Senza amici maschi, Peter Klaven va a una serie di appuntamenti per trovare il testimone per il suo matrimonio. Il legame istantaneo con il suo nuovo migliore amico mette però a dura prova i... Leggi tuttoSenza amici maschi, Peter Klaven va a una serie di appuntamenti per trovare il testimone per il suo matrimonio. Il legame istantaneo con il suo nuovo migliore amico mette però a dura prova il suo rapporto con la fidanzata.Senza amici maschi, Peter Klaven va a una serie di appuntamenti per trovare il testimone per il suo matrimonio. Il legame istantaneo con il suo nuovo migliore amico mette però a dura prova il suo rapporto con la fidanzata.
- Premi
- 1 vittoria e 8 candidature totali
Recensioni in evidenza
Above all else "I Love You, Man" is a triumph of comedic acting. The screenplay, by director John Hamburg and Larry Levin (perhaps most notable for writing Seinfeld classics "The Limo" and "The Boyfriend"), is often very funny, but on more than one occasion falls completely flat, and also reveals a dependency on catchphrases and repeated jokes which could have killed the movie. If I were reading the screenplay and 'slap da bass' was said for the hundredth time I would just sigh and throw it in the trash. With Paul Rudd's impeccable comic timing and genuinely convincing take on his character (which, like the rest of the characters here, is really not brought to life by the writing all that well), it had me in stitches.
I don't want to take too much credit away from the screenwriters because this is a (very) funny and enjoyable comedy, but I do have to mention that where "I Love You, Man" falls short of the standard for Apatow productions (and although it's hard to believe this is not one) is in the characterizations. It's far from being as raunchy as those, and is not really as frequently over-the-top, so you'd think there would be more space in the writing for good quality characterization, but these characters are all really thin, and with a lesser cast the movie would not have been nearly as much fun. Now, to the screenplay's credit there are a lot of very effective comedy set-pieces, and the movie's consistently funny. I do suspect it's all a cunning plot to bring back Lou Ferrigno jokes, but the cast pull even THAT off (that includes Ferrigno himself).
The entire movie falls apart just a bit when we get to the inevitable wedding scene, but it's not enough to really undo the movie (which almost veers into "*insert crappy lowbrow maudlin sentimentality-laden wedding comedy here*" territory before quickly recovering), and while "I Love You, Man" only provides a few truly uproarious laughs it is a consistently amusing movie which kept me and the audience I was with giggling and laughing throughout, and Hamburg as director gets the comic timing absolutely right, much like Segel and Rudd do. This is probably the best movie in which Rudd has played a lead role, and is definitely better than last year's "Role Models". The difference in the quality and smarts of both movies is evident in that "Role Models" has a lot of KISS jokes and "I Love You, Man" has a lot of Rush jokes (and an appearance from Rush). It's just a smart and funny movie, and while not a classic for several reasons I've already talked about, it is always funny and isn't that really why we go to comedies, to laugh?
First and foremost, the chemistry between Paul Rudd and Jason Segel is pure gold. Their bromance is the heart and soul of I Love You, Man, and their comedic timing is impeccable. Rudd's endearing awkwardness and Segel's laid-back charm create a dynamic duo that's an absolute joy to watch.
The film's humor is smart and relatable, with plenty of laugh-out-loud moments that hit the mark. The witty banter and hilarious situations the characters find themselves in add to the film's charm. It's a comedy that doesn't rely on cheap gags but instead delivers genuine and authentic laughs.
At its core, I Love You, Man is a celebration of friendship and the importance of having meaningful connections in adulthood. The film explores the sometimes awkward and challenging process of making new friends as an adult, a theme that resonates with many viewers.
The supporting cast is another highlight, with great performances from Rashida Jones, Andy Samberg, and the always-funny JK Simmons. They add depth and humor to the story, creating a well-rounded ensemble that elevates the film.
The film's heartwarming moments are just as delightful as its humor. It balances comedic moments with genuine emotional beats, making you invest in the characters' journeys and root for their friendships.
Furthermore, the film's soundtrack is an absolute delight, adding to the overall enjoyment of the movie. The music perfectly complements the tone of the film and enhances the viewing experience.
In conclusion, I Love You, Man is a heartwarming and hilarious comedy that celebrates friendship, love, and the joys of adult bonding. With its brilliant performances, smart humor, and genuine heart, it's a movie that leaves you with a warm and fuzzy feeling inside.
If you're in the mood for a feel-good comedy that celebrates the beauty of friendship, I Love You, Man is the perfect choice. It's a charming and uplifting film that reminds us all of the importance of having great friends in our lives.
It's an enjoyable movie, and it's funny, but best of all, it is so incredibly easy to relate to. There's almost a stigma attached to finding friends, and it can be really difficult to find male friends. I don't actually have many friends that are guys, I have one, so I hoped for some tips.
Lots of laughs out loud moments, it's a good script, Peter's man dates were really funny. Seeing their bromance blossoming was actually really food,
Paul Rudd does a fine job here, his delivery is excellent, and he is very funny. Jason Segel is the perfect contrast, the pair combine so well.
Very well meaning, enjoyable.
7/10.
Whether it be the great buddy chemistry between the leads, or the simply hysterical supporting cast, I found myself loving this movie. Like director John Hamburg's previous effort, 'Along Came Polly', the movie is incredibly likable because it relies on the awkward humor that Paul Rudd does pretty much perfectly, playing off the happy-go-lucky humor of Jason Segel.
Rudd is likable and reliable as usual in a role showcasing the best of his abilities (I really can't say how happy I am that he's finally getting leading roles), and unlike in 'Role Models', he's the undisputed lead here. Segel is a character in Rudd's story, his life, and his journey to find a friend, and essentially, become a complete person before his life changes for the better. Segel is at his best in a role as what appears to be the perfect friend (I would hang out with this guy for days). Rashida Jones is adorable and likable as Rudd's fiancé, and it's a role that most actresses would've over done (Jaime Pressly's performance should remind people of how it could've been over done), and Jones plays it with an ease that makes her likable.
The supporting cast is what makes the movie great. It's the foundation of characters played by Thomas Lennon, Joe Lo Truglio, Jon Favreau, Jaime Pressly, and Andy Samberg that completes the movie and makes it worth watching (because, let's face it, the movie wouldn't be that great if Rudd and Segel just sat around bro-ing out for 2 hours). Lennon and Truglio are hilarious as candidates for Peter's best man position, and Lennon will bring down the house as Doug, with his classic monologue about how he feels when his advances towards Peter are rejected. Truglio is great in yet another small cameo that stacks up with his previous appearances in 'Pineapple Express' and 'Superbad', as well as the icing on the cake that was 'Role Models' (he's an example of the whole "everyone will like this movie" thing. Jon Favreau is hysterical in his part as a cynical ass that makes you go, "this guy directed 'Iron Man'?".
I think the reason most people will like this one is because it'll put a smile on most people's faces. It's a generally happy movie that is a good movie to see in a group to start off a night, and is even a decent date movie. It's got jokes that even kids can like (though most of the film is obviously not appropriate for them...what I'm saying is if they HAVE to see one of these movies, this is the one for them). I really enjoyed this movie, it left a good taste in my mouth, and my friends loved it too.
I really enjoyed this film but can pretty much guarantee many won't...such as my wife. This is because the film is filled with many awkward moments....scenes that make your skin crawl a bit. I actually LIKE that sort of humor...but it's certainly not for everyone.
Lo sapevi?
- BlooperWhen Peter confronts Sydney about the billboards, the audio has Peter saying "Eight thousand dollars?" but Peter clearly mouths "five" instead of "eight"
- Citazioni
Sydney Fife: You get home safe, Pistol.
Peter Klaven: You got it, Joben.
Sydney Fife: I'm sorry, what?
Peter Klaven: Er... nothing.
Sydney Fife: No, what did you say?
Peter Klaven: Nah, I don't know... You nicknamed me Pistol, and I just called you... "Joben"... It means nothing... I don't... I'm drunk... I'm gonna call a cab.
- Curiosità sui creditiScenes from the wedding reception play during the credits.
- Colonne sonoreShut Up and Drive
Written by Gillian Gilbert, Peter Hook, Stephen Morris, Evan Rogers, Carl Sturken and Bernard Sumner
Performed by Rihanna
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Te amo, brother
- Luoghi delle riprese
- 1 Electra Court, Los Angeles, California, Stati Uniti(Lou Ferrigno's house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 71.440.011 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.810.270 USD
- 22 mar 2009
- Lordo in tutto il mondo
- 91.980.359 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1