Falcon Lake

I fully agree with the excellent reviews of the film by Blue-Grotto and comcockbot (the later obviously sat in the same screening as I), and their discription of the story is better than I would be able to deliver. So I will focus on the way the film appeared to me.

Nowadays hardly anyone uses the old academy standard aspect ratio of 1:1.33 anymore and I was a bit sceptic if this stands for an amateuric attempt or fake docu a la Blair Witch Project.

Far from it! The film consists of very controlled settings from the first to the last scene, there is nothing in it that doesn't advance the story or the mood of the film. At the same time it still manages to give you the feeling of an relaxed and slightly boring vacation time for a teenager. Minimal camera movements and long takes with no movement, always a tic longes as we are used to, gives you some uncomfortable moments and you don't know what to do with them, is there something more scary coming or is it just a joke to offset us? The film shifts between the trivial and harmless talks of the grownups and the more daring themes that the two protagonists discuss. The ghost story does appear to come and go. Again, is it just a joke of has it a deeper meaning? Find out for yourself.

Despite the fact the the scenes around the lake have not been technically enhanced, the lake looks not exciting but not mysterious either, the nature is beautiful as it is. The boy and the girl are both great actors and you always believe them in their struggles. The ending has been mentioned as to short to digest, yes, that is true, a bit more time would have been great. But all in all a beautiful film, very well planned and executed, congratulations!

An uneasy emotional journey, with amazing performances by the young actors. First film from the director, who brings a spooky sense of unease to the entire story, taking a "coming-of-age" tale and infusing it with the ever-threatening darkness hinted at by a classical fairy tale.

It's aided with deeply evocative cinematography and a musical score that effectively reflects the confused emotions of the two leads, echoing the uncertainty of two characters approaching the unfamiliar and uncharted waters of adulthood. It's a big scary world out there, almost as scary as the world of your own churning emotions inside, as the score keeps reminding you.

While its the slowest of slow-burns, it is incredibly affecting, and well worth any thoughtful viewer's time.

I just finished watching the 2022 film Falcon Lake. I didn't know until I entered the data on IMDb that it was actually adapted from Bastien Vivès' semi-autobiographical graphic novel Une sour.

The atmosphere of the film already hinted at this, and learning this made everything fall into place. First of all, Falcon Lake is a film with so many subtexts that we can't call it an ordinary coming-of-age drama. While it has a narrative from the French school, it doesn't get too caught up in art-house storytelling and also appeals to the general audience.

Canadian director Charlotte Le Bon got on my radar with this film, but the real highlight of the film is French child actor Joseph Engel, who won the Canadian Screen Award for Best Lead Performance in a Film for his role. Engel carries the whole film and proves his talent to the audience in every frame he appears in.

Overall, Falcon Lake is a well-made film with a strong performance by Joseph Engel. It's a coming-of-age story with a lot to offer, and it's sure to stay with you long after you watch it.

I saw this film at the 2022 Toronto International Film Festival. Of the twelve films I saw, it was, hands down, the best, and one that will stay with me for a long time.

I don't like reading reviews on here that speak too much to a film's plot, so I won't go into details there. Suffice it to say, this is a uniquely crafted coming-of-age story, depicted with almost painful accuracy, with more than a few twists and fresh takes on the genre. It's funny, moving, at times quiet and contemplative, other times intense and energetic. The acting is superb, and the score is perfect.

I believe it was Howard Hawks who said, what makes a great film is: three great scenes, and no bad scenes. If that is the measuring stick, Charlotte LeBon has presented us with a humble Canadian cinematic masterpiece. Not a single shot of this film is unnecessary or superfluous. Foreshadowing beats its quiet wings throughout the entire film, building to one of the best closing shots I have ever witnessed on screen. Watching those final moments, even my goosebumps had goosebumps. If you've seen the film, you'll know what I mean.

This is obviously based on first hand experience. Without spoiling anything, the basic setup is, as stated in the official storyline, that there is a 13-year-old boy (going on 14), who bonds with a 16-year-old girl. The age difference is almost just 2 years, but we can imagine the difference in their maturity - and we will be right.

The male audience already knows where such a setup can lead for a 14-year-old boy: both Heaven and Hell. And usually it leads to both - almost without exception. So it is a really hard watch for any male who has not completely forgotten his early teen years. Pure art here.