Radio Free Albemuth

Let me start by saying that I have never read this book and cannot tell you how close the adaptation is to what was written. Although, in this case, I may decide to pick it up and read it, as the idea and storyline definitely felt real and reminded me of some of the weirdness we are experiencing in society today. This was an entertaining journey to watch with an intriguing and layered storyline, solid performances, outstanding characterizations, great visuals and a big budget feel. Sure, as a character and story driven movie, it does lack a tremendous amount of action, but that does nothing to bring the film down. In the end, this mixture of political and theological intrigue, conspiracy theories, and historical philosophical and subliminal messages plays out in an educational and entertaining manner, and is a must see for everyone. Check it out!

This small independent/low budget film is built on extremely effective uses of science fiction coupled with religion coupled with political resistance to totalitarian power and a weird species of multidimensional autobiography that coalesces to provide a very, very satisfying conclusion and a sharp emotional experience. Shea Whigham carries the film, he's great. Hanna Hall is a most excellent villain. The story reminded me of The Man in the High Castle, another PK Dick novel featuring alternative parallel universes. The story is inspired by real paranormal events that PK Dick and his wife Tessa experienced in Los Angeles in the 1980s. highly recommend this for lovers of cerebral film.

Neither as good nor as bad as a lot of reviewers are saying. Flat acting, clumsy sound and cinematography--low levels of energy and interest. I never forgot I was watching a (mostly boring) movie. If you are a serious PKD fan you will want to watch it. If not, the first five minutes will tell you all you need to know--it does not get any better.

It's too talky. Dialogue and narrative seem to be recited pretty much straight from the novel, with little of visual interest on the screen most of the time.

Actors are not good at showing emotion. For instance, a main character is having an intense mystical vision, but in the reaction shots he could just as well be an American watching a cricket match.

Radio Free Albemuth is a very authentic look into the mind of Philip K. Dick. The mood is sombre and reflective - even noir - and the story has clear Orwellian overtones. The story and character development is strong. The movie is full of echoes of his work, including other movie portrayals of his books - the darkness of Blade Runner emerges as the story unfolds.

I was also intrigued by the parallel with Total Recall: Rachel echoes Lori, and Sylvia recalls Melina. (Dare I also mention the similarity between Katheryn Winnick and Sharon Stone?) There is a world to be saved, but the saviors are flawed or compromised - or are remote in time or space.

Although set in an alternative world of the 1970s, this is a movie for our time, reflecting today's politics. But in typical Dick tradition, there is more than one way to view it. There are the usual Dickian motifs here - which is the reality, and which is the illusion?

The making of this movie was definitely a labor of love, and the attention to detail shines through. It is a fitting tribute to Dick, including the thoughtful and measured portrayal of the man himself by Shea Whigham.

It's not space opera - but then Dick was never a space opera author. Expect to be intrigued, and possibly challenged.

It's not the flashiest production of a PKD work I've ever seen but it's the one that's stuck with me the most. The themes present here are relevant today as they were when the original novel was being written. There is a pervading sense of dread running through the film, as in the original work. Shea Whigham is brilliant as Philip (obviously based on PKD himself) and the rest of the cast is equally great. This film was stuck in post for a long time and I think it could have benefited from better effects/editing but that's only a small quibble. It's on Netflix so there's no reason for you not to watch it, especially if you're a fan of things like 1984 or V for Vendetta. It's not as showy or grim as those but similar in theme and tone.