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IMDbPro

The Killer

  • 2024
  • R
  • 2h 6min
VALUTAZIONE IMDb
5,7/10
14.230
LA TUA VALUTAZIONE
POPOLARITÀ
1432
195
Omar Sy and Nathalie Emmanuel in The Killer (2024)
An assassin tries to make amends in an effort to restore the sight of a beautiful young singer.
Riproduci trailer2: 02
1 video
90 foto
AzioneThriller

Dopo essere stato tradito dal suo padrone, un assassino disilluso fa un ultimo colpo con l'intenzione di usare i soldi per aiutare un musicista che ha accidentalmente accecato a riacquistare... Leggi tuttoDopo essere stato tradito dal suo padrone, un assassino disilluso fa un ultimo colpo con l'intenzione di usare i soldi per aiutare un musicista che ha accidentalmente accecato a riacquistare la vista.Dopo essere stato tradito dal suo padrone, un assassino disilluso fa un ultimo colpo con l'intenzione di usare i soldi per aiutare un musicista che ha accidentalmente accecato a riacquistare la vista.

  • Regia
    • John Woo
  • Sceneggiatura
    • John Woo
    • Brian Helgeland
    • Josh Campbell
  • Star
    • Nathalie Emmanuel
    • Omar Sy
    • Sam Worthington
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,7/10
    14.230
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1432
    195
    • Regia
      • John Woo
    • Sceneggiatura
      • John Woo
      • Brian Helgeland
      • Josh Campbell
    • Star
      • Nathalie Emmanuel
      • Omar Sy
      • Sam Worthington
    • 148Recensioni degli utenti
    • 53Recensioni della critica
    • 60Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 14 candidature totali

    Video1

    Official Trailer
    Trailer 2:02
    Official Trailer

    Foto90

    Visualizza poster
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    + 84
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    Interpreti principali76

    Modifica
    Nathalie Emmanuel
    Nathalie Emmanuel
    • Zee
    Omar Sy
    Omar Sy
    • Sey
    Sam Worthington
    Sam Worthington
    • Finn
    Diana Silvers
    Diana Silvers
    • Jenn
    Saïd Taghmaoui
    Saïd Taghmaoui
    • Prince Majeb Bin Faheem
    Angeles Woo
    • Chi Mai
    Éric Cantona
    Éric Cantona
    • Gobert
    Tchéky Karyo
    Tchéky Karyo
    • Tessier
    Grégory Montel
    Grégory Montel
    • Jax
    Hugo Diego Garcia
    Hugo Diego Garcia
    • Coco
    Michaël Erpelding
    • Serge
    Aurélia Agel
    Aurélia Agel
    • Juliet
    Guillaume Kerbusch
    Guillaume Kerbusch
    • Alves
    Fabrice Scott
    Fabrice Scott
    • Inspector General
    Kelian Maréchaux
    • The Breton
    Elie Haddad
    Elie Haddad
    • Avi
    Lydie Muller
    Lydie Muller
    • Jenn's Mother
    Etienne Guillou-Kervern
    Etienne Guillou-Kervern
    • Hallway Policeman
    • Regia
      • John Woo
    • Sceneggiatura
      • John Woo
      • Brian Helgeland
      • Josh Campbell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti148

    5,714.2K
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    Recensioni in evidenza

    4raul1794

    Complete Nonsense

    I enjoy a good straigh forward action movie but this was just complete nonsense. When you have a movie with such a dumb plot you need lots of good action to keep the audience from thinking about the stupid plot too much. This movie barely has any action and the action it has is mediocre at best. The acting is also mediocre at best. I liked the main actress, she had a good style to her and the black cop as well. The few scenes they had together where some of the best. This definitely had potential, there is some great camera work and stuns here and there but is just too little to keep your entretain.
    5jesse-greathouse

    John Woo Paint by numbers.

    It's not the worst thing you can watch. It has its moments. Every once in a while it wakes up and remembers it's an action movie. The rest of the time it's down wallowing in a rut of character moments that try too hard to convince us that we should care about these characters. Sam Worthington does a terrible Irish accent despite his character having no reason to be Irish.

    The action is fun, everything else is boring because despite the effort it's hard to care about these characters and what they're going through. It's Jon Woo without the charm. It can't shake off the wrapper of NBC TV production despite desperately trying.
    4squelcho

    Sleepwalking to Hollywood

    I realise that John Woo is an iconic director, mainly because of his run of funky HK triad gunslinger movies, but whoever put this remake together skimped on the screenwriting, and the script. The direction is ok, but with the nagging feeling that the hourly rate there was also well shy of inspirational.

    Every cliched character and trite line of dialogue feels disconnected, existing in isolation, awaiting their brief memetime on Tik Tok and Youtube.

    Even the action felt kinda perfunctory, like a cheap sequel filmed in a hurry by an inferior production crew, with no sense of pride in their accomplishments. "Two more flash-cut car chases, an MMA ruck in a public space, a slow-mo bullet time shootout, and we're done, chaps".

    What it resembles, more than anything, is a low-budget 80s Eurocrime actioner, with a mismatched Euro-cast, and a script straight out of Babelfish, tarted up in post to look vaguely modern. Unfortunately, it ends up looking like a badly animated storyboard.
    4imdb-23821

    Autogenerated script, predictable, stilted

    Hard to believe this is John Woo movie. Perhaps he doesn't care much more about the script and it's all about style and filming and little else. Every cliche is pulled out of movie history, as our hardened killer has mercy on the innocent girl. It was put together to also present the battle of the non non binary lesbians. It's not meant to be a slight on lgbtq people, there was just no reason to have them in there and it is never explained. Some nonsense about the beating of Sam worthington's heart, in his attempt to do an Irish accent.

    All the good reviews here are fake. This is a shell of what good films used to be. You seen it all before and just much better done.
    5Crimsonarmor

    A remake that wasn't needed

    John Woo's "The Killer" 2024 had been highly anticipated by action movie enthusiasts and fans of the director's previous works. However, upon watching it, one can't help but feel a sense of disappointment. This film falls short on several fronts.

    First and foremost, the plot was unimaginative and predictable after the first main action scene. It seems as if the filmmakers were trying to be overly complex in an attempt to create a deep and engaging narrative. Instead, it results in a jumbled mess that leaves the audience uninterested. There are too many subplots and twists that don't add much value to the overall story. For instance, a side story involving a character's personal vendetta takes up a significant amount of screen time but fails to contribute meaningfully to the main plot.

    The character development is also lacking. The protagonist, who is supposed to be a complex and intriguing anti-hero, comes across as one-dimensional. We don't get a sense of her motivations or inner conflicts beyond the surface-level action. The supporting characters are equally underdeveloped, with little to no backstory or personality. This makes it difficult for the audience to connect with or care about any of the characters.

    Another major issue is the action sequences. While John Woo is known for his stylish and intense action scenes, in "The Killer" 2024, they seem repetitive and lack the innovation and excitement of his earlier works. The gunfights and choreographed fights are predictable and don't offer any new or fresh elements. It feels like we've seen these same types of action scenes countless times before. Pigeons, doves, churches etc.

    The pacing of the film is off as well. There are long stretches where not much happens, and then suddenly there's an explosion of action that feels rushed. This uneven pacing makes it hard for the audience to stay engaged throughout the movie. A woman of 5.7 135lb beating a 6 foot 220lbs man in unarmed combat is still unbelievable.

    Furthermore, the cinematography, which is usually a highlight in Woo's films, is unimpressive in this one. The lighting and color palette don't create the mood and atmosphere that one would expect from a John Woo movie.

    In conclusion, "The Killer" 2024 is a letdown. With its boring and predictable plot, underdeveloped characters, repetitive action sequences, off pacing, and lackluster cinematography, it fails to live up to the expectations set by John Woo's previous masterpieces. It's a movie that leaves the audience longing for the director's past glory days and wondering what went wrong.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Nicolas Cage wanted to star in the remake if John Woo directed it.
    • Blooper
      A world class killer for hire regularly and repeatedly goes to the same food place.
    • Citazioni

      Zee: You're empty ... and I always have one left.

    • Versioni alternative
      Is a remake of "The Killer" (original title: "Dip huet seung hung," 1989), also directed by John Woo.
    • Connessioni
      Referenced in Film Junk Podcast: Episode 958: The Crow (1994) (2024)
    • Colonne sonore
      Let's Live for Today
      Written by Peter Warne (as Michael Julien), Mogol (as Giulio Rapetti Mogol), Norman David Shapiro (as Norman Shapiro)

      Produced by Wendy Wang

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    Dettagli

    Modifica
    • Data di uscita
      • 23 ottobre 2024 (Italia)
    • Paesi di origine
      • Corea del Sud
      • Canada
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Killers
    • Aziende produttrici
      • A Better Tomorrow Films
      • Atlas Entertainment
      • Entertainment One
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 30.000.000 USD (previsto)
    • Lordo in tutto il mondo
      • 318.618 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 6 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Atmos
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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