Un laboratorio futuristico ha cancellato le identità dei giovani persi. Ora li imprime con le identità temporanee di cui hanno bisogno per adempiere agli incarichi per i clienti.Un laboratorio futuristico ha cancellato le identità dei giovani persi. Ora li imprime con le identità temporanee di cui hanno bisogno per adempiere agli incarichi per i clienti.Un laboratorio futuristico ha cancellato le identità dei giovani persi. Ora li imprime con le identità temporanee di cui hanno bisogno per adempiere agli incarichi per i clienti.
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10Zen416
...that FOX is letting this one go. The time-slot didn't help (Friday night is usually the go-out-and-party-night) so most folks (like me) would TiVo this or DVR it for later viewing (which doesn't count to the networks, I guess). More's the pity. This show is really picking up steam and the story lines are getting better and better, especially now that the Echo, Sierra and Victor characters are being fleshed out more and given extremely interesting back stories. Eliza Dushku is a find as the tough, enigmatic protagonist of this series and since FOX isn't going to allow this cool show to go past two seasons, I sincerely hope they have the common sense to keep her on the payroll for other projects. Her chemistry with both good-guy Paul Ballard (Tahmoh Pennikett) and with brilliantly insane psycho nut-job Alpha (Alan Tudyk) is palpable and riveting. The casting of Olivia Williams as the ice queen in charge of the Dollhouse is spot on while Harry Lennix and Fran Kranz (as cool head security dude Langton and as genius programmer nerd Brink, respectively) add another dimension to the whole show. I'll continue watching this unique and entertaining series until it finally bows out a short time from now and hope that some other network may step in at the last minute and save it though that seems unlikely (again, pity). This is just a cool, pseudo sci-fi type show that probably had the misfortune of a cruddy time slot because everything else (the acting, writing, casting) was brilliant. Too bad more people didn't watch it or give it a chance.
Why do intelligent TV shows get cancelled all the time?
When this show moved away from single episode arcs, revolving about the assignments, and turned to handling complex themes like - how does one deal with the ethical questions around this kind of human trafficking (-> self-deception, mostly) - what makes a personality - how does an Active cope when confronted with the fact that apparently s/he gave up his/her personality willingly - what makes one give up his personality and allow oneself to be dealt with like a "thing"
Dollhouse became a truly fascinating show. Yet entertaining, captivating. Which of course led to it being cancelled. Oh, sigh.
When this show moved away from single episode arcs, revolving about the assignments, and turned to handling complex themes like - how does one deal with the ethical questions around this kind of human trafficking (-> self-deception, mostly) - what makes a personality - how does an Active cope when confronted with the fact that apparently s/he gave up his/her personality willingly - what makes one give up his personality and allow oneself to be dealt with like a "thing"
Dollhouse became a truly fascinating show. Yet entertaining, captivating. Which of course led to it being cancelled. Oh, sigh.
How anyone can call this show boring and complete garbage is mind boggling for me. What hurts even more? Some of them claiming to be Joss Whedon's "fan" had actually said he lost his potential.
For one, Joss Whedon can never lose... anything. His mind is constantly working to create diverse, intelligent, cult-driven shows that will take us on an emotional high every time we watch it.
Dollhouse is perfect, even with its flaws (because honestly, nothing is "perfect" or else our world wouldn't be what it is). Joss is able to create villains that aren't villains. There aren't any demons or vampires or the supernatural here, and I think that's what makes some viewers dislike the show so much. They can't watch it and distance themselves from it by saying, "Oh he's a vampire so therefore blah blah... etc." In Dollhouse it's all about human nature and where we've taken ourselves. And that no matter how advanced our technology may be, we are all the same... always. You can never take someones soul away.
I refuse to watch anything belonging to Fox ever again (unless Joss somehow signs with them yet AGAIN for some Goshforsaken reason). I don't know how much more grief I can take when they go off and cancel it. Ugh. W-ankers!
For one, Joss Whedon can never lose... anything. His mind is constantly working to create diverse, intelligent, cult-driven shows that will take us on an emotional high every time we watch it.
Dollhouse is perfect, even with its flaws (because honestly, nothing is "perfect" or else our world wouldn't be what it is). Joss is able to create villains that aren't villains. There aren't any demons or vampires or the supernatural here, and I think that's what makes some viewers dislike the show so much. They can't watch it and distance themselves from it by saying, "Oh he's a vampire so therefore blah blah... etc." In Dollhouse it's all about human nature and where we've taken ourselves. And that no matter how advanced our technology may be, we are all the same... always. You can never take someones soul away.
I refuse to watch anything belonging to Fox ever again (unless Joss somehow signs with them yet AGAIN for some Goshforsaken reason). I don't know how much more grief I can take when they go off and cancel it. Ugh. W-ankers!
Any Joss Whedon fan knows that he creates a full world. Beginning to end and at first he gives you the smallest glimpse. So the first season you don't really grasp his concept, but as it goes along you get pulled into that world.
The psychological background and action sequences keep getting better. I've fallen in love with the characters. The story line makes me gasp with amazement. The concept grows and just boggles my mind.
The first season was the slow start, thus far the second season is amazing. Now that I've watch season one and most of season two I find myself totally immersed in the show. I look forward to it being on for an hour every week... and when the episode is over I'm in TV shock.
And then I want more!!!
The psychological background and action sequences keep getting better. I've fallen in love with the characters. The story line makes me gasp with amazement. The concept grows and just boggles my mind.
The first season was the slow start, thus far the second season is amazing. Now that I've watch season one and most of season two I find myself totally immersed in the show. I look forward to it being on for an hour every week... and when the episode is over I'm in TV shock.
And then I want more!!!
This show is amazing. And dark. Very, very dark. This has clearly made many people uncomfortable. However, Helo, sorry, Paul, essentially spells out the message in the pilot: when seemingly helpful technology is created someone finds a way to use it for evil.
I don't believe the show makes any apologies for the people at the Dollhouse. I believe it shows the ways those people rationalize what they are doing so they can sleep at night.
This show is a great vessel for exploring the nature of the soul and personality. What makes people who they are. Despite being wiped and implanted over and over, Echo retains some of her Caroline-ness. This show is not ultimately about "the world's oldest profession," but about what makes humans human. If you can't get past the creepy paying for people, and, yes, the singer episode, then this is really not your show.
And, speaking as a woman, I really don't find it all that offensive. I'm actually not all that certain why I should. The dolls are of both sexes and I see a strong female lead, may Whedon continue to put them on television.
I highly recommend this show. Get past the first few episodes (which Fox tinkered with) and see the brilliance beyond.
I don't believe the show makes any apologies for the people at the Dollhouse. I believe it shows the ways those people rationalize what they are doing so they can sleep at night.
This show is a great vessel for exploring the nature of the soul and personality. What makes people who they are. Despite being wiped and implanted over and over, Echo retains some of her Caroline-ness. This show is not ultimately about "the world's oldest profession," but about what makes humans human. If you can't get past the creepy paying for people, and, yes, the singer episode, then this is really not your show.
And, speaking as a woman, I really don't find it all that offensive. I'm actually not all that certain why I should. The dolls are of both sexes and I see a strong female lead, may Whedon continue to put them on television.
I highly recommend this show. Get past the first few episodes (which Fox tinkered with) and see the brilliance beyond.
Lo sapevi?
- QuizJoss Whedon had a five year plan for the series and had already worked out how the characters would evolve over time but the show only ran for two seasons. With this in mind, you can see how the plots of season 2 could have been spaced out to four seasons.
- Citazioni
[repeated lines]
Topher Brink: Hello, Echo. How are you feeling?
Echo: Did I fall asleep?
Topher Brink: For a little while.
Echo: Shall I go now?
Topher Brink: If you'd like.
- ConnessioniFeatured in FOX 25th Anniversary Special (2012)
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