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6,2/10
7639
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAs a 25-year war between Russia and Sweden concludes, two brothers who are part of an effort to outline new border accords become undone by their actions, and their mistreatment of a young w... Leggi tuttoAs a 25-year war between Russia and Sweden concludes, two brothers who are part of an effort to outline new border accords become undone by their actions, and their mistreatment of a young woman during their journey.As a 25-year war between Russia and Sweden concludes, two brothers who are part of an effort to outline new border accords become undone by their actions, and their mistreatment of a young woman during their journey.
- Premi
- 5 vittorie e 6 candidature totali
Recensioni in evidenza
Strikingly beautiful Finnish art house 'horror' film about guilt, religion, sin and punishment, set in the 16th century, at the end of the Russian/Swedish war.
It's full of atmosphere, symbolism, and unanswered questions. Two Swedish brothers/soldiers -- one intellectual, the other violent and borderline mad -- come to a strange town where they are confronted with eerie reminders of their sins, and of those they have killed in war.
Slow paced, but not boring. However, the underlying ideas do get stretched a bit thin over time, and the occasional turn to horror clichés was a little disappointing given the generally high level of intelligence and originality.
Still, interesting enough that I would give it another look now that I understand what its getting at, and gorgeous enough that I'll still enjoy it, even if I'm once again left with mixed feelings about some of the content.
Mention also must be made of the arresting performance by Ville Virtanen as the violent Eerik, recalling Max Von Sydow in his prime.
It's full of atmosphere, symbolism, and unanswered questions. Two Swedish brothers/soldiers -- one intellectual, the other violent and borderline mad -- come to a strange town where they are confronted with eerie reminders of their sins, and of those they have killed in war.
Slow paced, but not boring. However, the underlying ideas do get stretched a bit thin over time, and the occasional turn to horror clichés was a little disappointing given the generally high level of intelligence and originality.
Still, interesting enough that I would give it another look now that I understand what its getting at, and gorgeous enough that I'll still enjoy it, even if I'm once again left with mixed feelings about some of the content.
Mention also must be made of the arresting performance by Ville Virtanen as the violent Eerik, recalling Max Von Sydow in his prime.
10u992491
I've been watching horror since childhood, and it has become a tiring, arduous task trying to find a flick that satisfies my elitist craving. I can't begin to tell you how happy (and genuinely frightened) I was to watch this.
Everything about this movie is original. Set in 16th century Europe, the story's foundations are firmly planted in realism. The horror comes from masterful application of suspense, fear and dread that is gradually introduced in each scene. By the time you reach the climax you're paralytic; gripped by fear – eager to watch to the end but terrified by what may happen next.
Having said that, this movie isn't for everyone. If you're after a bunch of over-sexed, blonde and artificially enhanced teenagers being hunted down by a knife yielding psycho – you're gonna hate this. If you're after fast-paced action, you'll be yawning throughout the film. If you're after a complex horror film marked by developed characterisation, a unique premise and set in an unfamiliar time in history, you will be pleased.
This is a rare, horror film that focuses on atmosphere and restrained script-writing, resulting in a mature, sophisticated experience for the discerning viewer. Grab a glass of red and enjoy!
Everything about this movie is original. Set in 16th century Europe, the story's foundations are firmly planted in realism. The horror comes from masterful application of suspense, fear and dread that is gradually introduced in each scene. By the time you reach the climax you're paralytic; gripped by fear – eager to watch to the end but terrified by what may happen next.
Having said that, this movie isn't for everyone. If you're after a bunch of over-sexed, blonde and artificially enhanced teenagers being hunted down by a knife yielding psycho – you're gonna hate this. If you're after fast-paced action, you'll be yawning throughout the film. If you're after a complex horror film marked by developed characterisation, a unique premise and set in an unfamiliar time in history, you will be pleased.
This is a rare, horror film that focuses on atmosphere and restrained script-writing, resulting in a mature, sophisticated experience for the discerning viewer. Grab a glass of red and enjoy!
I had quite high expectations of this movie and was a bit disappointed. It's an unusual, intelligent and creepy ghost story, but it has an ambition to do something more distinctive that I didn't feel was followed through completely.
The performances and screenplay are fine. The film is nicely shot, with some lovely moments but also some lapses into generic horror-movie gestures. The sauna itself is a fine addition to the history of scary buildings in movies -- it looks as if it doesn't belong in the landscape at all, and the minute you see it you know something's wrong. The cheesy orchestral score lets the film down a bit, though.
Not all of the things that happen along the way are explained; some of them just seem to be put there for the sake of being scary. The ending is impressive but it left me wondering whether all the pieces leading up to it really fitted together.
I suppose two different films seem to be fighting over the same 90 minutes: an art-house movie that uses elements of fairy tale to explore existential questions about sin and redemption and a haunted-house movie that works by jump-scares, toothless villagers and gushing blood. The two never really came together for me, but I can't say I didn't enjoy the ride.
The performances and screenplay are fine. The film is nicely shot, with some lovely moments but also some lapses into generic horror-movie gestures. The sauna itself is a fine addition to the history of scary buildings in movies -- it looks as if it doesn't belong in the landscape at all, and the minute you see it you know something's wrong. The cheesy orchestral score lets the film down a bit, though.
Not all of the things that happen along the way are explained; some of them just seem to be put there for the sake of being scary. The ending is impressive but it left me wondering whether all the pieces leading up to it really fitted together.
I suppose two different films seem to be fighting over the same 90 minutes: an art-house movie that uses elements of fairy tale to explore existential questions about sin and redemption and a haunted-house movie that works by jump-scares, toothless villagers and gushing blood. The two never really came together for me, but I can't say I didn't enjoy the ride.
Following the end of the decades-long war between Russia and Sweden, a group of soldiers from both countries is assigned the task of defining a new border. Among this group are Eerik and Knut, two brothers who couldn't be more different. The former is a vicious soldier who has been fighting his entire life, while the latter is a civilized collegian who came along due to his expertise in crafting maps. On a scouting run separate from the rest of the group, the two encounter a farmer and his daughter. Bad things happen and the brothers rejoin the expedition the next morning, but what transpired at the remote farm leads to severe feelings of guilt for Knut. He even feels that he's being followed. Continuing their trek across the barren terrain, the men eventually come across a mysterious town where no such place should logically exist. What's more, something seems very off with the inhabitants and, more importantly, with the sauna that stands just outside of the village's reach.
I caught this back in early December on a cold, dreary night. As much as I despise cold weather, it actually made for a fitting atmosphere in which to watch this film. Not just because of the snowy locales or skies drained of color, but also due to the chilling predicament of the characters and the weight of the film's themes. Sauna is a picture that festered in my mind for a good while afterward. I didn't know what to expect going in, but I came out thinking that this was one of the most intriguing horror films I had seen in years. I bought the DVD shortly after my initial viewing, though I still have yet to revisit it. All these months later, it continues to pop back into my head from time to time. It has stayed with me in a way that only a truly haunting piece of work could. I intend to re-watch it when I feel that the timing is right, not before.
The film boasts a strong period setting and some effectively unsettling moments (all about that first time Knut catches a glimpse of a figure across the swamp) set against a mood of pure despair. The characters here are as cold and gloomy as the atmosphere which surrounds them. The acting is resoundingly strong across the board, most notably that of Ville Virtanen as the bloodthirsty Eerik. His character is that of a murderous sociopath who has never known anything but war, yet Virtanen instills the part with a certain sense of empathy and regret underneath the seething hatred. We are also privy to cinematography that, while dark and drained of life, has an exquisite beauty to it. You really feel the chilled air right along with the characters. I'm still not sure that I fully understand everything that goes on in the film, but hey, half of the fun is speculating. There are numerous layers here to keep your mind busy with interpretation. Oh, and the ending is quite something as well!
Alas, discussion around the web appears to be sparse when it comes to this title. If you like eerie, artistic horror, you owe it to yourself to give Sauna a shot. You may not care for it, as this kind of film will never be for everyone, but you will witness one of the more unique genre entries in many a year. All in all, it's a fascinating film that is rewarding in more ways than I can count.
I caught this back in early December on a cold, dreary night. As much as I despise cold weather, it actually made for a fitting atmosphere in which to watch this film. Not just because of the snowy locales or skies drained of color, but also due to the chilling predicament of the characters and the weight of the film's themes. Sauna is a picture that festered in my mind for a good while afterward. I didn't know what to expect going in, but I came out thinking that this was one of the most intriguing horror films I had seen in years. I bought the DVD shortly after my initial viewing, though I still have yet to revisit it. All these months later, it continues to pop back into my head from time to time. It has stayed with me in a way that only a truly haunting piece of work could. I intend to re-watch it when I feel that the timing is right, not before.
The film boasts a strong period setting and some effectively unsettling moments (all about that first time Knut catches a glimpse of a figure across the swamp) set against a mood of pure despair. The characters here are as cold and gloomy as the atmosphere which surrounds them. The acting is resoundingly strong across the board, most notably that of Ville Virtanen as the bloodthirsty Eerik. His character is that of a murderous sociopath who has never known anything but war, yet Virtanen instills the part with a certain sense of empathy and regret underneath the seething hatred. We are also privy to cinematography that, while dark and drained of life, has an exquisite beauty to it. You really feel the chilled air right along with the characters. I'm still not sure that I fully understand everything that goes on in the film, but hey, half of the fun is speculating. There are numerous layers here to keep your mind busy with interpretation. Oh, and the ending is quite something as well!
Alas, discussion around the web appears to be sparse when it comes to this title. If you like eerie, artistic horror, you owe it to yourself to give Sauna a shot. You may not care for it, as this kind of film will never be for everyone, but you will witness one of the more unique genre entries in many a year. All in all, it's a fascinating film that is rewarding in more ways than I can count.
Having premiered his debut feature "Jade Warrior" at Toronto in 2006, A.J. Annila returned with his second film "Sauna", yet another blend of two unexpected genres. He was originally approached to make the movie as a teen slasher-comedy, but thankfully the producers had enough faith in him to make a serious horror movie that would appeal to both the art house crowd and die hard horror fans.
Sauna follows a group of Swedish and Russian soldiers who are assigning new borders after a decades long war between the two countries has ended. In this group are two brothers; Erik, the lifelong soldier who keeps a running tally of the innocent people he's killed, and Knut, the younger more pacifist brother who is part of the group because he is an expert mapmaker. After an unexpected encounter with a farmer and his daughter, the two are haunted by unshakable guilt as they continue with the expedition. The soldiers find a small isolated village in the very center of a large swamp, an eerie place where no children have been born in years and the old do not die. It seems almost as if God has forgotten them.
With the discovery of the village and its solitary sauna, Annila builds on the horror aspects of the film and presents some genuinely scary images. The review on the TIFF website says the film recalls both Tarkovsky and Eli Roth, and I agree; Sauna is at once contemplative and terrifying. It raises questions about morality and guilt, and at the same time has scenes that are as scary as a Japanese ghost horror. The acting from Ville Virtanen and Tommi Eronen, who played the brothers, was superb. The cinematography was was also really beautiful. Overall, I feel like this is one of the best horrors of the last few years and it is highly recommended. 8/10
Sauna follows a group of Swedish and Russian soldiers who are assigning new borders after a decades long war between the two countries has ended. In this group are two brothers; Erik, the lifelong soldier who keeps a running tally of the innocent people he's killed, and Knut, the younger more pacifist brother who is part of the group because he is an expert mapmaker. After an unexpected encounter with a farmer and his daughter, the two are haunted by unshakable guilt as they continue with the expedition. The soldiers find a small isolated village in the very center of a large swamp, an eerie place where no children have been born in years and the old do not die. It seems almost as if God has forgotten them.
With the discovery of the village and its solitary sauna, Annila builds on the horror aspects of the film and presents some genuinely scary images. The review on the TIFF website says the film recalls both Tarkovsky and Eli Roth, and I agree; Sauna is at once contemplative and terrifying. It raises questions about morality and guilt, and at the same time has scenes that are as scary as a Japanese ghost horror. The acting from Ville Virtanen and Tommi Eronen, who played the brothers, was superb. The cinematography was was also really beautiful. Overall, I feel like this is one of the best horrors of the last few years and it is highly recommended. 8/10
Lo sapevi?
- QuizThe word 'Poika' means 'Boy' in Finnish. However, the character 'Poika' is played by a girl 'Sonja Petäjäjärvi'.
- BlooperModern day fillings are visible in the mouth of one character.
- ConnessioniFeatured in Cinemassacre's Monster Madness: Sauna (2021)
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Dettagli
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- Filth
- Luoghi delle riprese
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Botteghino
- Budget
- 930.679 € (previsto)
- Lordo in tutto il mondo
- 192.492 USD
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Proporzioni
- 2.35 : 1
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