Blue Valentine

Dean (Ryan Gosling) and Cindy Heller-Pereira (Michelle Williams) are a married couple. This movie jumps back and forth to show their relationship over time. They have a girl named Frankie. He works menial jobs and she works as a nurse. He's a slacker and she's the tired responsible one. They both come from dysfunctional families. She runs into Bobby Ontario at the liquor store which causes friction between the couple. It turns out that Bobby is her former boyfriend with a big secret between them.

This is a great little indie about love that fades. By the end, it seems that their early flirtations are from another life. Gosling and Williams give subtle but profound performances. Most compelling is that they are about to give two slightly different versions of the same characters. The movie takes it slowly as it unravels this relationship.

Surprisingly well done. I was a bit skeptical at first, but as I traveled my way through this story, it made more sense than many other attempts to capture this concept and present it well. Michelle Williams really shines here, it may be her best role yet, at least that I'm aware of.

The key point here is that is an anatomy of a marriage that has dissolved over time, becoming increasingly irrelevant to the wife, and evermore difficult for the husband to comprehend or connect with what's going on with his wife.

I've seen this before, in real life. Sometimes, marriages just come apart over time, even if they started out with the best of intentions and all the chemistry that can be imagined. It just happens . . . people change over time, and often, not in sync with each other. There's no real "bad guy" in the scenario portrayed . . . just the realities of how people drift apart, to the point of no return. Trust me on this one, this does happen.

This film may not be for everyone, but for those who can relate with this type of story, this is probably one of the best attempts yet which delivers a reasonably realistic depiction of what this can be like.

Greetings again from the darkness. OK, so I was extremely surprised to be the only male in a theater with 30 plus viewers. I had not once previously thought of this as a chick flick. In fact, it is quite a weighty relationship expose' and that explains the lack of present men. What is surprising is that while the film is about the ever-so-slow crumbling of a marriage, there is no blame placed at the feet of any one person, as is so often the case in Hollywood.

You might have already guessed that this is no upbeat, loosie-goosie rom-com. Rather, it is a bleak look at a marriage that starts with good intentions and fades into misery. On the plus, we witness an acting clinic by two of today's absolute best ... Ryan Gosling as Dean and Michelle Williams as Cindy. Dean is quite the oddball romantic as he strums his ukulele and quivers "You Always Hurt the Ones You Love" in a bit of foreshadowing. Cindy, on the other hand, is a bit more ambitious and has dreams of medical school.

The two meet by happenstance in the hallway of a nursing home when Cindy is visiting her grandmother. Immediately, there are sparks and after Cindy's macho boyfriend proves his true rotten self to her, she becomes more enamored with Dean. When an unexpected pregnancy occurs, Dean is pretty quick to stand up for Cindy and they set off to build a life together.

Flash forward 6 years and Dean has changed very little, while Cindy just seems totally beaten down. They both cherish their precious daughter Frankie (played by newcomer Faith Wladyka) but their relationship is nowhere, gone, kaput. Even an attempted one-night getaway to a themed hotel doesn't provide the relief they need. Instead, it's the final straw. When Cindy repeats "I'm done" ... we don't doubt her at all.

Director and co-writer Derek Cianfrance does a tremendous job with the details and creating the personalities of these two people. Every relationship requires work and failure can be predicted when one gives up and the other pretends all is fine. This one probably won't save any marriages, but it is worth seeing just to watch Ryan Gosling and Michelle Williams in action.

Let me start this off by saying that this movie is not for everyone and I did not particularly enjoy myself while watching it.

It's a very well made film with beautiful shots and amazing acting. The story and themes are well fleshed out and provide for some uncomfortable scenes throughout the movie. From a film-making standpoint, this movie is great.

Despite its technical aspects that I loved, I simply did not enjoy this film all that much. There were too many uncomfortable scenes that included sex, domestic violence, and other intense events. While well made, this film seems like a one time watch. I cannot imagine putting myself through such a depressing movie again.

With the growing number of divorce in America, the "happily ever after" shown in Hollywood films are now far-fetched dreams and no longer a reality. Blue Valentine chooses instead to give its viewers a story of unrestrained truth. This film gives us a raw and painful account of a married couple that was once deep in romance and drama but over time had grown apart. Reality stripped them of the passion they once felt toward one another. The film jumps back and forth between the story of how they met and the current turmoil they are in now. Director Derek Cianfrance does an exceptional job of bringing to the screen the gritty and messiness of a failed marriage. Cianfrance definitely understands the searing pain of a couple that has to call it quits not due to abuse or infidelity but simply because they cannot return to the love they once had. Blue Valentine makes the viewer uncomfortable because it is strikingly identifiable. Ryan Gosling and Michelle Williams were amazing together; they successfully capture in every scene the multiple layers and the complexity of a relationship. They feed off of one another on screen and their chemistry is authentic, so much so, that it is often times difficult to swallow. The director's choice to have the two actors live together off screen paid off on camera. Blue Valentine is profound, intense and real. It is definitely a "must-see".