Un dramma sul risveglio della pittrice Margaret Keane, il suo fenomenale successo negli anni '50 e le successive difficoltà legali che ha avuto con suo marito, che ha rivendicato il merito d... Leggi tuttoUn dramma sul risveglio della pittrice Margaret Keane, il suo fenomenale successo negli anni '50 e le successive difficoltà legali che ha avuto con suo marito, che ha rivendicato il merito delle sue opere negli anni '60.Un dramma sul risveglio della pittrice Margaret Keane, il suo fenomenale successo negli anni '50 e le successive difficoltà legali che ha avuto con suo marito, che ha rivendicato il merito delle sue opere negli anni '60.
- Regia
- Sceneggiatura
- Star
- Nominato ai 2 BAFTA Award
- 3 vittorie e 18 candidature totali
- 2nd Olivetti Girl
- (as Emily Bruhn)
Recensioni in evidenza
And then there's the main problem: Christoph Waltz. He's not the only one at fault - his character goes from charming to cartoon villain which can certainly be blamed on the writers and Burton - but his over acted performance, particularly towards the end, completely obscured any depth that Walter's character may have had.
Amy Adams, on the other hand, is fantastic and certainly the movie's saving grace. I would have liked to see more of her relationship with Walter, more of what made her willing to keep cranking out paintings for her husband, though I suspect a more three-dimensional Walter would have been needed for that.
And the narrator/reporter was completely unnecessary. I kept forgetting he existed and then wondering who was talking for a few seconds before I remembered that the movie had a narrator.
All in all, entertaining but disappointing. 6/10
A premise that has lots of potential is partially wasted in aimless scenes or in repetitiveness. The film doesn't really make a point about anything and has way too much flashy stuff to feel grounded in any way. There would be nothing wrong there, but the fact that in it's uneven tone there seems to emerge a will to give an accurate and worthy recounting of these events makes so much of the drama feel out of nowhere. Storytelling isn't exactly where the movie succeeds. The courtroom scenes are definitely the weakest of all and made me mad multiple times because of their absolute preposterousness.
Anyways, the film is built around a strong enough cast, photography, premise, writing and design that it would be hard to get bored in anyway. The pace is fluent enough and the duration of the film is just about right for the content it presents. I wanted to like this more and see the story be given a better portrayal, but in no way I could say "Big Eyes" was a failure.
The story of Big Eyes is something straight out of the movies, but no, the tale of Margaret Keane and her artistry is based on fact and real life.
Tim Burton's Big Eyes is a dramatic narrative of Margaret Keane, the painter, mother and wife. Having left her husband, with daughter in tow, she seeks a new beginning in California. While there, she hopes to make a living through her art and subsequently meets and marries a man named Walter. Trying to navigate the art world and make a living, her husband claims credit for her artwork which eventually becomes highly profitable. Burton focuses on the awakening of Keane as an artist and to her husband's shortcomings and the legal difficulties in claiming ownership of her work.
Margaret Keane's life is a fascinating and near unbelievable one. And much of Big Eyes' success as a film rests comfortably on that very story. Well, Big Eyes rests on the story of Keane and on Christoph Waltz's immeasurable charm in his performance as Walter Keane.
The sad big eyed children made commercially famous by Keane are uniquely peculiar. Stylistically, it was only right that Tim Burton should direct a film about the painter. It is apparent that Big Eyes is a Burton film; however, Tim Burton subdues his style substantially so that the narrative of this marvelous woman can take center stage. Creatively, this is a refreshing departure for the director.
The Big Eyes movie parallels the artwork of Margaret Keane in an unintentional manner. Margaret Keane was able to look at a person and capture their essence and then put it on canvas with her own twist through large sad eyes. Similarly, Tim Burton takes the core elements of Keane's life and translates it to film with his own fanciful creative liberties. Though everything is in the movie adaptation of Big Eyes, it lacks substance and heart to connect with the audience to have a lasting impression.
Please check out our WEBSITE for all the reviews of recent releases and awards contenders.
"Big Eyes" (2014) is more of good feel comedy drama then a serious biography drama as it's genre indicates. Yes, it is based on a very true story, but this is not a typical biopic by any means. It's a "light" and easy movie, with some great performances by both leads, tight pacing, very nice writing and directing. No wonder that it was mentioned in an Comedy or Musical categories at Golden Globes and not in motion picture drama.
Overall, this is true very well made biography drama about some painters and frauds. Won't going to spoil anything, just going to say that i was very surprised by the ending when i find out that this actually happen, well, probably not word by word but the outcome did happen actually how it was portrait in the movie. This is a very fine picture from legendary director Tim Burton, and safe to say that this is his best movie in years simply by not being "a Tim Burton's" movie as we know them. This small budget picture (in terms of other's T.Burton's flicks) actually is much more lovely and intimate then his recent works. I will go even so far and say that i haven't enjoy his movie so much since 1999's "Sleepy Hollow".
Lo sapevi?
- QuizMargaret Keane: Reading a book on a park bench behind Margaret and Walter, when they paint in front of the San Francisco Palace of Fine Arts. The end-credit photo of her sitting with Amy Adams was taken when this scene was filmed.
- Blooper"Tomorrow Forever," the UNICEF painting Margaret Keane painted for the 1964 Worlds Fair, was never actually mounted in the Hall of Education. Robert Moses, who had control over everything that was included in the fair, hated it. Once New York Times critic John Canaday trashed it after seeing a photograph of it, Moses had it thrown into the garbage.
- Citazioni
Ruben: What's that with the big crazy eyes?
Walter Keane: Oh. Well, I believe that you can see things in the eyes. The eyes are the window to the soul.
I più visti
- How long is Big Eyes?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ojos grandes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.482.031 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.001.738 USD
- 28 dic 2014
- Lordo in tutto il mondo
- 29.261.617 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1