La legge del crimine

Although I mainly watch American films, I make a point of watching foreign films every so often for variety and to see a genre possibly done in a different way. When I saw this at the video store, I thought: "Cool! Jean Reno is a colorful actor, and the video box art and the title of the movie suggest that this will be jam-packed with action and suspense!" I rented it, took it home... and I was very disappointed. I could make a long list about everything that disappointed me about this movie. For starters, Jean Reno is in less of the movie than you might think. And as for action, there is almost no action in the entire running time! Still, the movie could have worked by showing us interesting drama or colorful and interesting other characters. But that's not what happens. The plot is VERY slow-moving, with a lot of boring chat that doesn't advance things very much. And the movie looks and sounds weird; the cinematography has a soft, washed-out look you often see in French movies, and the audio doesn't crackle with life (such as the fact that scene after scene goes by with no musical score in the background.) In fact, the movie has more of a made-for-TV feel than a theatrical film feeling.

I'll still take a chance on foreign films in the future, whether they are French or not. But I'll be more careful in my selections. I now know that foreign film companies can be like American film companies, promising something but delivering something else - and that "something else" not being very good at all.

Milo Malikian (Jean Reno) is the head of an Armenian "crime family" in the south of France that is about to pull off a daring multi-million euro heist. But his dreamy son, Anton, is more interested in starting a family with the lovely nurse Elodie than continuing with the family business, much to his father's disappointment. To complicate matters, a police inspector who's crossed paths with the Malikians in the past is hot on the trail. There are some really nice elements in this film (lovely southern France location shots and appealing and charismatic actors), but while the build-up to the heist is well done, the film seems incomplete, and that's not referring only to the weirdly truncated ending. Potential themes are introduced in the film but never developed. Historical footage of the Armenian genocide introduces the film, but its relevancy to the current Malikian family and business is never explored. The police inspector on their trail is warned by his superior not to become obsessed with taking down the Malikian clan, but other than the fact that we was part of an operation that resulted in the death of Milo's eldest son, there's no development of his character or particular obsession. The unsatisfying ending feels as if the budget ran out and the filmmaker had to cut it short. Enjoyable, but not quite France's version of "Heat" either.

A hard-boiled, slickly entertainingly, bullet-paced Policier about an infamous Armenian crime family ruthlessly headed by powerful boss, Milo Malakian (Jean Reno). His rebellious, altogether less bloodthirsty son, Anton (Gaspard Ulliel) secretly wants out, enjoy some bucolic domesticity with his lava hot nurse fiancee, Elodie (Vahina Giocante). Needless to say his son's imminent defection, ever mounting paranoia, and the relentless hounding by vengeful L'inspecteur Saunier (Sami Bouajila) bodes ill for the fractured Malakian clan! While formulaic, the action is dynamically mounted, performances are uniformly credible, Alain Kremski's lyrical piano score is a delight, and the terse, volatile atmosphere is frequently redolent of a vintage Lenzi Polizioteschi! Laurent Tuel's consistently gripping 'Le Premier Cercle' is an above average Euro-crime thriller that, sadly, seems to have been overlooked. The desperate airplane heist is genuinely thrilling, and Jean Reno fans are in for a real treat. If 'Le Premier Cercle' had been shot in the late 60s, I could readily see, Alain Delon as Anton, and burly Lino Ventura as Milo!

I'm a Jean Reno fan but he's only one of the great things about this movie. I will agree that the beginning is a little rough. You have to think about what's going on and let it go keep its own pace for awhile. But for all its lack of grace in the beginning, nothing fatal goes on and it easily makes up for it in Acts II and III.

This film is one of the most economical I've ever seen. There's hardly a wasted scene and the characters are all quite believable. Next to Jean Reno as Milo, the next most important role is played by Gaspard Ulliel as his son, Anton. The young man who plays Reno's son is quite capable and is a good match with Reno.

The story is a simple one: young man wants to leave the crime family he belongs to and go straight. I would say there's little new in the story but that's not quite right, on reflection there's a lot of very important detail that really makes the story come alive. I really admire this film's ability to elicit real crime techniques and ambiance, all while giving the audience an unforgettable travelogue of what I think was southern France. Suffice it to say, I intend to seek out this director's work from now on. His name is Laurent Tuel and I believe the man deserves quite a lot of credit.

Very handsome young gangster wants to leave the family business and lead a normal life but he needs money so one last heist.

Other reviewers cover the story in detail so I will not and just give my overall impressions.

No, this is not a great movie. However it is OK and entertaining.

The production values are low rent trying to be high rent. What do I mean? Well there are great shots from the air but they don't grab you like they do in a comparable film like Anthony Zimmerman.

The story is predictable and full of holes....you don't attack an airport and plane any more without getting the entire national defence force down on you--France has lots of Mirage fighters and so forth that would have been scrambling.

I guess overall this is pretty good boiler plate gangster flic avec un accent Français. There are many better The Double Hour, The Aura etc....