Farha

Everything is impeccable.

The direction is top notch, the cinematography mesmerizing, the editing crispy, engaging screenplay n terrific performances by all.

The lead female actor gave a terrific performance but the best stuff is the direction.

The director n this movie deserves more recognition worldwide.

Hats off to the director for not trying to show unnecessary violent or brutal stuff.

The camera does not linger any longer than is necessary on the horrific scenes.

There is nothing cheap, mawkish or sensational.

In fact it is much better than Adrien Brody's The Pianist.

I hope it gets the recognition in the Oscars.

A story of shattered dreams, uprooted communities & destruction of the soul, Farha is one of the countless accounts of al-Nakba, the 1948 Palestinian exodus that led to their displacement from their homeland for the creation of Israel. Powerful, provocative & profoundly upsetting, the film is a harrowing coming-of-age journey of a young girl whose innocence is destroyed by the violence she witnesses.

Written & directed by Darin J. Sallam in her feature film debut, the premise may be bare-boned but it is sufficient enough for the horrors of the diaspora to play out. The film acquaints us with our 14-year-old protagonist's dreams & aspirations before the coming tragedy and the despair & anguish she's left with after seeing the sheer brutality of the invading forces. It's not an easy sit but then, it isn't supposed to be nor it should be.

Most of the events unfold inside the pantry our titular character is locked in by her father after their village is attacked. The camera stays with her throughout the ordeal, shows the violence from her perspective, and aptly captures her loss of innocence. Karam Taher is outstanding in her debut performance and plays the eponymous role with emotional precision. Sound is also integral in conveying the terror unfolding outside and it is expertly utilised.

Overall, Farha informs & sheds light on a vital slice of Palestine history that its oppressors have tried to brush under the rug for decades and makes for only a small fragment of the massacres that unfolded back in 1948 & still continue to this day. Although heavy-handed at times, it does get the message across with clarity and is a strong plea for the Palestine voice to be heard & not be silenced. One of last year's better offerings and by all means an essential viewing.

'Farha' (2021) is a visually stunning, historically accurate film set in 1948 that depicts a relatively small-scale tragedy that Palestinians refer to as the Nakba (Arabic for "catastrophe"). The film doesn't detail the politics behind the arrival of the Israel Defense Forces. It primarily unfolds in a storage room, offering glimpses of life through a crack in the wall. Sound is used effectively to give color, further cementing the trauma of the experience in an emotional roller coaster. The storytelling techniques do not fail to describe the world beyond the walls: strafed by bullets, torn apart by cries of distress, and marred by an airless, oppressive quality.

Watched this with my teen children. We all loved it despite it being slow in the middle. A must-see to help understand history. Wonderful to have movies depicting Palestine to portray a genuine side to the conflict.

Watch it with your family. It's heart-breaking but nothing too gory that a teen can't handle.

Artistically the movie was beautifully directed.

A girl's dreams that collapsed all in one day because of occupying forces against a nation of defenseless villagers.

Loved the details of the costumes and the songs.

Loved the dialects in Arabic.

I wish they had translated her lullaby accurately. Instead it was translated as an American classic lullaby.

The best part is that it's a true story.

The truth of Palestine history needs to be portrayed more and the people deserve justice.

I am Jewish. I want to make this abundantly clear in my review. I am the Am Yisrael. I am supposed to hate this.

But I cannot. This is an extremely difficult to watch movie. It's psychologically torturous. It is, genuinely, the hardest watch since I saw Stalker or Solaris, and people who watch Russian sci-fi know the extent of it.

This communicated the message better than anything ever before. I feel like had I watched it as a Zionist, it would bring me to the point I am at right now regardless.

The raw power, the naked truthfulness of the movie makes it an extremely valuable experience and motivates the watcher to take action against the Israeli oppression. I am deeply ashamed that my holy land is being claimed by an apartheid state.