Aggiungi una trama nella tua linguaThe eve of the 2020 election, a posse of progressives ride into red country armed with heart, humor, and naiveté. They should have brought heavy artilleryThe eve of the 2020 election, a posse of progressives ride into red country armed with heart, humor, and naiveté. They should have brought heavy artilleryThe eve of the 2020 election, a posse of progressives ride into red country armed with heart, humor, and naiveté. They should have brought heavy artillery
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- 23 vittorie e 20 candidature totali
Recensioni in evidenza
10alkel
I'm not a fan of horror films; there's enough horror in the world and this genre causes me so much anxiety. I watched Red Pill because I am such a Pinkins fan. It stunned me that this film was something of a cross between a great art house film and a scary but rivating commentary on the extremes of racism in America. What I found most interesting were the stretches of dialog that addressed so many realities of that racism. I have to applaud, as well, the reversal of roles, turning the white guy into the icky, misogynistic product of white supremacy. Nothing could be clearer on the whole history of this country than this film. And, yes, it was scary af! This is what a film by a Black writer/director can be when there are no whites to put their I-know-better-than-you-how-to-tell-your-story spin on it. Please, let us see more films by Black writers, directors, and producers.
I can't figure out what this film was intended to be. As social parody or identity politics allegory, it's as subtle as a jackhammer busting up concrete. As an entry in the horror genre, it doesn't really engage the viewer. I found it hard to identify with most of the victims given their personalities, although the cast did a good job with the roles they were given. Finally, insertion of old Nazi film clips just seems gratuitous. As a coda, I watched it the day after Trump announced he could "seek a third term", despite Constitutional restrictions. In that context, the film is pretty unsettling, but standing on its own, it could use some clarity in plot and setting.
Powerful and provocative, Red Pill by Tony Award winner Tonya Pinkins, is a gripping sociopolitical horror flick that found me sitting at the edge of my seat, crying and laughing at the same time, and then watching it again, immediately after the credits rolled. Rich with metaphor, satire, and the merging of history with contemporary issues, Red Pill breaks the mold of horror filmmaking. The multicultural cast of award-winning actors delivers nuanced and scintillating performances. Codified with sociocultural and political references, and teeming with symbolic imagery, Red Pill is a poetic feast. A brilliant and iconic work of art, Red Pill evokes conversation on issues critical to American history. Cutting edge and courageous filmmaking. Fantastical. Intellectual. Sophisticated. Surreal and yet so real.
After seeing all the ten star reviews, I felt obligated to leave an unbiased one. There is no way the high reviews are from anyone but those associated with the movie or the actors in it.
Ok, so I just deleted everything else I wrote. I felt horrible being so honest. I know people work hard and it pains me to critique harshly. I'll say this, it is not a well made movie in any category, from editing to dialogue. You might find entertainment in the good bad movie aspect but I did not. The premise intrigued me and it could have been so much better. Watch Get Out instead if you want social commentary horror.
One positive thing I will write...I read that Ms Perkins is a celebrated stage actress. If this one of her early film directing and acting projects, then she has much room to improve and I wish her well.
Ok, so I just deleted everything else I wrote. I felt horrible being so honest. I know people work hard and it pains me to critique harshly. I'll say this, it is not a well made movie in any category, from editing to dialogue. You might find entertainment in the good bad movie aspect but I did not. The premise intrigued me and it could have been so much better. Watch Get Out instead if you want social commentary horror.
One positive thing I will write...I read that Ms Perkins is a celebrated stage actress. If this one of her early film directing and acting projects, then she has much room to improve and I wish her well.
10str8_70s
Tonya Pinkins' film RED PILL is an artistic and, at times, even poetic yet muscular story that we all just went through. It is the nightmare we still can't wake up from. A collection of relatively ordinary people who want to improve their world drive into the rural South to Get Out the Vote before the 2020 election, and they walk right into a horror movie.
Folks, we have just been through this. Maybe this can help us wake up from the nightmare, or maybe not -- maybe it will just help us describe the nightmare more effectively. We laugh, we cry, if we survive it the credits roll. Using expert story-telling and ferocious images, Pinkins has made our nightmare materialize on the screen in red-hot terror, no let-up. The cast displays an energy that drags the viewer through some periods of jaw clenching that actually tired me out but thinking back on the last few years, I came to think of this as a catharsis. Two thumbs up and trembling.
Folks, we have just been through this. Maybe this can help us wake up from the nightmare, or maybe not -- maybe it will just help us describe the nightmare more effectively. We laugh, we cry, if we survive it the credits roll. Using expert story-telling and ferocious images, Pinkins has made our nightmare materialize on the screen in red-hot terror, no let-up. The cast displays an energy that drags the viewer through some periods of jaw clenching that actually tired me out but thinking back on the last few years, I came to think of this as a catharsis. Two thumbs up and trembling.
Lo sapevi?
- QuizTonya Pinkins, Ruben Blades and Colby Minifie all played in FEAR THE WALKING DEAD
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