Jax Stewart è l'avvocata di difesa più brillante e impavida di Los Angeles che sfida il sistema giudiziario in ogni occasione e che riesce a destreggiarsi tra lavoro, famiglia e una complica... Leggi tuttoJax Stewart è l'avvocata di difesa più brillante e impavida di Los Angeles che sfida il sistema giudiziario in ogni occasione e che riesce a destreggiarsi tra lavoro, famiglia e una complicata vita personale.Jax Stewart è l'avvocata di difesa più brillante e impavida di Los Angeles che sfida il sistema giudiziario in ogni occasione e che riesce a destreggiarsi tra lavoro, famiglia e una complicata vita personale.
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Somehow, the writers and creators of Reasonable Doubt have convinced themselves that the language, behavior, and cultural norms depicted are authentic and unapologetically Black. Um, no.
As an African-American professional in my early 50s, (Same age group as Morris Chestnut), an HBCU graduate, and a product of a middle-class childhood community that was 90% African-American, I don't know a single person who goes around using the N-word or listens to music with lyrics that use the same. We're the Anita Baker generation who love Alicia Keys, John Legend, and jazz.
This show has great plot points and a compelling storyline, but every time the main characters open their mouths and utter that word, their intelligence, awareness, and enlightened personas are discredited and thrown into the garbage. The recycle and repurpose rationalization of the N-word is a ridiculous justification and holds no water.
By contrast, Morris Chestnut's character is great and the epitome of poise, class, sex appeal, and everything the main character and her spouse should portray.
Emayatzi Corinealdi is a phenomenal actress who deserves better material. To the creators, depicting these characters in this light is short-sighted and overshadows your theme, general narrative, and character arcs while showing a level of ignorance not befitting your target audience, which I assume are young Black professionals and not the street gang crowd. Please, do better.
As an African-American professional in my early 50s, (Same age group as Morris Chestnut), an HBCU graduate, and a product of a middle-class childhood community that was 90% African-American, I don't know a single person who goes around using the N-word or listens to music with lyrics that use the same. We're the Anita Baker generation who love Alicia Keys, John Legend, and jazz.
This show has great plot points and a compelling storyline, but every time the main characters open their mouths and utter that word, their intelligence, awareness, and enlightened personas are discredited and thrown into the garbage. The recycle and repurpose rationalization of the N-word is a ridiculous justification and holds no water.
By contrast, Morris Chestnut's character is great and the epitome of poise, class, sex appeal, and everything the main character and her spouse should portray.
Emayatzi Corinealdi is a phenomenal actress who deserves better material. To the creators, depicting these characters in this light is short-sighted and overshadows your theme, general narrative, and character arcs while showing a level of ignorance not befitting your target audience, which I assume are young Black professionals and not the street gang crowd. Please, do better.
So many formulas are being tapped into for this glossy but vapid series. Most obvious is the famous Kerry Washington vehicle "Scandal." The sexy business clothes, the amoral behavior. Throw in "Real Housewives" of say- Baldwin Hills, or is this "Sex in the City" of Black Angels? The cast is a talented ensemble that deserves better. The main character, a female lawyer, never does any research, or preparation, but finds time for sexual dalliances the nights before big days in court. And the men in her life are kind of limp. Heck, the estranged husband even hires a bodyguard with whom she cuckolds him. Black women deserve real professional depictions.
Overall the show premise and story, while typical is good. What makes it hard to watch is the character Jax and the actress protraying her. Jax is an awful friend, wife and mom... She is hypocritical and egotistical to everyone around her, placing herself and what she does on a pedestal. And the actress tries to hard, and fails miserably, in her efforts to be"urban"... Feels forced. And please get her better wigs 😫
I'm not sure why this show is compared to any version, rework or otherwise of Scandal. Everything about Scandal ( from the legal and political accuracy to the actors and actresses.. Especially Kerry) is far Superior. I'm honestly only watching to see if Brayden is guilty and if Lewis gets the backbone to leave the Narcissist that is his wife, Jax.
I'm not sure why this show is compared to any version, rework or otherwise of Scandal. Everything about Scandal ( from the legal and political accuracy to the actors and actresses.. Especially Kerry) is far Superior. I'm honestly only watching to see if Brayden is guilty and if Lewis gets the backbone to leave the Narcissist that is his wife, Jax.
There's some nice ensemble work, and all of the actors are quite committed. Set design, costumes, and camera work are all fitting, for the most part.
For me, the weakest link is the writing. It feels pushed. Nearly every scene contains a sense of heightened drama and engaged conflict. To which I say, how about infusing a bit of human awkwardness, fragility, and humorous elements? The script gushes over with hip banter, but it feels like trendiness-on-steroids. It seems like the producers are overextending themselves to prove something. I've watched just one episode, and I'm disappointed to say that I've had enough.
For me, the weakest link is the writing. It feels pushed. Nearly every scene contains a sense of heightened drama and engaged conflict. To which I say, how about infusing a bit of human awkwardness, fragility, and humorous elements? The script gushes over with hip banter, but it feels like trendiness-on-steroids. It seems like the producers are overextending themselves to prove something. I've watched just one episode, and I'm disappointed to say that I've had enough.
This show is terrific, let's first say that. The plot, the character development from the first episode, the intrigue, the style, the dialogue... everything is so professionally done, so interesting. But... can we PLEASE stop constantly ragging on white people and calling them every name in the book for absolutely zero reason? It's not ok; it wouldn't be ok if the races were reversed, and it's not ok this way. I mean, it's all the way to the point of, the only mention of a white woman is the one who lied about being sexually assaulted and is discredited without a second thought, but a black woman who claims to be sexually assaulted (also by a rich black man) gets upset that she isn't immediately believed by opposing counsel? Come on. It's fine when it's done in a way that fits in with the storyline, but the characters are talking badly about white people and calling them names without any provocation whatsoever. I still recommend this show, but I really hope all this "f whitey" stuff takes a back seat unless it's relevant to the story.
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- QuizMichael Ealy and Sean Patrick Thomas previously starred in Barbershop and Barbershop 2.
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- Tempo di esecuzione53 minuti
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