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Lasciami entrare

Titolo originale: Låt den rätte komma in
  • 2008
  • T
  • 1h 54min
VALUTAZIONE IMDb
7,8/10
234.778
LA TUA VALUTAZIONE
POPOLARITÀ
1261
226
Lasciami entrare (2008)
This is a clip from the movie Let the Right One In.
Riproduci trailer1: 20
13 video
99+ foto
Dark fantasyDark romanceDrammaDramma psicologicoFantasiaFantasy e soprannaturaleHorror psicologicoHorror soprannaturaleHorror vampirescoOrrore

Oskar, un ragazzino maltrattato e trascurato, trova l'amore e la vendetta in Eli, una ragazzina bellissima ma particolare.Oskar, un ragazzino maltrattato e trascurato, trova l'amore e la vendetta in Eli, una ragazzina bellissima ma particolare.Oskar, un ragazzino maltrattato e trascurato, trova l'amore e la vendetta in Eli, una ragazzina bellissima ma particolare.

  • Regia
    • Tomas Alfredson
  • Sceneggiatura
    • John Ajvide Lindqvist
  • Star
    • Kåre Hedebrant
    • Lina Leandersson
    • Per Ragnar
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    234.778
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1261
    226
    • Regia
      • Tomas Alfredson
    • Sceneggiatura
      • John Ajvide Lindqvist
    • Star
      • Kåre Hedebrant
      • Lina Leandersson
      • Per Ragnar
    • 677Recensioni degli utenti
    • 495Recensioni della critica
    • 82Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 76 vittorie e 58 candidature totali

    Video13

    Let the Right One In: "Underpass Attack"
    Trailer 1:20
    Let the Right One In: "Underpass Attack"
    Let the Right One In: Trailer
    Trailer 1:41
    Let the Right One In: Trailer
    Let the Right One In: Trailer
    Trailer 1:41
    Let the Right One In: Trailer
    Director Hanna Bergholm on the Films That Inspired 'Hatching'
    Clip 3:08
    Director Hanna Bergholm on the Films That Inspired 'Hatching'
    Unconventional Romances to Stream Now
    Clip 2:41
    Unconventional Romances to Stream Now
    Let the Right One In: "Hit Them Back"
    Clip 1:48
    Let the Right One In: "Hit Them Back"
    Let the Right One In: "Virginia Changes"
    Clip 1:28
    Let the Right One In: "Virginia Changes"

    Foto178

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 172
    Visualizza poster

    Interpreti principali38

    Modifica
    Kåre Hedebrant
    Kåre Hedebrant
    • Oskar
    Lina Leandersson
    Lina Leandersson
    • Eli
    Per Ragnar
    Per Ragnar
    • Håkan
    Henrik Dahl
    • Erik
    Karin Bergquist
    • Yvonne
    Peter Carlberg
    • Lacke
    Ika Nord
    Ika Nord
    • Virginia
    Mikael Rahm
    • Jocke
    Karl-Robert Lindgren
    • Gösta
    Anders T. Peedu
    • Morgan
    Pale Olofsson
    • Larry
    Cayetano Ruiz
    • Magister Avila
    Patrik Rydmark
    Patrik Rydmark
    • Conny
    Johan Charles
    • Andreas
    • (as Johan Sömnes)
    Mikael Erhardsson
    • Martin
    Rasmus Luthander
    • Jimmy
    Sören Källstigen
    • Janne - Eriks kompis
    Malin Cederblad
    • Sjukhusreceptionist
    • (as Malin Cederbladh)
    • Regia
      • Tomas Alfredson
    • Sceneggiatura
      • John Ajvide Lindqvist
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti677

    7,8234.7K
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    Recensioni in evidenza

    10c99432

    Twilight vs. Let the right one in: immaturity vs classics

    I have watched both Twilight and Let the Right one in.

    I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.

    There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.

    I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!

    If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
    7jacobsteel

    ... in many parts a beautiful and original piece of cinema.

    I read the book and loved it. Now, I had the chance to see the movie version at the Gothenburg International Filmfestival 2008, as the movie won the "Nordiska filmpriset". I saw it at a really big screen (700 seats), happy that it delivered fine acting and quality cinema.

    Having said that, I'd also agree with what's been said (e.g. above) that the music is a bit over the top. The movie itself is a study in the small: tiny nuances in the classroom and schoolyard, the almost forgotten suburb, the hiding qualities of snow, ice and winter (not to mention the, at least partly, neglected kids). To score such small details with grand strings makes for a bit of a mismatch. Enough on that, some parts have only piano and those work perfectly.

    Witout spoiling anything it's safe to say that this first and foremost is a story of friendship. Second, it's a story of revenge. Either way, this is a truly original tale and in many parts a beautiful piece of cinema. Original (and sometimes quite gory) still even the violence seems subdued (at least in comparison to the vampire genre as it has evolved from subtle romance flick to full blown war movie). This movie, however, is about loneliness, friendship and loyalty --- and it's really worth watching. Recommended.
    10ilovetoseethemovie

    This film is the best vampire film in my life during 25 years in cinema world.

    I saw it in Bangkok International Film Festival 2008 and love this movie very much.

    It has something big and stunning about this lovely storyline to rivet my attention from the beginning to the end. Moreover, the cinematography and atmosphere in this film are undeniably superb. The chemistry between two preteen protagonists is outstanding and very believable. Everything in this film is well-made in synchronization.

    This is the first film related to a vampire that I think is least connected to Vampire's teeth baring at audience all the times, like other familiar horror we used to see. Other than some gory scenes in this film, we can yet see some flesh and blood moment of humane Vampire. And that is truly written to the core plot.

    The last scene at swimming pool is totally mesmerizing and mind-blowing.

    By the way, if Sweden submits this movie to be in competition with other nominees around the world for Oscar foreign-language film category this year, this masterpiece should win or at least be short-listed for the final fives.

    10 out of 10
    9Xstal

    The Curse of Who You Are...

    What would you do, if you just couldn't change, so set in your ways, with habits quite strange; how would you live, in a divisive world, when the city's awake, while you're hidden and furled; would you hold out your hand, to stave off the brink, would you stake all you've got, just float and not sink; when you look in the mirror and nothing is there, in the darkness of night, only pain and despair; then a saviour appears, with their own set of fears, an innocent soul, undefiled, sincere; someone to trust, a protector by day, who'll carry your secret and promise to stay; unaware of the pact that you've drawn them into, endeavours they'll end up performing for you; until the time comes, to repeat and replay, like a school game of tag, I think it's called, child's play.
    10crmang

    A Masterpiece

    I am not particularly fond of the vampire genre, but this movie is so much more. It is artistic, poetic, and in many ways a very profound movie exploring the nature of good and evil. It does so through the world of a child where both pure evil and pure goodness are somewhat discernible, and it achieves an astounding array of contrasts that allow us to see that good and evil can coexist side by side. Doing so, this movie is very thought-provoking, leaving the audience yearning to read the novel. In short, this movie is a gem. There is no need to remake this movie which according to IMDb.com they will be. You don't need to wait until 2010, you should watch this movie now.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Several tricks were used to create the right sound effects for some of the gorier scenes. Biting into sausages was used to replicate biting into skin and flesh, and drinking yogurt was used to sound like drinking blood. The sound of the children blinking was made by the skin of grapes rubbing together in an almost "blinking" motion.
    • Blooper
      (at around 1h 8 mins) When Eli tells Oskar to go after she licks his blood off the floor, her appearance changes in one shot. This was intentional - Eli is actually portrayed by an older actress in that scene, and also briefly in the later scene where Eli counsels Oskar to be like her when dealing with his bullies. In both scenes she is covered in blood, and the older actress was swapped in to give us a glimpse of who Eli really is: much older than she appears, and driven by a monstrous hunger.
    • Citazioni

      Oskar: Eli... Can you and I be together?

      Eli: What do you mean?

      Oskar: Well... Will you be my girlfriend?

      Eli: Oskar... I'm not a girl.

      Oskar: You're not?

      [pause]

      Oskar: Can we be together?

      Eli: Can't we just be how we are?

      Oskar: I guess...

      Eli: Do you do something special if you're "together"?

      Oskar: No.

      Eli: We stay just as we were?

      Oskar: Yes.

      Eli: Then I agree...

      Oskar: What?

      Eli: We can be "together".

      Oskar: Really?

      Eli: [Whispers] Yes.

      Oskar: Good.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Race to Witch Mountain/Sunshine Cleaning/The Last House on the Left/Brothers at War (2009)
    • Colonne sonore
      Kvar i min bil
      Written by Per Gessle

      Performed by Per Gessle

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    Domande frequenti

    • How long is Let the Right One In?Powered by Alexa
    • Why do the bullies call Oskar, "Piggy"?
    • Is this movie based on a book?
    • How can the title be interpreted?

    Dettagli

    Modifica
    • Data di uscita
      • 9 gennaio 2009 (Italia)
    • Paesi di origine
      • Svezia
      • Norvegia
      • Francia
    • Lingue
      • Svedese
      • Spagnolo
    • Celebre anche come
      • Déjame entrar
    • Luoghi delle riprese
      • Örnäset, Luleå, Norrbottens län, Svezia(the apartments)
    • Aziende produttrici
      • EFTI
      • Sandrew Metronome Distribution Sverige
      • Filmpool Nord
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 4.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 2.122.065 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 49.295 USD
      • 26 ott 2008
    • Lordo in tutto il mondo
      • 11.227.336 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 54 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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