VALUTAZIONE IMDb
6,8/10
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LA TUA VALUTAZIONE
Fox Rich è una imprenditrice, abolizionista e madre che ha trascorso gli ultimi due decenni in una campagna per il rilascio del marito, Rob G. Rich, condannato a 60 anni per una rapina fatta... Leggi tuttoFox Rich è una imprenditrice, abolizionista e madre che ha trascorso gli ultimi due decenni in una campagna per il rilascio del marito, Rob G. Rich, condannato a 60 anni per una rapina fatta in un momento di disperazione negli anni '90.Fox Rich è una imprenditrice, abolizionista e madre che ha trascorso gli ultimi due decenni in una campagna per il rilascio del marito, Rob G. Rich, condannato a 60 anni per una rapina fatta in un momento di disperazione negli anni '90.
- Candidato a 1 Oscar
- 28 vittorie e 51 candidature totali
Sibil Fox Richardson
- Self
- (as Sibll Fox Richardson)
D.L. Johnson
- Self
- (as Dr. D.L. Johnson)
Gerald Davis
- Self
- (as Dr. Gerald Davis)
Hank Williams
- Self
- (filmato d'archivio)
Garrett Bradley
- Self
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'Time' delves into love, family, and incarceration, highlighting Sybil Fox Rich's fight to free her husband. The documentary is lauded for its artistic style and emotional resonance but criticized for its disjointed narrative and lack of depth. Opinions vary on its portrayal of the criminal justice system and its impact on families, with some finding it impactful and others deeming it shallow.
Recensioni in evidenza
Tried to find a court case for these characters. I did not. Instead I found an appeal case of a Robert Richardson and a nephew of his wife, both who did not attempt to rob a bank as the movie implies but actually robbed it and were caught later that day. The only mention of a Sybil Fox was during the trial when both Rob and Sybil, presented as his wife, tried to tamper with the jury by visiting their homes and coercing them. Two of them were replaced during the trial for this, and in effect they tried to create a possibility for the trial to be ruled a mistrial when the nephew argued he couldn't received a fair trial because of what the two did. Otherwise there was nothing about her being involved in any way. My thought is that she was a placeholder in the story for the nephew, either he did not agree for this part of his life to be publicized or they did not agree on the proceeds for the publications and had to be swapped for a made up character, hence her struggle in the prison system might be fabricated. I can't point it out exactly since the case eludes me but... This is, at best, an artistic adaptation of a real event than an actual documentary of said event. Something like Fargo, but that's it. It's very one sided and misleading, while hiding behind a real event to obtain credibility. On the part of the victimisation, that court document showed a lot of mistakes he did, and the whole focus was on gaming the system in failing the trial. Are the 60 years excessive? Yes! But a victim, he's not, when the had the chance to come clean. Poor life choices will lead to severe punishment and while the punishment in his case seems exaggerated it might serve as a warning about outcomes and personal responsibility in face of clear evidence. Out there there are other cases, far more damaging than his, yet less dramatised and faked. Another striking thing was the changes in names: Sibil Fox, Sybil Fox, Sibil Rich, Sybil Fox Richardson, Rob Rich, Robert Richardson. If it were supposed to be a documentary, it should contain clear identities. This leads me to suspect that they are trying to hide ways for people to arrive at the actual court case and see for themselves what is instead of being told a one-sided story about the prison system. And even regarding this in reality is not the actual issue, since that sentence, the length, the conditions, were part of the justice system (judges and jury) outcome. The issues with the prison system are different and pertain mostly to the kids in this instance. Chances have to be made, abolishing won't be one of them. Overall the mockup-umentary is hard to swallow. Works as an artistic work, but the pushed narrative as being a real event is mostly for the gullible.
As far as documentaries go, this one is incredibly sparse and shallow. There's not a lot of factual information or real details in it, but there's a lot of cinematic moments that are clearly meant to pull on your heartstrings. I really hoped that instead of building up to emotional moments with their black and white mind blowing cinematography that they had focused on actually telling a better story. It's really not Oscar worthy material, no chance. It's as slow moving as molasses in January and a lot of repetitive close up shots that look like someone shot them on an iPhone pointed at themselves, a lot of insipid moments of waiting on hold or working out at the gym, and really, really boring scenes where almost nothing happens. Let's please raise the bar a little bit.
As "Time" (2020 release; 81 min.) opens, Sybil Fox Richardson is talking directly into her smart phone camera: "Today is July 23. My husband is in jail" and she shows off her highly pregnant belly. Born in 1971, she met her husband at age 16, and they eventually start a hip hop clothing store in Shreveport, LA. Then in the late 1990s things go wrong, very wrong, and her husband is sentenced to 60 years in jail... At this point we are less than 10 min. Into the film...
Couple of comments: this is the latest from director Garrett Bradley, who has done a variety of prior short documentary and TV work before. Here she takes a closer look at the travails of a women who is is trying to get her husband released from jail (which she terms "nothing less than slavery"), while raising six boys. The film itself is presented as a mixture smart phone footage and regular camera work, but all of it being brought in B&W footage only. The film also jumps back and forth in time over the last 2 decades. In the end it brings an intimate look at one woman's battle for justice reform. "I will be the voice for the voiceless!", she thunders at one of her public lectures. The movie gets better as it plays out, among other reasons because you really buy into the social plight of this woman and her family. In addition to the remarkable photography, the movie also sports an amazing score, much of it solo piano.
The movie had a very short and limited theater run last Fall, and sadly I had missed it then. I recently caught it on Amazon Prime. In fact, i watched this the very evening of the 2021 Oscars ceremony, where it was nominated for Best Documentary Oscar. Alas, it didn't win (that Oscar went to "My Octopus Teacher"). Regardless, if you have any interest in social justice issues or simply want to see a deeply human story playing out over 2 decades, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this is the latest from director Garrett Bradley, who has done a variety of prior short documentary and TV work before. Here she takes a closer look at the travails of a women who is is trying to get her husband released from jail (which she terms "nothing less than slavery"), while raising six boys. The film itself is presented as a mixture smart phone footage and regular camera work, but all of it being brought in B&W footage only. The film also jumps back and forth in time over the last 2 decades. In the end it brings an intimate look at one woman's battle for justice reform. "I will be the voice for the voiceless!", she thunders at one of her public lectures. The movie gets better as it plays out, among other reasons because you really buy into the social plight of this woman and her family. In addition to the remarkable photography, the movie also sports an amazing score, much of it solo piano.
The movie had a very short and limited theater run last Fall, and sadly I had missed it then. I recently caught it on Amazon Prime. In fact, i watched this the very evening of the 2021 Oscars ceremony, where it was nominated for Best Documentary Oscar. Alas, it didn't win (that Oscar went to "My Octopus Teacher"). Regardless, if you have any interest in social justice issues or simply want to see a deeply human story playing out over 2 decades, I'd readily suggest you check this out, and draw your own conclusion.
A lot to absorb in this fascinating documentary about a black man sentenced to sixty years for armed robbery and the fight by his wife to get him released after a more reasonable period of incarceration, although twenty years is still pretty hefty all things considered. It's a story centred on the injustice system but at its heart is Fox Rich whose dedication, love and drive to get her husband freed shows a commitment few others could aspire to under these challenging circumstances. Innovatively filmed and presented, the saddest part is that we become increasingly immune to such injustice as it's so often encountered, especially within African American men.
I almost lost hope in this documentary, but that hope was rectified with the final 15 beautiful minutes. However even though the documentary finished strong, as a whole it really failed to grip me!
The overall backbone of the film, was for me the journey that the family experienced whilst growing up without a father. This journey for me was incomplete. As a viewer I wanted to know how the mother created her own narrative and was reborn from the ashes, completely rising up from the total desperation of before she was incarcerated. How the children were effected by this when they were small children to when they were adults. Not just raw footage of a baby and then current video of a graduation. The director showed us the beginning and the end, unfortunately I found no middle ground.
The overall backbone of the film, was for me the journey that the family experienced whilst growing up without a father. This journey for me was incomplete. As a viewer I wanted to know how the mother created her own narrative and was reborn from the ashes, completely rising up from the total desperation of before she was incarcerated. How the children were effected by this when they were small children to when they were adults. Not just raw footage of a baby and then current video of a graduation. The director showed us the beginning and the end, unfortunately I found no middle ground.
Lo sapevi?
- QuizGarett Bradley met Sibil Rich in 2016 while working on her short film Alone, a New York Times Op-Doc. She intended to make a short documentary about Rich, but when shooting wrapped, Rich gave Bradley a bag of mini-DV tapes containing some 100 hours of home videos she had recorded over the previous 18 years. At that point, Bradley transitioned the short into a feature.
- ConnessioniFeatured in La 93a edizione degli Academy Awards (2021)
- Colonne sonoreThe Mad Man's Daughter
Written and Performed by Emahoy Tsegué-Maryam Guèbrou
Courtesy of Emahoy Tsege Mariam Music Foundation, Inc.
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- 574.361 USD
- Tempo di esecuzione1 ora 21 minuti
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- 1.85 : 1
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