Dopo essere stato tradito dal suo padrone, un assassino disilluso fa un ultimo colpo con l'intenzione di usare i soldi per aiutare un musicista che ha accidentalmente accecato a riacquistare... Leggi tuttoDopo essere stato tradito dal suo padrone, un assassino disilluso fa un ultimo colpo con l'intenzione di usare i soldi per aiutare un musicista che ha accidentalmente accecato a riacquistare la vista.Dopo essere stato tradito dal suo padrone, un assassino disilluso fa un ultimo colpo con l'intenzione di usare i soldi per aiutare un musicista che ha accidentalmente accecato a riacquistare la vista.
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Recensioni in evidenza
Let me beging by saying I love John Woo, Omar Sy, and Nathalie emmanuel, but this movie doesn't go anywhere, do anything, or offer up anything in the way of real entertainment aside from the good action sequences that stitch the diolgue sections together. In fact were it not for these three actors the movie would be immeasurably worse. I'll try to be conciese here.
The plot is simply ridiculous. Who decided to make a movie on a story so preposterous? Just imagine how good this movie might have been if the person creating and detailing the plot had an imagination, a lick of common sense, or a brain to create a proper conept. I'll not go into detail but suffice to say the story isn't worthy of any of the talent enlisted in the movie, nor does it conjure up the slightest modicum of interest, intrigue or investment in emotion.
The actors do a good job with the meterial... such as it is, but nothing can rescue this plot from the underhand vice of creativity that is lacking. Sam worthington is a very capable actor; I like him, and in spite of his relegation to mostly lower profile movie categories in the past few years, his talent nevertheless persists. Here he's cast as an Irishman, and I'm not even sure if he's supposed to be Northern or Southern but not only is his accent is terrible, but the requirement to have him play an Irish national at all is mind boggling. It has no relevance to the proceedings and only makes sense if confusing the audience with what he's actually saying is by design. In his first scene I wondered if he was speaking turkish, I kid you not! I could not understand a word he was saying.
Woo does a good job with the action sequences and to be fair, as an action flick and in dipicting excitement and intensity in general, especially the relevant places, it does well. The shots are great, the actors do well with the sequences, and movie comes alive considerably, but there isn't anything pinning this together except a stupid story that lulls atrociously outside these spaces where Woo's influence isn't primarily on display. "Between the panels" It's just rubbish.
Shame really as I had high hopes for this one. Yes they should have had a better plot, writers etc, but this is where we are and unfortunately as I've said, as an entertainment piece there is little on offer.
There are some good points though, Emmanuel is delectable in much of the attire she dons and indeed there are some nice shots in the movie which can be appreciated outside of the project as a whole, hence my 5/10
Still, that said, watching it is a not much more than a waste of time.
The plot is simply ridiculous. Who decided to make a movie on a story so preposterous? Just imagine how good this movie might have been if the person creating and detailing the plot had an imagination, a lick of common sense, or a brain to create a proper conept. I'll not go into detail but suffice to say the story isn't worthy of any of the talent enlisted in the movie, nor does it conjure up the slightest modicum of interest, intrigue or investment in emotion.
The actors do a good job with the meterial... such as it is, but nothing can rescue this plot from the underhand vice of creativity that is lacking. Sam worthington is a very capable actor; I like him, and in spite of his relegation to mostly lower profile movie categories in the past few years, his talent nevertheless persists. Here he's cast as an Irishman, and I'm not even sure if he's supposed to be Northern or Southern but not only is his accent is terrible, but the requirement to have him play an Irish national at all is mind boggling. It has no relevance to the proceedings and only makes sense if confusing the audience with what he's actually saying is by design. In his first scene I wondered if he was speaking turkish, I kid you not! I could not understand a word he was saying.
Woo does a good job with the action sequences and to be fair, as an action flick and in dipicting excitement and intensity in general, especially the relevant places, it does well. The shots are great, the actors do well with the sequences, and movie comes alive considerably, but there isn't anything pinning this together except a stupid story that lulls atrociously outside these spaces where Woo's influence isn't primarily on display. "Between the panels" It's just rubbish.
Shame really as I had high hopes for this one. Yes they should have had a better plot, writers etc, but this is where we are and unfortunately as I've said, as an entertainment piece there is little on offer.
There are some good points though, Emmanuel is delectable in much of the attire she dons and indeed there are some nice shots in the movie which can be appreciated outside of the project as a whole, hence my 5/10
Still, that said, watching it is a not much more than a waste of time.
Hard to believe this is John Woo movie. Perhaps he doesn't care much more about the script and it's all about style and filming and little else. Every cliche is pulled out of movie history, as our hardened killer has mercy on the innocent girl. It was put together to also present the battle of the non non binary lesbians. It's not meant to be a slight on lgbtq people, there was just no reason to have them in there and it is never explained. Some nonsense about the beating of Sam worthington's heart, in his attempt to do an Irish accent.
All the good reviews here are fake. This is a shell of what good films used to be. You seen it all before and just much better done.
All the good reviews here are fake. This is a shell of what good films used to be. You seen it all before and just much better done.
The main actress had a kick ass image. The camera simply loves her. But is she a killer?
It just doesn't work. The film cliches start thick and fast and soon go into overdrive. By the end the film is dripping in old camera angles, dull fight scenes and amateur plot lines. It is desperate to be an action film. But it is just a parody of one.
The acting talent is high. And the Director used to be known for blockbusters. But I can't help but feel they have all dropped in the rankings creating this 'straight to VHS' nothing burger.
The story is ridiculous. It literally makes no sense. A whole killing empire brought down for no good reason. All the silent pro killing replaced with amateur battles that are disproportionate to the problem. The solutions just making it worse for no good reason.
This film is bad. Comically bad. By the end you will be questioning whether it is the same John Woo. Or just budget retired one.
Not recommended 💩
It just doesn't work. The film cliches start thick and fast and soon go into overdrive. By the end the film is dripping in old camera angles, dull fight scenes and amateur plot lines. It is desperate to be an action film. But it is just a parody of one.
The acting talent is high. And the Director used to be known for blockbusters. But I can't help but feel they have all dropped in the rankings creating this 'straight to VHS' nothing burger.
The story is ridiculous. It literally makes no sense. A whole killing empire brought down for no good reason. All the silent pro killing replaced with amateur battles that are disproportionate to the problem. The solutions just making it worse for no good reason.
This film is bad. Comically bad. By the end you will be questioning whether it is the same John Woo. Or just budget retired one.
Not recommended 💩
I don't know how many action clichés John Woo made and then piled up during his carrier, but I guess a lot. This picture is really like mocking himself. Probably, rather than maybe, he is. Well, it is a remake of his own film, once considered pioneer of modern action movies, but it does nothing original at all. Rather, it delivers basically the same but with much less intensity, commitment and flair. The soul of the original is absent. There is no fire in it, just ember - to say the least. The characters are good but apparently most of them are restricted, blocked even, to show raw emotions (with the exception of Cantona). It is a weak remake, as they usually are.
I had to stop after 50min where I couldn't take it anymore, I mean it might be for someone but not for me.
John Woo has a style and I respect that! However I'm not sure if I would still have stomach for that in 2024, nearly 30 years after Faceoff.
You might ask how about the story then? Enough to know that a Killer with misplaced conscious caused a lot of civilians to die to avoid one particular civilian to die because she was against killing civilians. I know it's stupid. But that's the main theme, at least up until I said enough is enough. The plot has so many wholes and it looks so fake that even popular faces couldn't save it for me.
Do not waste your precious life with this movie, Mr Woo, please grow up.
John Woo has a style and I respect that! However I'm not sure if I would still have stomach for that in 2024, nearly 30 years after Faceoff.
You might ask how about the story then? Enough to know that a Killer with misplaced conscious caused a lot of civilians to die to avoid one particular civilian to die because she was against killing civilians. I know it's stupid. But that's the main theme, at least up until I said enough is enough. The plot has so many wholes and it looks so fake that even popular faces couldn't save it for me.
Do not waste your precious life with this movie, Mr Woo, please grow up.
Lo sapevi?
- QuizNicolas Cage wanted to star in the remake if John Woo directed it.
- BlooperA world class killer for hire regularly and repeatedly goes to the same food place.
- Versioni alternativeIs a remake of "The Killer" (original title: "Dip huet seung hung," 1989), also directed by John Woo.
- ConnessioniReferenced in Film Junk Podcast: Episode 958: The Crow (1994) (2024)
- Colonne sonoreLet's Live for Today
Written by Peter Warne (as Michael Julien), Mogol (as Giulio Rapetti Mogol), Norman David Shapiro (as Norman Shapiro)
Produced by Wendy Wang
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo in tutto il mondo
- 318.618 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was The Killer (2024) officially released in Canada in French?
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