House of Gucci

As I'm on holiday at the moment in Portugal, this was seen as "Casa de Gucci". But the soundtrack was English with Portuguese subtitles. At least, I *think* it was English!

Positives:

• Other than the bare outlines, it's a story I knew nothing about, so it made for interesting viewing. And who doesn't want to see some escapist high-fashion, flashy cars and Italian high-living on the big screen?

• Adam Driver delivers another stonking performance. He delivers the best of the accents on show and is a delight to watch whenever he's on screen. His performance is deliciously subtle and under-played. A model for acting lessons.

• Al Pacino, in full-on Pacino mode, is also great as Maurizio's uncle: owner of the other half of the empire.

Negatives:

• The accents! Where do I begin? I felt a desperate need mid-film to order a Cornetto and go compare my car insurance online. While Driver and Pacino tend to rein it in, most of the rest of the cast assume accents approaching a bad parody of Italians. Jared Leto and Gaga are particularly guilty.

• I appreciate that the part of the "idiot" Paolo Gucci was meant to be comedic, but Jared Leto seems to almost be in a different film entirely. There's 'over-the-top' and 'waaaaay over-the-top'.

• I've seen some other reviews praising Lady Gaga... saying that it proves her performance in "A Star is Born" wasn't just a "flash in the pan". Personally, I didn't feel it. I appreciate that the character of Patrizia is a larger-than-life one. But, although she did have some impressive scenes, for most of her performance I felt like she was obviously acting, and sometimes over-acting. The accent didn't help.

• The film has a banging set of tunes, no argument. But for a sprawling drama told over a few decades (the film is nearly 160 minutes long!), music should be used to anchor the movie as to which year you are currently in. Donna Summer "I Feel Love": so it must be 1977. But the movie doesn't consistently follow that rule. It's the early 70's, but suddenly George Michael's "Faith" blares out. #Unsettling.

• This may be my lack of concentration, but there seems to be an assertion in the film (presumably completely false) that Aldo Gucci was supporting/producing knockoff Gucci products for the mass-market: a "lucrative product line" that was later canned by Maurizio. I was personally confused by this bit of the story.

Summary Thoughts on "House of Gucci": This was not the <2* bust that I thought it might be from early word I saw from other reviews. The fact that it turns out to be a 158 minute film surprised me, since it felt long... but not that long. So that's a good thing. And it has its moments for sure. But this is not a movie that I will be in a hurry to revisit, since the accents and some of the performances (Jared Leto - take one step forwards) are not ones that I thought worthy of the potential that the movie had. For me, Ridley, I'll take "The Last Duel" any day.

(For the full graphical review, check out #onemannsmovies online. Thanks.)

House of Gucci is a movie full of famous actors. Lady Gaga is a convincing Patrizia Reggiani, an Italian girl from the Province of Modena who wanted to achieve more in life. Hunting for a potential rich man she goes to parties and at one of these she meets Maurizio Gucci (portrayed by Adam Driver).

The story of Patrizia and Maurizio Gucci, their rise and fall, the dynamics of manipulation, betrayal at the cost of trust around this family and its business is well set, though evolves a bit slow. The best performance in the movie by far though was by Jared Leto as Paolo Gucci, Maurizo's cousin.

Overall, it is an entertaining movie portraying a story about a family, about a brand and a tragedy. Recommended to everyone who wants to look behind the curtain of the myth behind a world-known brand and its drama.

There were quite a number of reasons for wanting to see 'House of Gucci'. The advertising did intrigue and did suggest a film that would be over the top but entertaining in its own way. Ridley Scott's filmography is hit and miss, brilliant at his best like with 'Alien' and 'Blade Runner' though some of his films, such as 'GI Jane' and 'Robin Hood' ('Legend' is underrated in my view), are not too great. The main draw though was the cast, with Lady Gaga (an immensely gifted performer and inspirational person) being a big selling point for many.

For me though, bigger selling points were seeing two of my favourite actors Al Pacino and Jeremy Irons again (and reunited after 'A Merchant in Venice'). Jared Leto has always been very take and leave. 'House of Gucci' turned out to be one of those difficult to rate and review sort of films for me, it is going to be one of those films that some are going to love and others are going to hate (with some in between). It is a hugely flawed film, but there was also a lot to enjoy at the same time. As far as Scott's films go, it's a middling effort. Neither one of his best or worst.

'House of Gucci' has a lot that is good in my view. Have very little to complain about when it comes to how it looks, apart from some editing being in need of a tightening in the final act. The Italian scenery and the costumes are truly stunning though and the camerawork is similarly sumptuous. Scott's direction is uneven dramatically but is very impressive on a technical level, especially in his use of multiple cameras (which must make it easy for actors to know where to look). The soundtrack is also wonderful and beautifully operatic in scope, though not always well placed, but from a standalone point of view there are no complaints here.

Despite the very all over the place accents, with a mix of exaggerated (Leto, to almost cartoonish effect in his case) or barely there (Irons, am a huge fan of Irons but will never deny about accents not being a forte of his), most of the acting is fine. Lady Gaga kills it as Patrizia, who is a very interesting and well fleshed out character here, bringing charm, effortless charisma and menace to her. It has been said that her accent isn't great, as far as the cast goes it's actually the most convincing one along with Salma Hayek's. Adam Driver is a good deal more understated, one of the few in the cast to play it very straight, but he is also compelling and his character growth/decent is believable. They have great chemistry together.

The supporting cast on the whole support them well, Pacino coming off best having a whale of a time as Aldo. Irons brings vulnerability and authority to patriarch Rodolfo and Salma Hayek gives some of her best acting in years. Really liked the chemistry on the whole, Lady Gaga and Driver are great together as are Lady Gaga and Hayek, while that between Irons and Pacino is a joy. 'House of Gucci' does have a few great individual scenes, and one of the best is the magnificent encounter between Irons and Pacino. Personally thought the first half was fine and that it set up the intrigue and characters extremely well. As well as a few funny moments, Rodolfo's verbal brutalising of Paolo was gold and sums up the viewer's opinion of him and his work perfectly.

On the other hand, 'House of Gucci' has a number of shortcomings. One performance didn't work for me and that was Leto. Unrecognisable in much talked about(the talk of social media when advertising was first revealed) makeup that deserves its own film, he overplays his role, especially when the comic relief becomes more dominant, and belongs in a completely different film. Yes the film is very over the top in tone, but Leto's performance veered on excess and too much of a Super Mario Brothers caricature. There are pacing issues, the rather underdeveloped family business stuff drags, sometimes to the point of stalling, due to the lack of tension and gravitas that was not there enough. And other parts come over as very choppy and incomplete feeling, like the final act. The second half needed a tightening up, which would have made the film less overlong (and it is a film that could have been 25 minutes shorter easily).

Also found the ending very rushed and anti-climactic, handled with too much of an indifferent shrug. After spending so long on the family stuff (and not developing that enough) and the increasingly uneasy spurts of comedy, the event that caused such a sensation is just too throwaway in treatment. Tonally, 'House of Gucci' is messy, the comedy going for the campy approach that goes too far into pantomime in the second half and some of the serious moments being too melodramatic. Tonal shifts can be uneasily abrupt.

The script has some funny and intriguing moments, but is on the whole too overwritten in tone (Leto's comedy increasingly gets too much), bland emotionally (the descent into revenge is not examined enough) and also too much of a trying to include as many iconic lines as possible. Some of the line delivery has to be heard to be believed, can imagine right now the amount of reaction gifs online in regard to some of the more comedic lines and Leto's body language.

Concluding, hugely flawed but also quite fun when taking it for what it is. 5.5/10 (was struggling which score of 5 or 6 to give it but decided to go in between and round it up)

The second Ridley Scott film of this year is here! After his medieval epic The Last Duel flopped brilliantly at the box office, he can expect more in this respect with House of Gucci. Not only is Gucci one of the most famous and prestigious fashion brands, Lady Gaga is also in the lead role. I guess the strong fanbase of the singer will not be asked a second time. In the film, she suddenly finds herself part of the Gucci dynasty and becomes the protagonist of a toxic power struggle.

Yet Gaga is still a relative unknown in Hollywood-speak. She made her big breakthrough in the 2018 music film A Star is Born. Scott, as he did in The Last Duel, has assembled an incomparable star ensemble. Adam Driver, who seems to be establishing himself as the director's new darling, evergreens Al Pacino and Jeremy Irons and an unrecognisable Jared Leto embody the key roles in the Gucci clan. In addition, Salma Hayek emerges as a kind of mentor for Gaga's character. But who is Gaga playing anyway? She is the young and rebellious Patrizia Reggiani. An extroverted perennial who worms her way into the millionaire family with charm and fascination. She is courted by the ambitious Maurizio Gucci, played by Driver, who actually wants to leave the intrigues and sometimes shabby business dealings of his predecessors behind. Once he falls in love with Patrizia and marries her, he is left with no choice but to get involved again. Driver and Gaga share a very passionate chemistry in the first act, which you fully buy into with little dialogue and through pure body language. While Driver plays rather reserved and shy, this quality emanates especially from Gaga, who doesn't hold back in any of her intimate scenes. At least the two characters are able to unfold their own approaches here. But when Al Pacino's character Aldo Gucci, Maurizio's uncle, insists on his nephew's re-entry into the family business, the two lose all closeness to each other. Rather, it is only an extremely manipulative relationship that both actors have to show in a few scenes. All the more Aldo and his son Paolo Gucci, portrayed by Leto, come to the fore. From this point on, the film lapses into a few minutes of megalomania, largely due to Leto's performance. He is exclusively eccentric and desperate and all in all a tragic figure. Whether you find this Super Mario caricature brilliant or miserable is a matter of interpretation.

House of Gucci begins extremely quietly and shows the rise of the lovers in well-done visual sequences. The performances are generally fitting and although the film seems anti-Italian, I love it when Adam Driver cruises through Milan on his Vespa. But as interesting as the pecking order and hierarchy within the Gucci family is, from the second act onwards the film devolves into an overplayed and hyperactive tragedy that, despite the craziness of its scenes and actors, actually manages to be long-winded. Fashion, creativity and the business idea are not a theme at all, which in no way brings us closer to this brand that is so present. In the end we have a family epic (the film lasts 2 ½ hours), with exclusively unsympathetic characters. One more request to Ridley Scott: just let your actors speak English and don't embarrass them with Italian stereotypes with accents.

I was a little bit afraid of diving into this movie as it has an extensive running time of 154 minutes, which is a lot for a biographical drama, but I was pleasantly surprised by how immensely intriguing the story was.

The best part of the movie for me was its visual appeal. "House of Gucci" has something breathtaking in practically every frame and just for that it deserves a watch.