The Family That Preys

I saw this movie last night, and found it entertaining, with great acting, and intriguing twists. Perry's movies get better and better. Most of his early work, I did not take very seriously, and did not pay to see in theaters. I thought "Why Did I Get Married" was his best. The Family That Preys, in my opinion ties with it. I think southerners, with insider's knowledge of complicated relationships between Blacks and Whites, (especially between wealthy Whites and the people who work for them), viewers familiar with Faulkner's work, family stories passed down from generation to generation will walk away with a special, "ah ha" that reminds me of so and so and "miss" so and so...moment.

So often family secrets cross color lines, friendship and loyalty have a unique southern flavor. Proximity to the powerful often holds special dangers and temptations. I think most memorable are the strong women who in their unique southern style, play for keeps while holding their heads up, cursing while wearing hats and gloves, in ladylike form. If you've ever lived in the South, you know what I'm talking about. Southern Belles, matriarchs, supportive wives--who have a manipulative, strategic side--are so often the real backbone of the family.

Am I the only one who noticed (thankfully) the absence of the "N" word, or similarly distasteful references? The audience knew why Alfre Woodard's character said, "He won't marry you", without any reference to race.

My rating is 6.5. Okay, this is not an Oscar film--but for what it is, for Tyler Perry's "genre" if you will--it's decent and at the very least watchable. It's tailored for Perry's audience in that the substance or breadth or depth of the plot or characters is (apparently) not his focus, but rather generating conversation amongst movie-goers seems to be his aim...which he does maybe better than anyone else. For all his flaws, Perry knows his audience.

That said, let me offer honest criticism. The movie is entertaining and keeps you watching, but it is not refined. It's Hershey's not Godiva if you catch my drift. The main dig I will give is that there is almost no character depth. The characters are one-dimensional and thus the movie's IQ is diminished. There is little thinking involved; it--like most of Perry's works--is emotion-based. I found the plot rather clever, so no dig there. But it's the characterization surrounding the plot that could have used more attention.

So in sum, this movie is watchable and enjoyable. It's not deep, it's not enriching, it's not life-changing. It's just quintessential Tyler Perry...and all that that entails.

The hard worker and religious Alice Pratt (Alfre Woodard) raised her two daughters managing a simple bar of her own. Her snobbish and arrogant daughter Andrea (Sanaa Lathan) is graduated in Economic Science and works in a construction corporation while her sister Pam (Taraji Henson) stayed with Alice working in the bar. Andrea is married with the construction worker Chris (Rockmond Dunbar), who works in the same corporation of his wife and dreams on initiating his own business. However she is betraying him with their boss William Cartwright (Cole Hauser). William is the son of Alice's best friend, the wealthy Charlotte Cartwright (Kathy Bates). While Alice travels with Charlotte in a road trip without destiny, the ambition and infidelity of William trigger a series of events that will affect relationships in both families.

"The Family That Preys" is a reasonable soap-opera and my first impression is that it is underrated in IMDb. However, the plot point in the meeting of the board of Charlotte's company is so absurd and incoherent that spoils the story and might be the reason for such bad rating. My vote is six.

Title (Brazil): Not Available

Tyler Perry's The Family That Preys is a great drama that delivers both a great storyline and a great moral compass. I watched it on TV half an hour ago, and when I came to check it out here on IMDb, I was absolutely shocked that it only has 3.3 stars!

Tyler Perry does a great job of setting up scenarios filled with broken people in broken relationships, just struggling to get through life. Without giving too much away, he presents people in poverty, wealthiness, friendship, and infidelity, so there's always something you can relate to, either by personal experience, or through someone you know.

If you haven't seen this movie yet---GO SEE IT!!! Don't let the extremely low rating fool you. I'm white, young, liberal, and still enjoyed it, so you don't have an excuse either. :)

The Family That Preys is Tyler Perry's shameless attempt to make a cinematic soap-opera, and if you go by what soap operas are known for - heaping helpings of drama, thin characters, bland settings, and stiff dialog - the film is better than the average unsubstantial hour you could spend watching All My Children on CBS. And yet, there are several more substantial ways you could spend two hours rather than watching a Tyler Perry film. As always, the choice is yours.

The film feels like a full season's worth of soap opera material compressed into a one-hundred and thirteen minute film, featuring a various array of characters and their various arrays of problems. The characters come from one of two families, either the wealthy, whitebread socialites lead by the mom, Charlotte Cartwright (Kathy Bates) or the working-class black family ran by Alice Evans (Alfre Woodard). Cartwright and Evans have remained the best of friends, despite enormous financial differences, and develop a "Thelma and Louise"-like friendship when they hit the road in a bold turquoise convertible to explore the humble countryside.

Their children, all grown up and of all different ages, are the other characters we focus on. Alice's daughter is the bitchy, unfaithful Andrea (Sanaa Lathan), who is married to the ambitious, hardworking Chris Bennett (Rockmond Dunbar), who works a lowly construction worker job with his pal (Tyler Perry) working for William Cartwright (Cole Hauser). Chris has ambitions of starting his own construction company with his friend, until he realizes that first he must get his marital issues straightened out when he finds his wife has over $200,000 in a private banking account.

As you can infer, this leads to unconditional drama between the families, who must work it out on their own while their mothers are living it up in the south. This family drama will likely be exciting to audience who demand a film that briefly touches on a wide-range of emotions, rarely emphasizing on one certain moral or encompassing virtue. For those who want more characterization, investment, and positivity, this is a pretty meager offering. However, Perry doesn't pull punches when it comes to juggling multiple different characters. He shows his capability here when he creates several different people, all inhabiting the same world, and all dealing with unique problems. Even if the film is overwrought, it nonetheless is a competent production that steers clear of idiocy and wooden features like many other Perry movies do.

I'm also proud to see that the film sticks to its dramatic genre, regardless on how much dramatic material it infuses into its story. Coming off of the first Perry movie I watched (Diary of a Mad Black Woman roughly a year ago), I was offput by the way the film juggled an abundance of genres, ranging from melodrama to bizarre slapstick comedy to Christian-gospel to bleeding gum moral propaganda. With The Family That Preys, I respect the fact that Perry remains more attentive to the drama at hand. The last thing I wanted to see was the loudmouth, insufferable Madea show up and inflict her radical, obnoxious energy to a premise that is more about slow-moving tension. As I've seen, this is something she clearly doesn't do well with.

The Family That Preys is a serviceable picture, with unanimously fine acting (especially from its leads, Bates and Woodard), a more focused agenda, and a pleasant little picture. I grossly misrepresented this film which, judging by the cover, looked like a tired "walk in the shoes of another family' film dealing with race-relations and upper vs middle class, sociological drudgery. Perry has effectively made me second-guess just how aware and intelligent he is in terms of dealing with a specific subject. Just when you think he's doing one thing, he switches over to a slightly better thing.

Starring: Kathy Bates, Alfre Woodard, Sanaa Lathan, Rockmond Dunbar, Taraji P. Henson, Cole Hauser, Tyler Perry, Robin Givens, and KaDee Strickland. Directed by: Tyler Perry.