Aggiungi una trama nella tua linguaA maths teacher acquires the power to travel into movies to save the woman of his dreams and bring her back to her correct film.A maths teacher acquires the power to travel into movies to save the woman of his dreams and bring her back to her correct film.A maths teacher acquires the power to travel into movies to save the woman of his dreams and bring her back to her correct film.
- Regia
- Sceneggiatura
- Star
Jean-Baptiste Iera
- Le chef de chantier
- (as Gio Iera)
Thomas Demarez
- Mamesse
- (as Thomas Desmarez)
Sandrine Quynh
- La patronne du bar
- (as Sandrine Truong)
Laurent Van den Rest
- Petit Jean
- (as Laurent Van Der Rest)
Recensioni in evidenza
Pierre Richard and the homage to cinema are the only motives for see, with high indulgence, this very, very easy comedy.
A maths teacher, very severe, becomes, for be keeper of a broche, the savior of a film character. A lot of childish adventures, absurd situations, a kind of humor and slices of classic films. Not very impressive but French in profound sense.
It is ridiculous to pretend to much from film. It use an eccentric idea in very free manner and that is all. But the flavour of old fairy tales is a virtue, like the Mellies films scenes So, easy fun and nothing so bad.
A maths teacher, very severe, becomes, for be keeper of a broche, the savior of a film character. A lot of childish adventures, absurd situations, a kind of humor and slices of classic films. Not very impressive but French in profound sense.
It is ridiculous to pretend to much from film. It use an eccentric idea in very free manner and that is all. But the flavour of old fairy tales is a virtue, like the Mellies films scenes So, easy fun and nothing so bad.
Cinéman is not just a bad movie. It's a cinematic catastrophe. It attempts to be a love letter to classic film genres but ends up as an incoherent, painfully unfunny, and deeply embarrassing mess that insults the very medium it tries to celebrate.
Franck Dubosc delivers one of his worst performances to date, hamming up every scene with no restraint, in a script so empty and idiotic it could have been written on a napkin. The jokes don't land at all. The supposed tribute to cinema feels more like a parody written by someone who's never watched a movie in their life.
Every scene drags like a punishment, every line grates on the nerves, and every reference falls completely flat. It's rare to see a film fail on so many levels: writing, directing, acting, editing, tone... you name it.
It's a film so bad, it feels like an attack on the viewer's intelligence and patience.
POSITIVE : The end credits,because the nightmare is finally over
NEGATIVE : Embarrassingly unfunny from start to finish / Franck Dubosc's overacting turns every scene into agony / Completely squanders its concept with incoherent execution / Zero charm, zero respect for cinema, zero entertainment value.
Franck Dubosc delivers one of his worst performances to date, hamming up every scene with no restraint, in a script so empty and idiotic it could have been written on a napkin. The jokes don't land at all. The supposed tribute to cinema feels more like a parody written by someone who's never watched a movie in their life.
Every scene drags like a punishment, every line grates on the nerves, and every reference falls completely flat. It's rare to see a film fail on so many levels: writing, directing, acting, editing, tone... you name it.
It's a film so bad, it feels like an attack on the viewer's intelligence and patience.
POSITIVE : The end credits,because the nightmare is finally over
NEGATIVE : Embarrassingly unfunny from start to finish / Franck Dubosc's overacting turns every scene into agony / Completely squanders its concept with incoherent execution / Zero charm, zero respect for cinema, zero entertainment value.
Lo sapevi?
- QuizOriginally, Yann Moix's Podium (2004) star Benoît Poelvoorde was signed on for the main role, but bowed out at the last minute, delaying the film significantly. Before Franck Dubosc, the role was then offered to Jean Dujardin, who passed on the project (a fact which is referenced in the finished film).
- BlooperMany dialogue scenes have a horrible sync issue between the lips and the audio, due to many reasons (sound problems on set, Lucy Gordon having done her scenes in English, many scenes having to be reworked in post, the studio just wanting to get it over with...). The level of bad sync is unheard of for a recent movie with this budget and has to be seen and heard to be believed.
- ConnessioniEdited from Nel paese dei colossi e dei pigmei (1924)
- Colonne sonoreEchoes of France
Music by Claude Joseph Rouget de Lisle
Performed by Django Reinhardt and Stéphane Grappelli
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Dettagli
Botteghino
- Budget
- 22.000.000 € (previsto)
- Lordo in tutto il mondo
- 2.500.308 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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