The Last Hit Man

I enjoyed most of the movie. What I do, but at the same time, do not understand is why the family let "you know who" into their family. I suppose Mantegna could have handled the situation differently, perhaps holding "you know who" hostage. This struck me as odd. But, again, it is a movie. Do not expect anything great. The actors play their roles well, especially Joe Mantegna. There are some "so-so" acting scenes but overall, a job well done. It is the plot that will keep the viewer interested through out the entire movie, not the acting. But like I said, the acting is definitely worth the viewers time. Of course, we have all seen horrible movies that make it to the theaters on a national scale, but, this movie, by no means is horrible. It keeps the viewer guessing, and with a sufficient amount of action, there really is no reason to bash this title!

We didn't know what to hope for when we sat down to watch The Last Hit Man. The trailer sort of prepared us for more of an action film. There's plenty of action, but the real story is more internal. We got very caught up in it.

There are some very funny lines and almost a screwball style to parts of the movie, especially at the start; and then it settles into a bit of a nightmare and leads to a conclusion that is at the same time satisfying and open-ended.

In the "about" feature the director said that during shooting the main actors would come to him with suggestions about lines that could be cut to make the story tighter and the to tell more by saying less. The result works pretty well, even though there is a slight sag toward pathos at one point.

We will certainly watch it again, and will buy copies of the DVD to share with others.

LATE NEWS!~ April 2: "Last Hit Man" won Best Feature Film at the Canadian Film Festival in Toronto in March!

I was skeptical, when I saw this on Amazon Prime. Glad I took the bait and watched it.

To those of us pro-2A pro-firearm folks, Joe Mantegna is one conservative actor who knows his guns, and how to shoot. So its always interesting to see him in films.

Long story short, if you like a decent firearm flick, you'll enjoy this one. The jist is a father/daughter hit-team dealing with an (unfortunate) everyday family dilemma all families seem to have to deal with -- terminal cancer.

So the story revolves around how a family whose obscure business deals with the reality of a terminal disease.

That's not all of it, just enough to wet your whistle. Bottom line, its worth the 90 minutes out of your life to watch, if you are an action/gun movie guy like I am.

V/r, ColonialOak

Director-writer Smets injects life into a tired genre with this top-notch throw-back which combines black comedy and genuine pathos with ease and skill. Smets was certainly influenced by crime dramas of the 70's (most notably, The Mechanic). His subdued style and pacing is a welcome change from the usual shock and awe of Hollywood. His characters speak from the heart and head and could be your father, sister, or next door neighbour. The film never takes itself too seriously until it matters, nor does it get bogged down with pop-culture references and post-modern irony. I look forward to more films by this talented director.

It obvious that director Christopher Warre Smets loves movies. It's also clear that he has seen a lot of them. Something that recalls Tarantino.

While watching the theatrical premiere during the Canadian Film Festival just last week, there were many moments where I could see the influence of films from another era. The opening sequence is beautiful and beyond it being the only part in black and white, the film does a great job of having a retro film noir aesthetic while combining it with modern pacing and humor.

I don't know what to compare it to as it's not an action film or thriller. The first film that comes to mind is The Professional, as I see parallels in it's treatment of love, family and relationships amidst killing for hire.

Totally recommend it.