Dopo la perdita prematura della propria figlia, due coniugi adottano una bambina di nove anni che non è così innocente come dice di essere.Dopo la perdita prematura della propria figlia, due coniugi adottano una bambina di nove anni che non è così innocente come dice di essere.Dopo la perdita prematura della propria figlia, due coniugi adottano una bambina di nove anni che non è così innocente come dice di essere.
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Recensioni in evidenza
You've decided to adopt, now the pain's begun to stop, after traumas of the past, have resided at long last, like to increase two to three, making five in this family, there's an orphanage that has one, what could possibly go wrong. Esther makes a perfect fit, extremely charming: we shall commit; welcome her to our abode, open doors to a new road, but soon troubles bubbling, and events are troubling, as you sense there's something wrong, with this girl who's quite headstrong...
A perfectly executed escalating thriller, whose vice like grip will keep your hands upon the tiller, a few twists as you'd expect, there's no gruel I could detect, gets you thinking what you'd do, if these things happened to you.
A perfectly executed escalating thriller, whose vice like grip will keep your hands upon the tiller, a few twists as you'd expect, there's no gruel I could detect, gets you thinking what you'd do, if these things happened to you.
We've seen Orphan many times before (The Bad Seed, The Good Son and, of course, The Omen), yet, somehow, Jaume Collet Serra manages to squeeze something fresh out of an old tale.
There's plenty of shocks and also some laughs and Esther's "secret" is, surprisingly, original.
Orphan doesn't hold a candle to the aforementioned films, but its better than the more recent ones like Joshua (which, coincidentally, Vera Farmiga also starred in, as well as having the same role (mother)).
Don't let the trailer fool you into thinking this is just another "evil kid" movie. Its really much more than that. This is definitely one of the better horror films to come along these days.
My audience loved it, and so did I.
There's plenty of shocks and also some laughs and Esther's "secret" is, surprisingly, original.
Orphan doesn't hold a candle to the aforementioned films, but its better than the more recent ones like Joshua (which, coincidentally, Vera Farmiga also starred in, as well as having the same role (mother)).
Don't let the trailer fool you into thinking this is just another "evil kid" movie. Its really much more than that. This is definitely one of the better horror films to come along these days.
My audience loved it, and so did I.
Dark, edgy, twisted, effective, clever, intense, and blackly comic - one of the best "evil child" films I've seen. It's brilliantly cast - Vera Farmiga and Peter Sarsgaard are top-notch as usual, but what really stood out where the natural performances director Jaume Collet- Serra was able to get from the child actors. Usually child actors are painful to watch, but 12- year-old Isabelle Fuhrman gives a terrifying, chilling performance that is worthy of praise. Aryana Engineer in her screen debut as the deaf little sister Max is adorable and almost steals the show in every scene. The stylish cinematography, editing, and sound are fantastic as well.
I saw Orphan at a packed advance screening and the audience had a blast. Collet-Serra knows how to pull the strings and engage the audience, as they were screaming and laughing at all the right moments. There are plenty of fun and playful tension-relieving scenes, and several cathartic moments when the audience erupted into cheers. When the credits rolled the audience even applauded.
The second showing I went to was just as receptive - the audience went nuts. They were collectively screaming, cheering, yelling at the screen, cringing, applauding, and enthusiastically welcoming the comic relief. One guy commented afterwards: "I never get scared by movies but that was the scariest movie I've ever seen." Audience participation for both screenings I went to were very high.
The film improves upon second viewing, with the knowledge of the twist. I was able to focus more on details and clues, and the anticipation of my favorite scenes made for a much more rewarding experience. It's even more chilling and cathartic the second time around.
It's far from perfect though - there are way too many predictable jump/false scares, with the soundtrack blaring to try to startle the viewer. The last part of the movie becomes a slasher flick replete with clichés and a one-liner. There is a talky scene where Esther reveals herself to her adoptive mother that is totally unneeded, as well as a crucial line regarding Danny, the older son, which really should've been cut. It's also a bit long at 2 hours - for an exploitative "B" movie this is unusual, although time is devoted to character development. Esther is multi-dimensional and even sympathetic at times - I would love to see a prequel based on her character.
Orphan is definitely not for kids - aside from the "anti-adoption" angle, there is plenty of dangerous imitable behavior. The violence committed by and toward children is shocking, realistic, and brutal. This is a ballsy film that throws kids into horrific ordeals.
It may be a "B" movie, but it's a damn good one that knows its audience. The basic idea is nothing new (except for the unexpected twist), but you knew that from the trailer and synopsis. If you were still interested or if you're a horror fan that is able to look past some clichés and logical jumps in exchange for horrific chills, you'll have a fun time. The phenomenal child performances alone are enough to recommend Orphan.
I saw Orphan at a packed advance screening and the audience had a blast. Collet-Serra knows how to pull the strings and engage the audience, as they were screaming and laughing at all the right moments. There are plenty of fun and playful tension-relieving scenes, and several cathartic moments when the audience erupted into cheers. When the credits rolled the audience even applauded.
The second showing I went to was just as receptive - the audience went nuts. They were collectively screaming, cheering, yelling at the screen, cringing, applauding, and enthusiastically welcoming the comic relief. One guy commented afterwards: "I never get scared by movies but that was the scariest movie I've ever seen." Audience participation for both screenings I went to were very high.
The film improves upon second viewing, with the knowledge of the twist. I was able to focus more on details and clues, and the anticipation of my favorite scenes made for a much more rewarding experience. It's even more chilling and cathartic the second time around.
It's far from perfect though - there are way too many predictable jump/false scares, with the soundtrack blaring to try to startle the viewer. The last part of the movie becomes a slasher flick replete with clichés and a one-liner. There is a talky scene where Esther reveals herself to her adoptive mother that is totally unneeded, as well as a crucial line regarding Danny, the older son, which really should've been cut. It's also a bit long at 2 hours - for an exploitative "B" movie this is unusual, although time is devoted to character development. Esther is multi-dimensional and even sympathetic at times - I would love to see a prequel based on her character.
Orphan is definitely not for kids - aside from the "anti-adoption" angle, there is plenty of dangerous imitable behavior. The violence committed by and toward children is shocking, realistic, and brutal. This is a ballsy film that throws kids into horrific ordeals.
It may be a "B" movie, but it's a damn good one that knows its audience. The basic idea is nothing new (except for the unexpected twist), but you knew that from the trailer and synopsis. If you were still interested or if you're a horror fan that is able to look past some clichés and logical jumps in exchange for horrific chills, you'll have a fun time. The phenomenal child performances alone are enough to recommend Orphan.
I had been reading a lot about this film. Internet rumors made "Orphan" sound depraved. Advocacy groups protested that the film is offensive to adoption. "Orphan" is neither depraved nor offensive if you watch it as a thriller.
The plot development and character development are on the same level as most Hitchcock films. Vera Farmiga and Peter Sarsgaard are excellent as the parents. The three child actors also do a good job. Expert direction by Jaume Collet-Serra and first-rate production values also make this film worth seeing.
"Orphan" is not a film where you can take your children. However, it is a decent film if you approach it as a thriller.
The plot development and character development are on the same level as most Hitchcock films. Vera Farmiga and Peter Sarsgaard are excellent as the parents. The three child actors also do a good job. Expert direction by Jaume Collet-Serra and first-rate production values also make this film worth seeing.
"Orphan" is not a film where you can take your children. However, it is a decent film if you approach it as a thriller.
Lo sapevi?
- QuizActress Aryana Engineer, who plays Max, their completely-deaf biological daughter in this film, is mostly deaf. She has Cochlear Implants which enhance her abilities to hear and speak.
- BlooperWhen Esther is introduced to her new class, she is holding a Nelson Spelling book. These books are not used in the United States, where the film is set; they are, however, used in Canada, where filming took place.
- Citazioni
Esther: Please... don't let me die, Mommy!
[holds knife behind her back, preparing to kill Kate]
Kate Coleman: [pause] I'm *NOT* your *FUCKING MOMMY!*
[she violently kicks Esther's head]
- Curiosità sui creditiAfter the end title sequence, the rest of the credits are, among other things, smeared and splattered with fluorescent paint, lipstick kisses, and Esther's violent artwork. A small heart is also painted next to "John" (Peter Sarsgaard) in the cast list.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- La huérfana
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 41.596.251 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.871.483 USD
- 26 lug 2009
- Lordo in tutto il mondo
- 77.912.251 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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