Un ex marine si fa strada in una rete di corruzione in una piccola città quando un tentativo di pagare la cauzione per suo cugino si trasforma in una violenta situazione di stallo con il cap... Leggi tuttoUn ex marine si fa strada in una rete di corruzione in una piccola città quando un tentativo di pagare la cauzione per suo cugino si trasforma in una violenta situazione di stallo con il capo della polizia locale.Un ex marine si fa strada in una rete di corruzione in una piccola città quando un tentativo di pagare la cauzione per suo cugino si trasforma in una violenta situazione di stallo con il capo della polizia locale.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 20 candidature totali
- Ken
- (as Daniel Chung)
- Officer Jessica Sims
- (as Zsané Jhé)
- Mike Simmons
- (as CJ LeBlanc)
Riepilogo
Recensioni in evidenza
The action was great, not over the top, and very realistic. A younger me would have considered the movie slow and boring, but that's because all I used to want before was ACTION!!! The older me prefers the story and character development. There was some great turns near the end that I didn't expect. All in all, I thought it was a solid film. 7/10 for me.
What seemed like a potential for him to be a great director has already come to fruition, and we are witnessing it. Rebel Ridge not only adds another great work to the director's hall, but also shows his versatility.
John Boyega's abandonment of the project may have been a blessing in disguise. Aaron Pierre is magnetic and a force of nature in this film. His presence is felt throughout the story, even in the moments when he is not mentioned.
The film and Aaron perfectly execute this character, rich of complex emotions in a one-man army.
AnnaSophia is not far behind, in a realistic performance of a person driven by a purpose and a true sense of justice, in a work that does not hide from us how the path to truth can be dirty, aggressive and cause destruction.
With a fair length for the story, the film allows itself to breathe, but always progresses accordingly and shows enough flesh in its plot and characters to specify its duration and each character.
I want to congratulate Emory Cohen and Don Johnson for making me despise them from beginning to end in their portrayal of a pair of characters who are the antithesis of everything the protagonists represent, always pushing them to make new difficult decisions.
Overall, it's a great film, with an excellent cast and a story that prioritizes its human narrative over action, but also uses its combat peaks to demonstrate more nuances of each character.
This is a very decent movie and I would recommend to all.
Lo sapevi?
- QuizJohn Boyega was originally set to star. However, he left the project midway through filming in 2021, forcing producers to halt production, find a new lead actor, and re-shoot all his scenes.
- BlooperIncorrectly reported as a goof: That the dash camera only starts recording when the roof lights are activated so could not have seen anything incriminating.
Both true in real life and discussed at some length in the dialogue, event recorders of all sorts are constantly recording, but only save the recording when you trigger it; since human intervention is often after key information, it saves some time before the activation as well as afterwards for a time limit or until deactivated. In this case, the police cars were per the dialogue set to record 3 minutes before the activation of the takedown lights, hence the clock to get to the car and the lights activated so the shooting was preserved.
- Citazioni
Terry Richmond: People getting hurt now either way. The fire last night...
Chief Sandy Burnne: [sighs] Yeah, I heard about that.
Terry Richmond: Yeah, it's gotten out of hand. Real soup sandwich.
Chief Sandy Burnne: We can agree on that.
Terry Richmond: Got me thinking about the conversation we had in the cruiser, about de-escalation? That also takes both sides, you know? So I was thinking, what if we just walk away?
Chief Sandy Burnne: Well now you're starting to talk some...
Terry Richmond: But then I was like naaah.
[Tosses the phone]
- ConnessioniFeatured in MsMojo: Top 10 Best Netflix Releases of 2024 (2024)
- Colonne sonoreThe Number of the Beast
Written by Steve Harris (as Stephen Percy Harris)
Performed by Iron Maiden
Courtesy of Warner Music UK Limited and Iron Maiden Holdings Ltd.
Under exclusive license to Sanctuary Records Group Ltd., a BMG Company
All rights administered by BMG Rights Management
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Dettagli
Botteghino
- Budget
- 28.900.000 USD (previsto)
- Tempo di esecuzione2 ore 11 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1