Radio Free Albemuth

I'm a huge fan of the works Philip K. Dick, his books and short story collections line my shelves while the DVDs, etc. based on his works, barely make a dent. I'm generally not a fan of the adaptations that take a core PKD concept and turn it into a poorly executed version of The Fugitive. Personally, "A Scanner Darkly" is by far my favorite, with the top five rounded out by Radio Free Albemuth, Blade Runner, Screamers, and the Total Recall 2070 television series (not a true adaption, but close enough.)

I enjoyed RFM enough to watch it twice, and would recommend it to anyone who skews toward A Scanner Darkly as far PKD adaptations, and would compare it tone to 1984 or THX-1138. It definitely feels like a product of the 70's. The highlight of RFM would have to be Shea Whigham's portrayal of "Phil" which comes of as a bizarre mix of a typical neo-noir dick and Jack Kerouac.

RFM is not without its issues. It occasionally falls into "tell don't show" mode, and there's missed opportunity to give us a few scenes depicting the antagonists carrying out their nefarious schemes instead of being told about them, possibly a result of the script following the novel a little too close. But all in all, if you're a fan of PKD, or science fiction with a slower pace and little to no explosions, Radio Free Albemuth is well worth your time.

The struggles of the filmmakers in getting this movie made parallel those of Philip K. Dick, the author whose novel serves as source material for this film of the same name as the book. But like Philip K., they forged ahead, and have created a wonderful little film that, in spite of its noticeable budget limitations--particularly visible in the digital effects--is lovingly faithful to its novelistic source. Rather than action set-pieces, the film explores the ideas that frame the novel's plot, and crafts an atmosphere of increasing tension as the web of President Fremont's subversives-cleansing program closes around Philip K. Dick's (Shea Whigham) and Nicholas Brady's (Jonathan Scarfe) plans to insert transgressive messages subliminally in music recordings, all at the behest of a being in space named VALIS that communicates with Nicholas silently.

Radio Free Albemuth is a very authentic look into the mind of Philip K. Dick. The mood is sombre and reflective - even noir - and the story has clear Orwellian overtones. The story and character development is strong. The movie is full of echoes of his work, including other movie portrayals of his books - the darkness of Blade Runner emerges as the story unfolds.

I was also intrigued by the parallel with Total Recall: Rachel echoes Lori, and Sylvia recalls Melina. (Dare I also mention the similarity between Katheryn Winnick and Sharon Stone?) There is a world to be saved, but the saviors are flawed or compromised - or are remote in time or space.

Although set in an alternative world of the 1970s, this is a movie for our time, reflecting today's politics. But in typical Dick tradition, there is more than one way to view it. There are the usual Dickian motifs here - which is the reality, and which is the illusion?

The making of this movie was definitely a labor of love, and the attention to detail shines through. It is a fitting tribute to Dick, including the thoughtful and measured portrayal of the man himself by Shea Whigham.

It's not space opera - but then Dick was never a space opera author. Expect to be intrigued, and possibly challenged.

While previous adaptations of the work of the late, great Philip K. Dick have often been enjoyable, none has really taken a great deal from the original source stories beyond the most perfunctory aspects of the plot.

Radio Free Albemuth, while not sticking slavishly to every letter of the original text, is the first adaptation to really capture the spirit and convey the substance of Dick's work. Although this film does not have the high tech sheen of the more celebrated films to be taken from Dick's writing, it is every bit as gripping and exciting as the best of them, but also retains the intelligence, and political thought that previously has tended to go missing in translating Dick from page to screen.

John Alan Simon has written an exemplary screenplay and matched it with strong direction. The acting performances are also fine throughout.

I saw this at the Sci-Fi London film festival and got the distinct impression that I was not alone in my enthusiasm for this movie.

This small independent/low budget film is built on extremely effective uses of science fiction coupled with religion coupled with political resistance to totalitarian power and a weird species of multidimensional autobiography that coalesces to provide a very, very satisfying conclusion and a sharp emotional experience. Shea Whigham carries the film, he's great. Hanna Hall is a most excellent villain. The story reminded me of The Man in the High Castle, another PK Dick novel featuring alternative parallel universes. The story is inspired by real paranormal events that PK Dick and his wife Tessa experienced in Los Angeles in the 1980s. highly recommend this for lovers of cerebral film.