Un dramma sul risveglio della pittrice Margaret Keane, il suo fenomenale successo negli anni '50 e le successive difficoltà legali che ha avuto con suo marito, che ha rivendicato il merito d... Leggi tuttoUn dramma sul risveglio della pittrice Margaret Keane, il suo fenomenale successo negli anni '50 e le successive difficoltà legali che ha avuto con suo marito, che ha rivendicato il merito delle sue opere negli anni '60.Un dramma sul risveglio della pittrice Margaret Keane, il suo fenomenale successo negli anni '50 e le successive difficoltà legali che ha avuto con suo marito, che ha rivendicato il merito delle sue opere negli anni '60.
- Regia
- Sceneggiatura
- Star
- Nominato ai 2 BAFTA Award
- 3 vittorie e 18 candidature totali
- 2nd Olivetti Girl
- (as Emily Bruhn)
Recensioni in evidenza
Amy Adams puts on a really good performance as Margaret. Much like her roles in "Junebug", "Enchanted" and "Doubt", her character's idealism collapses when faced with reality. Christoph Waltz turns Walter into a mixture of smooth and terrifying, but a real creep more than anything.
This is a very different turn for Tim Burton. Far from his homages to horror flicks and swipes at suburban America, he takes a serious approach to the subject matter. I recommend the movie. Whether you know of the story or not, you're sure to be impressed with the movie. Margaret's paintings might not appeal to you - they don't appeal to me - it's important to know what she went through, and the movie does a good job looking at that.
"Big Eyes" (2014) is more of good feel comedy drama then a serious biography drama as it's genre indicates. Yes, it is based on a very true story, but this is not a typical biopic by any means. It's a "light" and easy movie, with some great performances by both leads, tight pacing, very nice writing and directing. No wonder that it was mentioned in an Comedy or Musical categories at Golden Globes and not in motion picture drama.
Overall, this is true very well made biography drama about some painters and frauds. Won't going to spoil anything, just going to say that i was very surprised by the ending when i find out that this actually happen, well, probably not word by word but the outcome did happen actually how it was portrait in the movie. This is a very fine picture from legendary director Tim Burton, and safe to say that this is his best movie in years simply by not being "a Tim Burton's" movie as we know them. This small budget picture (in terms of other's T.Burton's flicks) actually is much more lovely and intimate then his recent works. I will go even so far and say that i haven't enjoy his movie so much since 1999's "Sleepy Hollow".
A premise that has lots of potential is partially wasted in aimless scenes or in repetitiveness. The film doesn't really make a point about anything and has way too much flashy stuff to feel grounded in any way. There would be nothing wrong there, but the fact that in it's uneven tone there seems to emerge a will to give an accurate and worthy recounting of these events makes so much of the drama feel out of nowhere. Storytelling isn't exactly where the movie succeeds. The courtroom scenes are definitely the weakest of all and made me mad multiple times because of their absolute preposterousness.
Anyways, the film is built around a strong enough cast, photography, premise, writing and design that it would be hard to get bored in anyway. The pace is fluent enough and the duration of the film is just about right for the content it presents. I wanted to like this more and see the story be given a better portrayal, but in no way I could say "Big Eyes" was a failure.
Lo sapevi?
- QuizMargaret Keane: Reading a book on a park bench behind Margaret and Walter, when they paint in front of the San Francisco Palace of Fine Arts. The end-credit photo of her sitting with Amy Adams was taken when this scene was filmed.
- Blooper"Tomorrow Forever," the UNICEF painting Margaret Keane painted for the 1964 Worlds Fair, was never actually mounted in the Hall of Education. Robert Moses, who had control over everything that was included in the fair, hated it. Once New York Times critic John Canaday trashed it after seeing a photograph of it, Moses had it thrown into the garbage.
- Citazioni
Ruben: What's that with the big crazy eyes?
Walter Keane: Oh. Well, I believe that you can see things in the eyes. The eyes are the window to the soul.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ojos grandes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.482.031 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.001.738 USD
- 28 dic 2014
- Lordo in tutto il mondo
- 29.261.617 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1