VALUTAZIONE IMDb
7,5/10
34.696
LA TUA VALUTAZIONE
In Honduras, una famiglia decide di entrare negli Stati Uniti, dove vive la mamma. In Messico, un uomo lotta con la sua appartenenza a una banda. Le circostanze costringeranno i loro percors... Leggi tuttoIn Honduras, una famiglia decide di entrare negli Stati Uniti, dove vive la mamma. In Messico, un uomo lotta con la sua appartenenza a una banda. Le circostanze costringeranno i loro percorsi a convergere, nel bene e nel male.In Honduras, una famiglia decide di entrare negli Stati Uniti, dove vive la mamma. In Messico, un uomo lotta con la sua appartenenza a una banda. Le circostanze costringeranno i loro percorsi a convergere, nel bene e nel male.
- Regia
- Sceneggiatura
- Star
- Premi
- 14 vittorie e 18 candidature totali
Felipe Castro
- Marero
- (as Sixto Felipe Castro)
Kristyan Ferrer
- El Smiley
- (as Kristian Ferrer)
Giovani Florido
- El Sipe
- (as Giovanni Florido)
Recensioni in evidenza
Directed by the young talent Cary Fukunaga, a winner of the Sundance Film Festival Directing award, the film focuses on a combination of issues in South America, from involvement of kids and teenagers in Mexican gangs to what it takes for those who decide to leave South and Central America and seek greener pastures in the U.S.
The story follows two main characters, Casper and Sayra, played by lesser-known actors Edgar Flores and Paulina Gaitan. While Casper is the member of the feared gang Mara Salvatrucha, his faith connects him with Sayra, a Honduran emigrant that travels with her father and uncle together with the other emigrants on a freight train to the U.S.
On this journey together, as Casper tries to escape his faith and Sayra to meet hers, the main characters are slowly blending together, complete each other through their diversity, while they have to face the rough side of life in today's Mexico.
As a result, the film has a gripping, disturbing, moving sour-sweet blend to it, and is exactly the type of the film where it's unpredictability, natural change of pace, and lots of eye candy in the scenery, makes you part of the story until the credits role, making you beg for more inside.
Fukunaga's film feels so real not only thanks to his time spent in Mexico and his first hand experience with both, emigrants and immigrants he met before and while shooting the film, his cast of actual members of the Mara gang, perfect editing and combination of locations and the effort he took while filming to get the best out of his actors ("apart from beating them", he joked at Vary), makes the film one of the best feature debuts I've ever seen.
The story follows two main characters, Casper and Sayra, played by lesser-known actors Edgar Flores and Paulina Gaitan. While Casper is the member of the feared gang Mara Salvatrucha, his faith connects him with Sayra, a Honduran emigrant that travels with her father and uncle together with the other emigrants on a freight train to the U.S.
On this journey together, as Casper tries to escape his faith and Sayra to meet hers, the main characters are slowly blending together, complete each other through their diversity, while they have to face the rough side of life in today's Mexico.
As a result, the film has a gripping, disturbing, moving sour-sweet blend to it, and is exactly the type of the film where it's unpredictability, natural change of pace, and lots of eye candy in the scenery, makes you part of the story until the credits role, making you beg for more inside.
Fukunaga's film feels so real not only thanks to his time spent in Mexico and his first hand experience with both, emigrants and immigrants he met before and while shooting the film, his cast of actual members of the Mara gang, perfect editing and combination of locations and the effort he took while filming to get the best out of his actors ("apart from beating them", he joked at Vary), makes the film one of the best feature debuts I've ever seen.
I saw this beautifully crafted new film at Sundance and was completely entranced. The cinematography and design is astounding. The new faces and local actors give everything for the project. The writer/director did an extensive amount of research including riding on the tops of trains with immigrants crossing Mexico, and spending time with MS gang members. And indeed the film is full of all kinds of personal, empirical moments that reach up and contrast the violence and epic quality of the piece. Ultimately the film has a very classical quality that evokes an "Odyssey" kind of timelessness. Everyone should go see this in the theatres the moment it comes out. Great, great first film.
Greetings again from the darkness. Nice to see the initial low rating has climbed after more people have discovered it. It is a riveting film that weaves together two heart-wrenching, gritty stories that would otherwise seem unrelated. It is beautifully and realistically photographed and provides no-frills story telling.
Director Cary Fukonaga throws the viewer into the middle of the brutally violent gang world at the same time he depicts the frightening desperation of Hondurans making their way through an unforgiving Mexico towards an unwelcoming United States. Trust me ... you don't wish to be part of either of these worlds.
The film is at its best when these two worlds collide and Willy/Casper makes a life-changing decision to help a would-be victim. Edgar Flores plays Willy/Casper as the reluctant gang member with a conscience who is just trying to have a life outside the gang. He plays hero to Paulina Gaitan's Sayra, who is on her way to see relatives in New Jersey. Ms. Gaitan reminds of the talented Catalina Sandino Moreno from the excellent "Maria Full of Grace". Willy and Sayra are an odd couple, but seem good for each other, though their destiny seems obvious from the first moment.
Some great footage of the inner workings of an ultra violent, macho world of gangs left me wondering how anyone could escape alive. These are very scary people. I can understand some finding this difficult to watch, but I can't understand how it can be mistaken for anything other than fine film-making.
Director Cary Fukonaga throws the viewer into the middle of the brutally violent gang world at the same time he depicts the frightening desperation of Hondurans making their way through an unforgiving Mexico towards an unwelcoming United States. Trust me ... you don't wish to be part of either of these worlds.
The film is at its best when these two worlds collide and Willy/Casper makes a life-changing decision to help a would-be victim. Edgar Flores plays Willy/Casper as the reluctant gang member with a conscience who is just trying to have a life outside the gang. He plays hero to Paulina Gaitan's Sayra, who is on her way to see relatives in New Jersey. Ms. Gaitan reminds of the talented Catalina Sandino Moreno from the excellent "Maria Full of Grace". Willy and Sayra are an odd couple, but seem good for each other, though their destiny seems obvious from the first moment.
Some great footage of the inner workings of an ultra violent, macho world of gangs left me wondering how anyone could escape alive. These are very scary people. I can understand some finding this difficult to watch, but I can't understand how it can be mistaken for anything other than fine film-making.
Let's be clear from the outset, this is a dark, bleak and violent movie. The episodes in-between the on-screen savagery, consist of a lot of regret, anxiety and a deep, deep sadness.
Having said that, I also think that this is one of the most important movies I have seen in quite awhile, buried unfortunately amidst the clutter of beginning-of-the-year garbage releases and the upcoming summer blockbusters. I wish this movie had a much higher profile, in fact I think that this movie should be required viewing in high-schools all across the US and Canada.
It should also be seen by all those people who think about immigrants as a pest and as parasites who come to take away their jobs and be a drain on their resources, abusing the social system or whatever. The same people who watch Lou Dobbs and his "one man crusade" to save America from the invading plague of illegals. The minute-men who gleefully think that the wall now separating the US from Mexico is the greatest thing since the pyramids. The same people that after having spewed their vitriol, hatred and bile against immigrants have no problem with Juan mowing their lawn and Consuela looking after their snot-nosed mortally obese children, and Miguel picking-up all the s*it they leave in the streets, malls and every other place one can throw garbage in.
Maybe, just maybe, watching this movie will at least give them a glimpse into the lives, backgrounds and destinies of these people, who are abused, mistreated and forgotten by almost everybody, people who basically have come to symbolize a type of disposable human garbage, that truly are without a face, an identity and "sin nombre", without name. Perhaps we could all come to understand what it is that drives these waves of humanity to risk it all for even the promise of a better future. Then we could all come to realize that "life, liberty and the pursuit of happiness" are not exclusively American values, but rather universal values to which all people aspire to.
Even amidst all the doom and gloom of the movie there are some sublime moments of beauty, humanity and yes even hope. It was quite hard at times for me to watch this movie, not because of what I saw, but because I can relate to what I saw and be reminded of a time in my life I wish I could forget, but know I can't. It will be part of me until the day I die. I want people to learn and understand instead of being so quick to judge and dismiss the plight of other fellow human beings.
WHAT WOULD YOU DO IF THE SITUATION WAS REVERSED?
Having said that, I also think that this is one of the most important movies I have seen in quite awhile, buried unfortunately amidst the clutter of beginning-of-the-year garbage releases and the upcoming summer blockbusters. I wish this movie had a much higher profile, in fact I think that this movie should be required viewing in high-schools all across the US and Canada.
It should also be seen by all those people who think about immigrants as a pest and as parasites who come to take away their jobs and be a drain on their resources, abusing the social system or whatever. The same people who watch Lou Dobbs and his "one man crusade" to save America from the invading plague of illegals. The minute-men who gleefully think that the wall now separating the US from Mexico is the greatest thing since the pyramids. The same people that after having spewed their vitriol, hatred and bile against immigrants have no problem with Juan mowing their lawn and Consuela looking after their snot-nosed mortally obese children, and Miguel picking-up all the s*it they leave in the streets, malls and every other place one can throw garbage in.
Maybe, just maybe, watching this movie will at least give them a glimpse into the lives, backgrounds and destinies of these people, who are abused, mistreated and forgotten by almost everybody, people who basically have come to symbolize a type of disposable human garbage, that truly are without a face, an identity and "sin nombre", without name. Perhaps we could all come to understand what it is that drives these waves of humanity to risk it all for even the promise of a better future. Then we could all come to realize that "life, liberty and the pursuit of happiness" are not exclusively American values, but rather universal values to which all people aspire to.
Even amidst all the doom and gloom of the movie there are some sublime moments of beauty, humanity and yes even hope. It was quite hard at times for me to watch this movie, not because of what I saw, but because I can relate to what I saw and be reminded of a time in my life I wish I could forget, but know I can't. It will be part of me until the day I die. I want people to learn and understand instead of being so quick to judge and dismiss the plight of other fellow human beings.
WHAT WOULD YOU DO IF THE SITUATION WAS REVERSED?
A truly excellent film, and an important one for our time. It has a brutal, awakening reality to it, but only to show the innocence and courage the characters portray. It is a very pure, and new story of survival. Brilliantly shot, with a ver rich, and warm feel, at the same time is brings you to the frightening underworld of the vicious gang organizations in Central America. Academy Award nominated film producers Diego Luna and Gael Bernal obviously saw a diamond with this film and out came a modern day masterpiece. Cant believe i missed it in theaters. For a first film by Cary Fukunaga, it looks as if it's his 10th, showing no flaws, and with a cast of actors that do their characters amazing justice, Sin Nombre is a MUST SEE!
Lo sapevi?
- QuizCary Fukunaga spent two years researching the film, spending time with people on the trains and with gangsters in Central America. He also used two gang members to script edit making the slang and language as up to date and realistic as possible.
- BlooperThe teardrop tattoo on el Casper's right eye is missing in two consecutive scenes on the top of the train but is visible on his face throughout the movie both before and after these scenes on the train. Interestingly, the tattoo is an important identifying mark/symbol in the movie and is specifically highlighted by gang members when asking locals if they have seen Casper as they try to find him and hunt him down.
- Colonne sonoreSONG FOR BOB
Composed by Nick Cave & Warren Ellis
From the Motion Picture Score of L'assassinio di Jesse James per mano del codardo Robert Ford (2007)
(Film Festival prints only)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Sin Nombre
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2.536.665 USD
- Fine settimana di apertura Stati Uniti e Canada
- 81.446 USD
- 22 mar 2009
- Lordo in tutto il mondo
- 5.102.705 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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