Odwilz

A promising beginning, interesting story, nice cinematography. Unfortunately it devolves into silly, overwrought melodrama. The final three episodes made me feel like I was watching a telenovela- it was that bad.

I really object when an otherwise decent police procedural stoops to stereotyping a female lead as an irrational, impulsive liability, rather than just allowing her to be a good detective who gets the job done. And then to have to watch her fall into bed with a hated moronic colleague in a moment of weakness - shame on you filmmakers for giving in to this kind of crap.

I'd add that I'd choose subtitles any day over the truly awful dubbing HBO Max jammed down my throat.

Deep characters, wonderful scenery and very engaging plot. The case of the missing child and a female detective who is looking for any piece of life in her job - This series will surely stay with me for a long time.

... good Polish crime drama... entire cast is very solid and production values equal any top notch shows being made anywhere today... yet this series works as well as it does because of Katarzyna Wajda... she is outstanding through each and every episode... guarantee you'll be searching for some-any of her other screen work... ending was slightly muddled and predictable, but overall it's a series well worth searching-out-watching.

The Thaw is well-written and acted, esp. Kataryna Wajda as Det. Zawieja. The cinematography featuring a dreary Polish port city is suitably creepy. My main criticism is the "bad mother" motif. The single mom detective who can't look after her child is the most tired trope in Euro-Noir. It slows everything down and adds nothing except canned bathos. There's always a dead husband who the woman is grieving and the kid is a mess because of it. Then there's the mother or grandpa guilt-tripping the bad mom. Really annoying and unnecessary. Grieving and torment are fine for noir leads but the whiney kid has to go.

I second my fellow commentor, smashcut' s review to the t as it voices common frustration of majority of us Euro-noir bingers. Creators need to decide whether the series will be a gripping, compelling thriller/police procedural or a cocktail of mainstream drama with thrilling crime infusions. And why resort to that kind of desperation when you have a such a compelling thriller with high potential at hand?

This is a much sophisticated screenplay to be wasted on cheap stereotypical soap drama. Please leave that to daytime...of course unless you wish to be in the same vagon with all mainstream H. Coben adaptations..if so we bid you Farewell.