapons in a ludicrous excuse for more M.A. choreography when a machine gun could have done all the work in half the time, there's also some truly awful CGI blood and gore effects which made me wonder why the art of film is de-evolving (compare Lord of the Rings to Ghandi; Lone Wolf and Cub to this), and to make matters worse, the dramatic element which had been so sorely lacking throughout, only graces us right at the very end when Sammo's wife, Soso, turns in a deft performance, too little, too late..

No Simon Yam lines to justify wasting his talent; no unarmed Jacky Wu.

Fair enough, Sammo still surprises us with a cool scene to show he's still got the moves despite his age, but nothing could save this wreck once it had been green-lit without undergoing serious surgery at a local script doctor's.

It's unfair to say that there's no story, for as jumbled as it is, it's there, but the action just seemed to be tossed in for the sake of it for the most part, was unrewarding, and the total of this flick came up incredibly short given its concept, cast, budget and just about any other pro it had.

I have the US Lionsgate release , so I am unsure in any case if the US DVD is cut at all. The best thing about this movie is the cast. Which contains HK legends Sammo Hung, Simon Yam and supercop Danny Lee. Everything other than that is average at best. The story is nothing special and neither is the action . While there is plenty of violence and carnage, it is mostly CG. Plus said CGI is some of the worst I've seen since PS1 came out. Usually HK movies are classy and subtle with the use of CG. Not here, this is 'nt by any means a terrible film. Just an average action flick with horrible f/x and an exceptional cast. If you are new to Hong Kong cinema , I would say to watch another one of these actor's other movies instead . Otherwise keep your expectations low with this one . I give 4/10 for the movie and 6/10 when consideration for the awesome cast.

There's no guarantee in life that another day means another dollar, but you can pretty much count on a new Simon Yam movie coming along. And here he is again in a triad story, but don't let the fact bring you down or put you off: this is actually a cool movie, marrying as it does serious underworld scheming with fantasy violence. It's kind of like the Infernal Affairs trilogy condensed and on crack.

Fatal Move is a Category III for violence only – and it's indeed relatively bloody, even if much of the gore is cheap CGI. This is no Hostel, but nonetheless the body count is impressive and the range of physical outrages quite extensive, including one torture scene where Simon not only says it's pain time, but also does most of the inflicting in person.

The result of all this bears some similarity to last summer's Invisible Target, although Fatal Move isn't as compelling or refreshing, nor are its characters quite as appealing. It also has crooks masquerading as cops, a raid on a police station and a SWAT/SDU team being made fools of, and does possess considerable talent – in addition to Yam, we get Sammo Hung and Wu Jing, both very capable performers, albeit not in their strongest outings here. This is especially true for Wu Jing, whose looney-aggressive act appears lifted directly from SPL, only not as sincere. Sammo gets very little time to show off his moves, yet does well as clan leader Lin Ho Lung, a veteran criminal who for once bothers with differentiating between "triad" and "mafia", a point rarely noted on the big screen.

The story begins with Boss Lin celebrating the birth of his first son, and all's well – his deputies Ah Tung (Simon Yam) and Tin Hung (Wu Jing) seem to have things under control, while his female right hand person Soso (Tien Niu) maintains the books balanced and the money flowing in.

This being a triad actioner, calm isn't the primary directive, and quickly things go sour as internal conniving and treachery become the order of the day on top of pressure from ever-present cops, led by Danny Lee as Inspector Liu, and with Lam Suet throwing in a cameo for some tragic-comic relief.

Soon the choppings, sword slashings, bludgeoning and outright gunning down of cronies by the van load commence, accompanied by a rather convoluted string of double-dealing and treachery that affects all involved parties. Although this means the characters aren't totally flat and do have motivations, this facet of the story is left somewhat under-developed and thus results in mild confusion. As a consequence, the ending, which has a couple of supposed stunner-twists, fails to stuff the bucket, as they say, instead coming across as a bit of a red herring in fancy evening wear. This applies to many parts of Fatal Move – even at two hours it still feels cut in many instances, like they had to remove scenes at the last minute or something.

Overall, Director Law (who did Fatal Contact before, also with Wu Jing) supervised a competent project here. This is a worthy addition to an already heavily populated herd of jiang hu flicks, and Fatal Move is all-told a memorable and visceral release that's unlikely to go down as a classic despite being a solid viewing with a healthy dose of both Election-like gangland politics and comic book hyperbole. We'd say go for it, it's one move you'll live to not regret.