Skin: la storia del nudo nei film
Titolo originale: Skin: A History of Nudity in the Movies
- 2020
- 2h 10min
VALUTAZIONE IMDb
6,7/10
1549
LA TUA VALUTAZIONE
Il top della nudità nei lungometraggi, dai primi giorni del muto a oggi, studiando i cambiamenti della morale che ne hanno portato al suo uso.Il top della nudità nei lungometraggi, dai primi giorni del muto a oggi, studiando i cambiamenti della morale che ne hanno portato al suo uso.Il top della nudità nei lungometraggi, dai primi giorni del muto a oggi, studiando i cambiamenti della morale che ne hanno portato al suo uso.
- Regia
- Sceneggiatura
- Star
Warren Beatty
- Self
- (filmato d'archivio)
Elizabeth Berkley
- Self
- (filmato d'archivio)
Joseph Breen
- Self
- (filmato d'archivio)
- (as Joseph I. Breen)
Phoebe Cates
- Self
- (filmato d'archivio)
Claudette Colbert
- Self
- (filmato d'archivio)
Elizabeth Daily
- Self: Interviewee
- (as E.G. Daily)
Recensioni in evidenza
Making a documentary about such a broad topic as nudity in film is tricky. On one end of the spectrum it can be about how nudity is liberating and how forces inside and outside the film industry have been threatened by it and have tried to suppress it. On the other hand it could be a diatribe about how women's unclothed bodies have been objectified and exploited by a male dominated film industry. The key is to find a balance between these two perspectives so that the audience can get a more complete picture of the role that nudity has played in motion pictures over the years. The filmmakers don't quite achieve that balance, favoring the former perspective over the latter. This is evidenced by the use of clips in the film. Rather than using clips efficiently to make its various points, the film devolves into a "greatest hits" of (mostly) female nude scenes and participants commenting on them. This is particularly true in the latter half of the film which focuses on the post-code era. Additionally, the film largely avoids the basic question of how nudity has been defined in motion pictures and by the society as a whole. Specifically, the film doesn't examine the differences in how male and female nudity are treated on screen. As a result, the film promotes the misleading narrative that nudity overwhelmingly involves women and not men and children. To the film's credit, it does touch upon challenging situations that women find themselves in regards to on screen nudity and sexuality vis-a-vis the experiences of their male counterparts. Overall, the film is a decent overview than might encourage some viewers to dig deeper into the subject on their own.
The documentary started out fine for the first hour. The documentary chronical nudity in films decade by decade. But somehow as the film gets into the 1980s and later, it isn't as good as the first half. It quickly became boring. The way I experienced the second half was as though I was listening to the Charlie Brown school teacher wah wah wah wah, insert nude scene, wah wah wah, another nude scene etc. The documentary seem to have lost its focus during the second half. Became more about titillation than information. I was relieved when the end credits came up after the 2hr+ runtime.
I was fascinated with the stories about Audrey Munson, and the predatory Edison patent, but already knew about the idiotic Hays Code. After that, I actually remembered the kerfuffle over Jane Birkin's pubic hair and the introduction of the rating system.
Of course, I am old. You may not be. I remember the shock of Richard Gere's full frontal in 1981, and there's worse than it on cable now.
Enjoy the film.
Of course, I am old. You may not be. I remember the shock of Richard Gere's full frontal in 1981, and there's worse than it on cable now.
Enjoy the film.
Wonderful! Surprisingly thoughtful and well-done. I actually expected this documentary to be gratuitous... nothing could have been further from that than this exceptional film!
It's a pretty good. Did a fine job at exploring the evolution of nudity in film. I always noticed that female nudity is disproportionately prevalent than than male nudity-which annoys me. However this movie intrigued because it discussed candidly why that is. Yes I know it's because sex sells and the male gaze etc. but, the importance of these things were explored very honestly. It wasn't trying too hard to something that it is not.
Lo sapevi?
- QuizCinemaBlend spoke with director Danny Wolf and he told them that even he was surprised what actors the new documentary was able to speak with, and what topics they were willing to cover. Wolf mentioned several controversial nude scenes that the movie deals with, including the infamous male nudity in Borat (2006) and the rape-revenge film I Spit On Your Grave (1978), but beyond even those Wolf was shocked that Mariel Hemingway was willing to speak about her portrayal of Playboy centerfold Dorthy Stratten, in the controversial Star 80. According to Wolf: "I like a documentary where you never know who'll pop up next. How cool is it that you wouldn't expect Kristine DeBell from Alice in Wonderland to pop up, or Camille Keaton from I Spit on Your Grave. Or Ken Davitian from Borat. These people all did interesting, talked-about, controversial nude scenes in their movies, and I think those are the stories, and those are the people, that make this documentary interesting. It's not just who you expect to see. It's, 'Oh my gosh, I can't believe they got that person.' Or, 'Oh wow, Mariel Hemingway is actually going to talk about her nudity in Star 80.' Which has been a controversial topic for years, and here she is addressing it."
- Citazioni
Malcolm McDowell: [talking about the conception of the character of Caligula] We kind of came up with this thing that he was an anarchist, that he was destroying the Roman Empire from the top. Sound familiar?
- ConnessioniFeatures L'arrivo di un treno alla stazione di La Ciotat (1896)
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Dettagli
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- Paese di origine
- Lingua
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- Skin: A History of Nudity in the Movies
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 375.000 USD (previsto)
- Tempo di esecuzione2 ore 10 minuti
- Colore
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