Jean-Claude Van Damme viene coinvolto in una rapina in banca con l'impiego di ostaggi e nel mentre riflette sulla sua vita.Jean-Claude Van Damme viene coinvolto in una rapina in banca con l'impiego di ostaggi e nel mentre riflette sulla sua vita.Jean-Claude Van Damme viene coinvolto in una rapina in banca con l'impiego di ostaggi e nel mentre riflette sulla sua vita.
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- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Recensioni in evidenza
From a direction/scriptwriting point of view, the movie is somewhat lacking focus. It's relying a bit too much on inside jokes and heist movie clichés, for better or worse. There are some truly great moments (the opening scene is hilarious - any scene using Baby Huey's "Hard Times" tune cannot be bad anyway; the court scenes are cleverly written and the very last shot finds a perfect balance of emotion without being overblown or tear-jerking) and the whole film deserves praise for being original and clever. However it stretches some scenes way too much, uses an awful bleached color scheme that could turn off some people (it's just a detail, but it annoyed me throughout the whole screening) and uses unnecessary flashbacks instead of sticking to a more tight storytelling, which could've benefited the movie in my humble opinion.
However, these little flaws are nothing compared to the enormous heart this movie displays. Jean Claude Van Damme may not be Daniel Day Lewis or Sean Penn, but he gives an astounding performance in this film. He's very comfortable in the comical scenes, but his acting chops really shine when the movie gets emotional. His long monologue, looking at the camera, and the audience (and perhaps even God) is nothing short of amazing. In his own words, he really begs for a second chance not only in his career, but in life. He's incredibly moving (acting in his native language helps a lot) and above all doesn't try to pretend he's something more than a washed up movie star, with a somewhat limited vocabulary. He just asks for one more chance, and judging by this flick he truly deserves it.
Overall, a nice surprise for those unfamiliar with "the Muscles from Brussels" and a refreshing comedy. Except a few complaints about the pace and the direction it's a highly recommended movie. And hopefully the beginning of a new career for JCVD.
The story's framing device is Van Damme's fictional character of the same name unwittingly becoming a hostage in a bank robbery where his inability to extricate himself and the other hostages is a commentary on the impotence in real life of the mythical hero on the screen. The gritty, de-saturated look inside and outside the bank reminds me of the urban realism of Sidney Lumet's bank-heist Dog Day Afternoon. There's even a stringy-haired thug, but Van Damme is no Dustin Hoffman.
In this satire of his mercurial career as an action star, Van Damme ironically manages a mini-Mickey Rourke comeback by expressing feelings for his daughter and for the lost glamorous life of the Muscles from Brussels. His taciturn, expressionless persona is exactly what the satire needs to move it from a comedy about celebrity to a serious attempt to throw his identity into the existential arena. Indeed one long take in which he tearfully philosophizes about his troubled life is either ludicrous or a rather nice reflection on the vagaries of fame, albeit low rent. The other long take during the titles shows the aging hero fighting his way through a gauntlet of bad guys in a current movie. It's not bad given how bad Stallone could be in the same situation.
Van Damme has had real-life difficulties getting custody of his daughter and righting his tax problems, so JCVD is an apt imagining of his troubles. At some moments he does quite well taking his acting where it has never gone before. That he recently lost a role to Stephen Seagal, who agreed to cut his pony tail for the part, is less an indictment of Jean-Claude than it is a commentary on the vagaries of showbiz heroism.
"Sic transit gloria mundi."
The famous movie-star, Jean-Claude, is surprisingly right and touching. Van Damme plays here the role of his life, in all the senses of the words. There will be a before and an after JCVD. The central monologue of the film, a rare feat of ingenuity, a long one-shot sequence of the star made up of his doubts and his anguishes, is bound to become a classic.
The film is however not perfect. The flashbacks are well carried out but some scenes seen twice can be somewhat long and would have been improved by being shortened a bit the second time around. This saved time would have made it possible to develop the supporting characters, like the police chief, a bit more. Speaking of supporting characters, those are somewhat caricatures and with one dimension.
JCVD reveals itself as an excellent surprise. Far from being a hollow marketing ploy, this film, probably the best of Van Damme, is a true success that deserves to be seen.
The question now is what will Van Damme do next?
JCVD shows some acting chop or he's tapping into his inner self. It's so fascinating that he is such a mess. It's also a mess that isn't unrealistic. There is a bit of action but that's not the heart of this movie. It is to watch JCVD break down his public image and then break down his character. The movie could use an A-list actor to be the bad guy as his foil. Nevertheless this is one of the greatest performance from JCVD ever.
Lo sapevi?
- QuizIn the opening intro scene, Jean-Claude Van Damme's comment about not being able to film in one shot was his own ad-lib, partly in response to Mabrouk El Mechri actually wanting to shoot the scene in one shot.
- BlooperPolice chief Bruges tells Van Damme the decision to act was GIGN's move, not his. GIGN (Groupe d'Intervention de la Gendarmerie Nationale - French SWAT) exists in France but not in Belgium where the movie story takes place. In Belgium, police's tactical unit is called ESI (Escadron Special d'Intervention).
- Citazioni
JCVD: This movie is for me. There we are, you and me. Why did you do that? Or why did I do that? You made my dream come true. I asked for it. I promised you something in return and I haven't delivered yet. You win, I lose. Unless... the path you've set for me is full of hurdles where the answer comes before the question. Yeah, I do that. Now I know why. It's the cure, from what I've seen here. It all makes sense. It makes sense to those who understand. So... America, poverty, stealing to eat... stalking producers, actors, 'movie stars', going to clubs hoping to see a star, with my pictures, karate magazines. It's all I had. I didn't speak English. But I did 20 years of karate. 'Cause before I wasn't like that.
[points to flexed bicep]
JCVD: This... this is me today. I used to be small and scrawny. And I took up karate. Hence the Dojo, hence respect, thou shall believe people who say, "Oss!" It's Samurai code. It's honor, no lies. So this guy in the US, it's not the same thing. No one says "Oss" to you. Sometimes people in show business say, "We're gonna fuck em". I believed in people, in the Dojo. I was blessed and had a lot of 'wives'. I always believed in love. It's hard for a woman with three kids to say, "Which one do I love more?" A mother... If you have 5, 6, 7, or 10 wives in a lifetime, they've all got something special, but no one cares about that in the so-called media. What about drugs? When you got it all, you travel the world. When you've been in all the hotels, you're the prima donna of the penthouse. And in all hotels the world over, traveling, you want something more. And because of a woman... well, because of love, I tried something and I got hooked. Van-Damme, the beast, the tiger in a cage, the "Bloodsport" man got hooked. I was wasted mentally and physically. To the point that I got out of it. I got out of it. But... it's all there. It's all there. It was really tough. I saw people worse off than me. I went from poor to rich and thought, why aren't we all like me, why all the privileges? I'm just a regular guy. It makes me sick to see people... who don't have what I've got. Knowing that they have qualities, too. Much more than I do! It's not my fault if I was cut out to be a star. I asked for it. I asked for it, really believed in it. When you're 13, you believe in your dream. Well it came true for me. But I still ask myself today what I've done on this Earth. Nothing! I've done nothing! And I might just die in this post office, hoping to start all over here in Belgium, in my country, where my roots are. Start all over with my parents and get my health back, pick up again. So I really hope... nobody's gonna pull a trigger in this post office... It's so stupid to kill people. They're so beautiful! So, today, I pray to God. I truly believe it's not a movie. It's real life. Real life. I've seen so many things. I was born in Belgium, but I'm a citizen of the world. I've travelled a lot. It's hard for me to judge people and it's hard for them... not to judge me. Easier to blame me. Yeah, something like that.
- Curiosità sui creditiThe Gaumont logo has an animated Jean-Claude Van Damme appear in the logo and deliver roundhouse kicks to the boy and the sunflower.
- Colonne sonoreHard Times
Written by Curtis Mayfield
Performed by Baby Huey & The Baby Sitters
© Warner-Tamerlane Publishing
With Permission from Warner Chappell Music France
(p) 1971 Rhino Entertainment Co. for the United States and WEA International for the world outside of the U.S.
Courtesy of Warner Music France, A Warner Music Group Company
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Dettagli
Botteghino
- Budget
- 10.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 470.691 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.119 USD
- 9 nov 2008
- Lordo in tutto il mondo
- 2.342.211 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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