Aggiungi una trama nella tua linguaCarrie is an attractive high school history teacher who one day decides to help a troubled student, taking an special interest for him, unaware of the ruthless and perverse scheme mastermind... Leggi tuttoCarrie is an attractive high school history teacher who one day decides to help a troubled student, taking an special interest for him, unaware of the ruthless and perverse scheme masterminded for her.Carrie is an attractive high school history teacher who one day decides to help a troubled student, taking an special interest for him, unaware of the ruthless and perverse scheme masterminded for her.
- Regia
- Sceneggiatura
- Star
- Lacey Ryans
- (as Véronique Natale Szalankiewicz)
- Minister
- (non citato nei titoli originali)
- History Club Student
- (non citato nei titoli originali)
- Friend of Carrie Ryans
- (non citato nei titoli originali)
Recensioni in evidenza
Ironically, I watched this movie on Father's Day weekend when Lifetime was showing "good dad, bad dad" fare. The emphasis apparently is "bad dad," standard for this male-hating cable channel.
BASIC PLOT: Carrie Ryans (Ashley Jones) is under appreciated by everyone in her life. Her ex-husband Evan (Tom Rack) ran off with a floozy, and is now trying to get custody of their daughter, Lacey (Veronique-Natale Szalankiewicz). Carrie is determined to fulfill her daughter's wishes, and make sure Lacey never lives with her husband's girlfriend.
Carrie was blessed with the means to fight this battle. She inherited a great deal of money from her father, David (Art Hindle), but choose to become a school teacher, instead of just living off her trust fund.
Little does she know, there are forces plotting against her. Bill Rander (Chris Mulkey), is a used car salesman, and a con man. He owes money to the wrong people, and has to find a way to make a quick buck. He's decided to use his orphaned nephew, Jeremy (Erik Knudsen), one of Carrie's students, as bait, to extort money from her. Bill thinks if he can get compromising photos of Carrie & Jeremy, she'll pay anything to keep them away from her custody fight.
But things aren't going the way Bill planned, and he might have to turn up the heat.
Can Carrie discover the forces plotting against her, in time to save herself, and her family?
WHAT WORKS: *THE PRINCIPAL ACTORS DO A FINE JOB I watched this is movie primarily because I'm a fan of Chris Mulkey, Ashley Jones & Erik Knudsen. They held my attention until 1:15 mark, but they couldn't save this flawed script.
WHAT DOESN'T WORK: *THIS TYPE OF WOMAN DOESN'T WAIT AROUND FOR A CHEATING MAN TO COME HOME Carrie Ryans is a no nonsense woman, who could have lived off her inheritance, but instead decided to become a teacher, a hard and thankless job. We, the viewer, are supposed to believe Carrie fights her ex on matters of child rearing, but let's him run all over her in every other way. This is not the type of woman who waits around for a cheating husband, while he's off living with his skanky girlfriend. Nor is she the type of woman who welcomes him back with open arms (literally), simply because he had a fight with said girlfriend. Not believable in any way (and also NOT a good message to send to women!).
*THE PICTURES ARE TOO INNOCUOUS I'm sorry, but the police are NOT STUPID! Woman with a rich father - then father dies mysteriously - blackmailer comes out of the woodwork with pictures that don't show ANYTHING - and blackmails her for half a million dollars. The police would not suspect her, they would immediately suspect the blackmailer of murder. The movie falls apart here at the halfway mark, because the blackmail pictures show a woman giving a very motherly hug to a student in a public place (a park in daytime). The premise that anyone would submit to blackmail, on the face of these pictures is LUDICROUS! Let's also not forget that rich people have lawyers, private investigators, and pull in general. She would simply pick up the phone, and since the kid in the pictures is connected to the blackmailer, it wouldn't take long for her PI's, or the police to put two and two together. It therefore becomes pointless to watch the rest of the movie, because you're suspension of disbelief is GONE! Epic fail Christine Conradt &Corbin Mezner (writers)
TO RECOMMEND, OR NOT TO RECOMMEND, THAT IS THE QUESTION: *I can't recommend this, because the story makes NO SENSE! There's good acting here from Chris Mulkey, Ashley Jones & nm461712. But the writers, Christine Conradt &Corbin Mezner ask us to believe in plotlines that are so inconceivably stupid, they suspend all disbelief. All the great actors in the world can't save a script this flawed.
If you're looking for an entertaining made-for-tv melodrama from Christine Conradt, try Fuga da casa (2013). It's much better, and the plot makes sense.
CLOSING NOTES: *THIS IS A MADE-FOR-TV MOVIE, please keep that in mind before you watch\rate it. TV movies have a much lower budget, and so your expectations should be adjusted.
*I HAVE NO CONNECTION TO THE FILM, or production in ANY way. This review was NOT written in full, or in part, by a bot. I am just an honest viewer, who wishes for more straight forward reviews (less trolls and fanboys), and better entertainment. Hope I helped you out.
What I watched was nothing like that. Instead, the characters are like paper cutouts with no depth. The main character is just too good to be real. Always perfectly coiffed, even after getting out of bed. Her husband is a no-good philanderer with a failed business. Her father is caricature from the Andy Griffith Show.
The basic plot has some interesting potential, but the film makers just didn't have enough guts to find it.
I just don't recommend this to anyone who wants to be entertained with a creative and thought provoking film.
The plot was not altogether terrible but poor directing simply made this movie an assembly line of clichés (the plot could have been salvaged with strong acting, good script, and a greater focus on either horror, or relevant pressing issues. Not to mention the plot is neither plausible nor remotely menacing. The cinematography is amateurish and the script was overwritten and juvenile.
The part of the film that almost makes it comedic, is the score. At scarcely rare moments when i found myself actually feeling sorry for Jeremy Rander's character, a much too over the top song would start playing. This made the movie an almost unintentional satire and hilarious to make fun of.
One thing they did right in the film was the pacing; the thanklessly weak plot managed to progress smoothly.
Watch only if u get some kind of enjoyment in bad films.
It's obvious that Jeremy is helping setting her up and it doesn't even occur to Carrie. It's really stupid. She is too naive. The pictures are all her and Jeremy. Unless somebody is following her 24/7, it's obvious that he's part of the plan. She really should contact the police right away especially since there are no sex pictures. They could set up a payoff and arrest the culprit like David Letterman. The movie has no danger because there is a wide open road for her to drive through.
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- Citazioni
Evan: Mr. Collins makes the rules, and he's saying sixty-forty. You can pay us the extra ten percent later.
Bill Rander: There's no profit in it, Evan.
Evan: You wanna whine to Mr. Collins? Go ahead, call him. I'm just picking up the cash.
Bill Rander: But this is ridiculous!
Evan: Look, get real, Bill. We have other lots. They all unload more cars than you do. You could disappear tomorrow and Mr. Collins wouldn't notice. You want the cars or not?
Bill Rander: Collins isn't the only guy with cars, you know.
Evan: Bill, don't ever think about going behind his back.
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- Celebre anche come
- Chantaje a una profesora
- Luoghi delle riprese
- Canadian War Museum, Ottawa, Ontario, Canada(museum interior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 27 minuti
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